Bill Owens
[Photographer, b. 1938, San Jose, California, lives in Hayward, California.]

 Photoshop is not in my vocabulary. I don’t need it because I have content. 

Paul Outerbridge
[Photographer, b. 1896, New York, d. 1958, Laguna Beach, California.]

 The business of the state trying to legislate modesty is relatively both an infantile and ridiculous procedure. Of course, it is true that the more things are secreted the more intriguing they become, because it is always the forbidden that has the strongest appeal. Nudity is a state of fact—lewdity a state of mind. 

Catherine Opie
[Photographer, b. 1961, Sandusky, Ohio, lives in Los Angeles.]

 Language is a very complicated thing, and that’s one of the reasons why I like making photographs. 

Orlan (Mireille Suzanne Francette Porte)
[Artist, b. 1947, St. Etienne, France, lives in Ivry-sur-Seine, France.]

 I make myself into a new image in order to produce new images. 

Georgia O'Keeffe
[Artist, b. 1887, Sun Prairie, Wisconsin, d. 1986, Santa Fe, New Mexico.]

 If they had known what a close relationship he would have needed to photograph [them] the way he photographed me—I think they wouldn’t have been interested. (On men who wanted Alfred Stieglitz to photograph their wives or girlfriends, 1922.) 

Dennis Oppenheim
[Artist, b. 1938, Electric City, Washington, d. 2011, New York.]

 You can’t understand how strange it was to be a sculptor who exhibited photographs. (On exhibitions of his “earthworks” and land art pieces.) 

Timothy O'Sullivan
[Photographer, b. 1840, Ireland or New York (disputed), d. 1882, Staten Island, New York.]

 The battle of Bull Run would have been photographed “close up” but for the fact that a shell from one of the rebel field-pieces took away the photographer’s camera. 

Ruth Orkin
[Photographer, b. 1921, Boston, Massachusetts, d. 1985, New York.]

 To be a photojournalist takes experience, skill, endurance, energy, salesmanship, organization, wheedling, climbing, gatecrashing, etc. – plus an eye and patience.