Jean Baudrillard
[Writer and theorist, b. 1929, Reims, France, d. 2007, Paris.]

 The end of the spectacle brings with it the collapse of reality into hyperrealism, the meticulous reduplication of the real, preferably through another reproductive medium such as advertising or photography. 

Robert Morris
[Artist and theorist, b. 1931, Kansas City, Missouri, lives in New York.]

 There is probably no defense against the malevolent powers of the photograph to convert every visible aspect of the world into a static, consumable image. 

Douglas Crimp
[Writer, theorist and critic, b. 1944, Coeur d'Alene, Idaho, lives in Rochester, New York.]

 ...a great number of [photographic modes]... have to do with reproduction, with copies, and with copies of copies. The peculiar presence of this work is effected through absence, through its unbridgeable distance from the original, from even the possibility of an original. 

Edward Steichen
[Photographer and curator, b. 1879, Luxembourg, Germany, d. 1973, West Redding, Connecticut.]

 Every photograph is a fake from start to finish. 

Andy Warhol
[Artist, b. 1928, Pittsburgh, Pennsylvania, d. 1987, New York.]

 [My vision of America is] a good vision. Actually the best is on TV. I wanted to shoot all the pictures off the TV. No one would have known the difference. 

Pedro Meyer
[Photographer, b. 1935, Madrid, Spain, lives in Mexico City.]

 The notion of the real and the fake has come full circle. We now tend to dismiss the real because it looks like a fake. The “truth” is that in their own way, when all is said and done, all fakes and surrogates also become their own sort of original. 

Man Ray (Emanuel Radnitsky)
[Artist, b. 1890, Philadelphia, Pennsylvania, d. 1976, Paris.]

 An original is a creation motivated by desire. Any reproduction of an original is motivated by necessity. It is marvelous that we are the only species that creates gratuitous forms. To create is divine, to reproduce is human. 

Duane Michals
[Photographer, b. 1932, McKeesport, Pennsylvania, lives in New York.]

 How foolish of me to have believed that it would be that easy. I had confused the appearance of trees and automobiles and people with reality itself and believed that a photograph of these appearances to be a photograph of it. It is a melancholy truth that I will never be able to photograph it and can only fail. I am a reflection photographing other reflections within a reflection. To photograph reality is to photograph nothing. 
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