Paul Outerbridge
[Photographer, b. 1896, New York, d. 1958, Laguna Beach, California.]

 The advantages of photographing the nude are few because nudes have very little, in fact practically no commercial value. The disadvantages are many because it is the most difficult thing to do from every point of view. 

Geoff Dyer
[Writer and critic, b. 1958, Cheltenham, England, lives in London.]

 These days any self-respecting exhibition of nude photos has to have pornographically explicit images to prove that they are works of art. 

Bettina Rheims
[Photographer, b. 1952, Neuilly-sur-Seine, France, lives in Paris.]

 I think that I first started to shoot naked women because I wanted my father to look at my images and father liked very pretty women. 

Mona Kuhn
[Photographer, b. 1969, São Paulo, Brazil, lives in Los Angeles.]

 The body is a place where our mind resides, and that’s what I’m photographing. 

Man Ray (Emanuel Radnitsky)
[Artist, b. 1890, Philadelphia, Pennsylvania, d. 1976, Paris.]

 Speaking of nudes, I have always had a great fondness for this subject, both in my paintings and in my photos, and I must admit, not for purely artistic reasons. 

Susie Bright
[Writer, feminist, and activist, b. 1958, Arlington, Virginia, lives in Santa Cruz, California.]

 Photographs have always been the tar baby of censors and obscenity laws. Literature can certainly (if it’s any good) conjure up the most pornographic imagination. But photographs dare to be “real.” No matter how contrived or constructed they are, there’s that damn body staring you in the face. 

Ren Hang
[Photographer and poet, b. 1987, Changchun, Jilin Province, China, d. 2017, Beijing.]

 People come into this world naked and I consider naked bodies to be people’s original, authentic look. 
 Nudes are there since always. We were born nude. So talking about revolution, I don’t think there’s anything to revolutionize. 
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