Henry Holmes Smith
[Artist and teacher, b. 1909, Bloomington, Illinois, d. 1986, San Rafael, California.]

 In a world of disturbing images, the general body of photography is bland, dealing complacently with nature and treating our preconceptions as insights. Strange, private worlds rarely slip past our guard... 

Alexey Brodovitch
[Graphic designer and art director, b. 1898, Ogolitchi, Russia, d. 1971, Le Thor, France.]

 When you look into your camera, if you see an image you have ever seen before, don’t click the shutter. 

Ed Ruscha
[Artist, b. 1937, Omaha, Nebraska, lives in Los Angeles.]

 Unfortunately, there was no Jackson Pollock of the camera. 

Wright Morris
[Writer and photographer, b. 1910, Central City, Nebraska, d. 1998, Mill Valley, California.]

 The vast number of photographers, feeding on anything visible, overgraze the landscape the way cattle overgraze their pasture. 

John Baldessari
[Artist, b. 1931, National City, California, lives in Venice, California.]

 I didn’t see painters doing paintings of glassware and glass shelves or sand dunes and receding snow fences. Why does that interest photographers and not artists? 

Annette Messager
[Artist, b. 1943, Berck-sur-Mer, France, lives in Paris.]

 Pornography is about images that are repeated, saturated. Images of the human body, not nature. What I find in pornography is precisely the repetition of the same: the clichés of pornography. There can be no real transgression, just an image that repeats itself. 

Robert Adams
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]

 If the dead end of the romantic vision is incoherence, the failure of classicism, which is the outlook I am defending, is the cliché, the ten thousandth camera-club imitation of a picture by Ansel Adams. 

Alexey Brodovitch
[Graphic designer and art director, b. 1898, Ogolitchi, Russia, d. 1971, Le Thor, France.]

 What is a good photograph? I cannot say. A photograph is tied to the time, what is good today may be a cliché tomorrow. 
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