Wim Wenders
[Artist and filmmaker, b. 1945, Düsseldorf, lives in Berlin.]

 The beautiful image today means nothing. It’s worth shit. In fact, it’s almost as if it has the opposite effect, because you’re just like everything else out there. 

Ed Ruscha
[Artist, b. 1937, Omaha, Nebraska, lives in Los Angeles.]

 Unfortunately, there was no Jackson Pollock of the camera. 

Wright Morris
[Writer and photographer, b. 1910, Central City, Nebraska, d. 1998, Mill Valley, California.]

 The vast number of photographers, feeding on anything visible, overgraze the landscape the way cattle overgraze their pasture. 

Graham Nash
[Musician, photographer, and collector, b. 1942, Blackpool, Lancashire, England, lives in Encino, California.]

 I don’t shoot kittens with balls of wool. I don’t shoot sunsets. What draws me? Ironic, surreal, unexplained, timely moments. 

John Baldessari
[Artist, b. 1931, National City, California, lives in Venice, California.]

 I didn’t see painters doing paintings of glassware and glass shelves or sand dunes and receding snow fences. Why does that interest photographers and not artists? 

Jean Baudrillard
[Writer and theorist, b. 1929, Reims, France, d. 2007, Paris.]

 You think you photograph a particular scene for the pleasure it gives. In fact it’s the scene that wants to be photographed. You’re merely an extra in the production. 

Margaret Bourke-White
[Photographer, b. 1904, New York, d. 1971, Darien, Connecticut.]

 It seems to me that while it is very important to get a striking picture of a line of smoke stacks or a row of dynamos, it is becoming more and more important to reflect that life that goes on behind these photographs. (1935) 

Christian Boltanski
[Artist, b. 1944, Paris, lives in Paris.]

 ... in the eyes of its visitors, Venice has no reality of its own. Anyone visiting the place has already seen so many pictures of it that they can only attempt to view it via these clichés, and they take home photographs of Venice that are similar to the ones they already knew. Venice [is] becoming like one of those painted backdrops that photographers use in their studio. 
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