Paul Theroux
[Writer, b. 1941, Medford, Massachusetts, lives in Cape Cod, Massachusetts and Haleiwa, Hawaii.]

 “I’ve never seen Marilyn like that before,” a critic once said to me. “That’s not Marilyn,” I said. “It’s a picture.” 

Frederick Wiseman
[Filmmaker and Documentarian, b. 1930, Boston, Massachusetts, lives in Boston.]

 The effort to see and really to represent is no idle business in face of the constant force that makes for muddlement. The great thing is indeed that the muddled state too is one of the very sharpest of the realities, that it also has color and form and character, has often in fact a broad and rich comicality. 

John Divola
[Photographer, b. 1949, Los Angeles, lives in Los Angeles.]

 The photograph as an object has a relationship to that which it represents something like the relationship the snake skin has to the snake that sheds it. 

Anne Frank
[Writer, b. 1929, Frankfurt, Germany, d. 1945, Bergen-Belsen concentration camp, Germany.]

 This is a photo as I would wish myself to look all the time. Then I would maybe have a chance to come to Hollywood. (10, October, 1942; Handwritten inscription on a photograph) 

Judith Butler
[Philosopher and theorist, b. 1956, Cleveland, Ohio, lives in Berkeley, California.]

 The critical image... must not only fail to capture its referent, but show its failure. 

Sarah Kember
[Writer and critic, lives in London.]

 A photograph of the pyramids is an image-idea of the pyramids, it is not the pyramids. 

Dennis Oppenheim
[Artist, b. 1938, Electric City, Washington, d. 2011, New York.]

 You can’t understand how strange it was to be a sculptor who exhibited photographs. (On exhibitions of his “earthworks” and land art pieces.) 

Patti Smith
[Musician, artist, and writer, b. 1946, Chicago, Illinois, lives in Detroit and New York.]

 I love to photograph the tools of one’s trade: Duncan Grant’s paintbrushes, the typewriter of Herman Hesse, or even my own guitar, a 1957 Fender Duo-Sonic. 
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