Jean Baudrillard
[Writer and theorist, b. 1929, Reims, France, d. 2007, Paris.]

 ... the age of simulation thus begins with a liquidation of all referentials—worse: by their artificial resurrection in systems of signs, a more ductile material than meaning... It is no longer a question of imitation, nor of reduplication, nor even of parody. It is rather a question of substituting signs of the real for the real itself. 

Robert Morris
[Artist and theorist, b. 1931, Kansas City, Missouri, lives in New York.]

 There is probably no defense against the malevolent powers of the photograph to convert every visible aspect of the world into a static, consumable image. 

Edward Steichen
[Photographer and curator, b. 1879, Luxembourg, Germany, d. 1973, West Redding, Connecticut.]

 Every photograph is a fake from start to finish. 

Lev Manovich
[Artist, theorist, and critic, b. 1960, Moscow, lives in New York.]

 Once we came to accept the photographic image as reality, the way to its future simulation was open. 

James McNeill Whistler
[Artist, b. 1834, Lowell, Massachusetts, d. 1903, London.]

 The imitator is a poor kind of creature. If the man who paints only the face, or flower, or other surface he sees before him were an artist, the king of artists would be the photographer. 

John Gossage
[Photographer, b. 1946, Staten Island, New York, lives in Washington D.C..]

 You can do anything you like, it’s all fiction. 

Jean Baudrillard
[Writer and theorist, b. 1929, Reims, France, d. 2007, Paris.]

 The end of the spectacle brings with it the collapse of reality into hyperrealism, the meticulous reduplication of the real, preferably through another reproductive medium such as advertising or photography. 

Pedro Meyer
[Photographer, b. 1935, Madrid, Spain, lives in Mexico City.]

 The notion of the real and the fake has come full circle. We now tend to dismiss the real because it looks like a fake. The “truth” is that in their own way, when all is said and done, all fakes and surrogates also become their own sort of original. 
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