Ruth Orkin
[Photographer, b. 1921, Boston, Massachusetts, d. 1985, New York.]

 To be a photojournalist takes experience, skill, endurance, energy, salesmanship, organization, wheedling, climbing, gatecrashing, etc. – plus an eye and patience. 

Timothy O'Sullivan
[Photographer, b. 1840, Ireland or New York (disputed), d. 1882, Staten Island, New York.]

 The battle of Bull Run would have been photographed “close up” but for the fact that a shell from one of the rebel field-pieces took away the photographer’s camera. 

Craig Owens
[Writer and critic, b. 1950, d. 1990.]

 Representation, then, is not—nor can it be—neutral; it is an act—indeed the founding act—of power in our culture. 

Georgia O'Keeffe
[Artist, b. 1887, Sun Prairie, Wisconsin, d. 1986, Santa Fe, New Mexico.]

 If they had known what a close relationship he would have needed to photograph [them] the way he photographed me—I think they wouldn’t have been interested. (On men who wanted Alfred Stieglitz to photograph their wives or girlfriends, 1922.) 

Catherine Opie
[Photographer, b. 1961, Sandusky, Ohio, lives in Los Angeles.]

 I’m glad there is a queer, out, dyke artist that’s being called an American photographer. 

Gabriel Orozco
[Artist, b. 1962, Jalapa, Veracruz, Mexico, lives in New York, Paris, and Mexico City.]

 Photography is more than a window for me. Photography is more like a “space” that tries to capture situations. 

George Orwell (Eric Arthur Blair)
[Writer, b. 1903, Motihari, Bengal, India, d. 1950, London.]

 It was true that there was no such person as Comrade Oglivy, but a few lines of print and a couple of faked photographs would soon bring him into existence... Comrade Oglivy, who had never existed in the present, now existed in the past, and when once the act of forgery was forgotten, he would exist just as authentically, and upon the same evidence, as Charlemagne or Julius Caesar. 

Orlan (Mireille Suzanne Francette Porte)
[Artist, b. 1947, St. Etienne, France, lives in Ivry-sur-Seine, France.]

 I make myself into a new image in order to produce new images.