[Artist, b. 1943, Berck-sur-Mer, France, lives in Paris.]
Pornography is about images that are repeated, saturated. Images of the human body, not nature. What I find in pornography is precisely the repetition of the same: the clichés of pornography. There can be no real transgression, just an image that repeats itself.
[Artist, b. 1961, Sao Paulo, Brazil, lives in New York.]
Smiling for a camera seems to be embedded in the genetic code—even the blind do it.
[Graphic designer and art director, b. 1898, Ogolitchi, Russia, d. 1971, Le Thor, France.]
When you look into your camera, if you see an image you have ever seen before, don’t click the shutter.
[Artist, b. 1931, National City, California, lives in Venice, California.]
I didn’t see painters doing paintings of glassware and glass shelves or sand dunes and receding snow fences. Why does that interest photographers and not artists?
[Musician, photographer, and collector, b. 1942, Blackpool, Lancashire, England, lives in Encino, California.]
I don’t shoot kittens with balls of wool. I don’t shoot sunsets. What draws me? Ironic, surreal, unexplained, timely moments.
[Artist, b. 1937, Omaha, Nebraska, lives in Los Angeles.]
Unfortunately, there was no Jackson Pollock of the camera.
[Artist, b. 1944, Paris, lives in Paris.]
... in the eyes of its visitors, Venice has no reality of its own. Anyone visiting the place has already seen so many pictures of it that they can only attempt to view it via these clichés, and they take home photographs of Venice that are similar to the ones they already knew. Venice [is] becoming like one of those painted backdrops that photographers use in their studio.
[Photographer, b. 1947, New York, lives in New York.]
I went on to Flickr and it was just thousands of pieces of shit, and I just couldn’t believe it. And it’s just all conventional, it’s all cliches, it’s just one visual convention after another.