Cindy Sherman
[Artist, b. 1954, Glen Ridge, New Jersey, lives in New York.]

 I didn’t care much about the print quality. The photographs were supposed to look like they cost fifty cents. 

Imogen Cunningham
[Photographer, b. 1883, Portland, d. 1976, San Francisco.]

 The imaginative photographer is always dreaming and trying to record his dream. 

Terence Donovan
[Photographer, b. 1936, Stepney, England, d. 1996, London.]

 A seven-bath developer is no substitute for thought. 

Lars Tunbjörk
[Photographer, b. 1956, Borås, Sweden, d. 2015, Stockholm.]

 I try to take photos like an alien, or a small child. 

Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 The camera can be a machine gun, a warm kiss, a sketchbook. Shooting a camera is like saying, “Yes, yes, yes.” There is no “maybe.” All the “maybes” should go in the trash. 

Douglas Huebler
[Photographer and artist, b. 1924, Ann Arbor, Michigan, d. 1997, Truro, Massachusetts.]

 I use the camera as a “dumb” copying device that only serves to document whatever phenomenon appears before it through the conditions set by a system. No “esthetic” choices are possible. Other people often make the photographs. It makes no difference. 

David Maisel
[Photographer, b. 1961, New York, lives in San Francisco.]

 The limits of photography have always existed in a changing, fluid dynamic form. Cameras, lenses, papers, films, and, yes, digital technologies come and go. They are the current on which photography rides, but not the substance of what makes a photograph a worthy work of art. 

Man Ray (Emanuel Radnitsky)
[Artist, b. 1890, Philadelphia, Pennsylvania, d. 1976, Paris.]

 People ask: “What camera do you use?” I say: “You don’t ask a writer what typewriter he uses.” 
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