John Divola
[Photographer, b. 1949, Los Angeles, lives in Los Angeles.]

 The photograph as an object has a relationship to that which it represents something like the relationship the snake skin has to the snake that sheds it. 

Alvin Langdon Coburn
[Photographer, b. 1882, Boston, Massachusetts, d. 1966, Wales.]

 Why should not the camera throw off the shackles of conventional representation? (1916) 

Richard Misrach
[Photographer, b. 1949, Los Angeles, lives in San Francisco.]

 To me, the work I do is a means of interpreting unsettling truths, of bearing witness, and of sounding an alarm. The beauty of formal representation both carries an affirmation of life and subversively brings us face to face with news from our besieged world. 

Robert Rauschenberg
[Artist, b. 1925, Port Arthur, Texas, d. 2008, Captiva Island, Florida.]

 I don’t want a picture to look like something it isn’t. I want it to look like something it is. 

Emmet Gowin
[Photographer, b. 1941, Danville, Virginia, lives in Princeton, New Jersey.]

 Photography is a tool for dealing with things everybody knows about but isn’t attending to. My photographs are intended to represent something you don’t see. 

Robert Morris
[Artist and theorist, b. 1931, Kansas City, Missouri, lives in New York.]

 There is probably no defense against the malevolent powers of the photograph to convert every visible aspect of the world into a static, consumable image. 

David Maisel
[Photographer, b. 1961, New York, lives in San Francisco.]

 For me, then, photography is an act of mapping: making something that represents something else. 

Douglas Crimp
[Writer, theorist and critic, b. 1944, Coeur d'Alene, Idaho, lives in Rochester, New York.]

 The desire of representation exists only insofar as the original is always deferred. It is only in the absence of the original that representation can take place. 
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