Bert Stern
[Photographer, b. 1929, Brooklyn, New York, d. 2013, New York.]

 She was so beautiful at that time. I didn’t say, “Pose nude.” It was more one thing leading to another: You take clothes off and off and off and off and off. (On his June 1962 photo shoot with Marilyn Monroe.) 

Mona Kuhn
[Photographer, b. 1969, São Paulo, Brazil, lives in Los Angeles.]

 The body is a place where our mind resides, and that’s what I’m photographing. 
 I wasn’t interested in just photographing someone naked, I was interested in representing them as clothed in their own skin, secure in themselves. 

Susie Bright
[Writer, feminist, and activist, b. 1958, Arlington, Virginia, lives in Santa Cruz, California.]

 Photographs have always been the tar baby of censors and obscenity laws. Literature can certainly (if it’s any good) conjure up the most pornographic imagination. But photographs dare to be “real.” No matter how contrived or constructed they are, there’s that damn body staring you in the face. 

Paul Outerbridge
[Photographer, b. 1896, New York, d. 1958, Laguna Beach, California.]

 The advantages of photographing the nude are few because nudes have very little, in fact practically no commercial value. The disadvantages are many because it is the most difficult thing to do from every point of view. 

Ren Hang
[Photographer and poet, b. 1987, Changchun, Jilin Province, China, d. 2017, Beijing.]

 People come into this world naked and I consider naked bodies to be people’s original, authentic look. 

Lucas Samaras
[Artist, b. 1936, Kastoria, Greece, lives in New York.]

 The selfie era offers a big opening: everybody can do it; nowadays even five-year-olds know how to take a nude self-portrait. 

Bettina Rheims
[Photographer, b. 1952, Neuilly-sur-Seine, France, lives in Paris.]

 I think that I first started to shoot naked women because I wanted my father to look at my images and father liked very pretty women. 
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