Ezra Pound
[Poet, b. 1885, Hailey, Idaho, d. 1972, Venice, Italy.]

 Almost any fool can paint an academy picture, and any imbecile can shoot off a Kodak. 

John Berger
[Writer and critic, b. 1926, London, d. 2017, Paris.]

 A photograph is static because it has stopped time. A painting or drawing is static because it encompasses time. 

Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 The adventurer in me felt obliged to testify with a quicker instrument than a brush to the scars of the world. 

Man Ray (Emanuel Radnitsky)
[Artist, b. 1890, Philadelphia, Pennsylvania, d. 1976, Paris.]

 However rapidly I could paint, it was still drudgery after the instantaneous act of photography. 

Thomas Roma
[Photographer, b. 1950, Brooklyn, New York, lives in Brooklyn.]

 Imagine what Masaccio or Leonardo would have done if they had an instrument with which they could point, push a button, and get an image. 

Man Ray (Emanuel Radnitsky)
[Artist, b. 1890, Philadelphia, Pennsylvania, d. 1976, Paris.]

 A photograph is to a painting what an automobile is to a horse. A rider on his horse is a beautiful thing, but I prefer a man in an airplane. 

John Currin
[Artist, b. 1962, Boulder, Colorado, lives in New York.]

 I’ve always found paintings of nudes depressing because they can’t compete with photographs. The grainiest photograph of some girl, a blurry Polaroid—you’d rather look at that than the Venus de Milo, because you think, “Wow, that’s really somebody... This camera really was in front of this real naked lady.” 

Ed Ruscha
[Artist, b. 1937, Omaha, Nebraska, lives in Los Angeles.]

 Unfortunately, there was no Jackson Pollock of the camera. 
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