Anne Frank
[Writer, b. 1929, Frankfurt, Germany, d. 1945, Bergen-Belsen concentration camp, Germany.]

 This is a photo as I would wish myself to look all the time. Then I would maybe have a chance to come to Hollywood. (10, October, 1942; Handwritten inscription on a photograph) 

Lewis Baltz
[Photographer, b. 1945, Newport Beach, California, d. 2014, Paris.]

 I don’t think we need [photography recording a real present] at all, any more; we already know, to the point of ennui, what the world looks like in photographs. 

Alvin Langdon Coburn
[Photographer, b. 1882, Boston, Massachusetts, d. 1966, Wales.]

 Why should not the camera throw off the shackles of conventional representation? (1916) 

Marcel Duchamp
[Artist, b. 1887, Blainville, France, d. 1968, Neilly-sur-Seine, France.]

 It’s the viewer that makes the work. 

David Maisel
[Photographer, b. 1961, New York, lives in San Francisco.]

 For me, then, photography is an act of mapping: making something that represents something else. 

Lucy Lippard
[Critic and writer, b. 1936, New York, lives in Galisteo, New Mexico.]

 Despite having been awarded the dubious honor of arthood, all photography is still perceived as having one foot in the real world, a toe in the chilly waters of verisimilitude, no matter how often it is demonstrated that photographs can and do lie. 

Richard Misrach
[Photographer, b. 1949, Los Angeles, lives in San Francisco.]

 To me, the work I do is a means of interpreting unsettling truths, of bearing witness, and of sounding an alarm. The beauty of formal representation both carries an affirmation of life and subversively brings us face to face with news from our besieged world. 

Dennis Oppenheim
[Artist, b. 1938, Electric City, Washington, d. 2011, New York.]

 You can’t understand how strange it was to be a sculptor who exhibited photographs. (On exhibitions of his “earthworks” and land art pieces.) 
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