Man Ray (Emanuel Radnitsky)
[Artist, b. 1890, Philadelphia, Pennsylvania, d. 1976, Paris.]

 Speaking of nudes, I have always had a great fondness for this subject, both in my paintings and in my photos, and I must admit, not for purely artistic reasons. 

Lucas Samaras
[Artist, b. 1936, Kastoria, Greece, lives in New York.]

 The selfie era offers a big opening: everybody can do it; nowadays even five-year-olds know how to take a nude self-portrait. 

Rankin (John Rankin Waddell)
[Photographer, b. 1966, Glasgow, Scotland, lives in London.]

 When you look at pornography, the women become objects, whereas what I’m trying to do is make the person in the photograph as important as their body. And obviously, I like tits and arse, because I just do. I like the sex of taking photographs. 

Geoff Dyer
[Writer and critic, b. 1958, Cheltenham, England, lives in London.]

 These days any self-respecting exhibition of nude photos has to have pornographically explicit images to prove that they are works of art. 

Susie Bright
[Writer, feminist, and activist, b. 1958, Arlington, Virginia, lives in Santa Cruz, California.]

 Photographs have always been the tar baby of censors and obscenity laws. Literature can certainly (if it’s any good) conjure up the most pornographic imagination. But photographs dare to be “real.” No matter how contrived or constructed they are, there’s that damn body staring you in the face. 

Mona Kuhn
[Photographer, b. 1969, São Paulo, Brazil, lives in Los Angeles.]

 The body is a place where our mind resides, and that’s what I’m photographing. 
 I wasn’t interested in just photographing someone naked, I was interested in representing them as clothed in their own skin, secure in themselves. 

Bert Stern
[Photographer, b. 1929, Brooklyn, New York, d. 2013, New York.]

 She was so beautiful at that time. I didn’t say, “Pose nude.” It was more one thing leading to another: You take clothes off and off and off and off and off. (On his June 1962 photo shoot with Marilyn Monroe.) 
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