Lord Snowdon (Antony Charles Robert Armstrong-Jones)
[Earl and photographer, b. 1930, London, England, d. 2017, London.]

 It’s no good saying “hold it” to a moment in real life. 

Roland Barthes
[Writer, critic, and theorist, b. 1915, Cherbourg, d. 1980, Paris.]

 When we define the Photograph as a motionless image, this does not mean only that the figures it represents do not move; it means that they do not emerge, do not leave: they are anesthetized and fastened down, like butterflies. 

Auguste Rodin
[Artist, b. 1840, Paris, France, d. 1917, Paris.]

 It is the artist who is truthful and photography which lies, for in reality time does not stop, and if the artist succeeds in producing the impression of a movement which takes several moments for accomplishment, his work is certainly much less conventional than the scientific image, where time is abruptly suspended. 

Jean Cocteau
[Writer, poet, artist, and filmmaker, b. 1889, Maisons-Lafitte, France, d. 1963, Milly-la-Foret, France.]

 Nothing is more intriguing than a still photograph in the middle of a motion picture... Just as an accident is a cry changed into silence and not a silence after a cry, photography is speed rendered motionless... 

Gjon Mili
[Photographer, b. 1904, Korçë, Albania, d. 1984, Stamford, Connecticut.]

 Time could truly be made to stand still. Texture could be retained despite violent movement. (On the development of high-speed strobes) 

Garry Winogrand
[Photographer, b. 1928, New York, d. 1984, Tijuana, Mexico.]

 What photograph isn’t a still life? 

Leonard Freed
[Photographer, b. 1929, Brooklyn, New York, d. 2006, Garrison, New York.]

 Photographing is an emotional thing, a graceful thing. Photography allows me to wander with a purpose. 

Jeff Wall
[Photographer, b. 1946, Vancouver, Canada, lives in Vancouver.]

 Reportage, or the spontaneous, fleeting aspect of the photographic image, appear simultaneously with the pictorial, tableau-like aspect at the origins of photography; its traces can be seen in the blurred elements of Daguerre’s first scenes. Reportage evolves in the pursuit of the blurred parts of the pictures. 
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