Errol Morris
[Documentary filmmaker, b. 1948, Hewlett, New York, lives in Cambridge, Massachusetts.]

 They say seeing is believing, but the opposite is true. Believing is seeing. 

Andy Grundberg
[Critic, curator, and educator, lives in Washington, D.C.]

 Computer images, like camera images today, will be seen as representations of a simulated, second-degree reality with little or no connection to the unmediated world. This is one lesson we can learn from photographs, and especially from those of the last 25 years: images exist not to be believed, but to be interrogated. 

Michael Spano
[Photographer, b. 1949, Bronx, New York, lives in Brooklyn, New York.]

 All photographs are manipulated—reality doesn’t look like a photograph anyway. 

Anthony Aziz

 ... with the end of truth in photography has come a corresponding loss of trust; every image, every representation, is now a potential fraud. And as the eternal debate rages on about the appearance of truth and truth itself, simulation is the only truth we can trust. 

David LaChapelle
[Photographer, b. 1968, Connecticut, lives in New York.]

 People say photos don’t lie. Mine do. I make mine lie. 

Joel Sternfeld
[Photographer, b. 1944, New York, lives in New York.]

 No individual photo explains anything. That’s what makes photography such a wonderful and problematic medium. It is the photographer’s job to get this medium to say what you need it to say. Because photography has a certain verisimilitude, it has gained a currency as truthful—but photographs have always been convincing lies. 

Sabrina Harman
[U.S. military guard at Abu Ghraib Prison, Iraq, b. 1978, Lorton, Virginia, lives in Virginia.]

 If I come up to you and I’m like, “Hey this is going on,” you probably wouldn’t believe me unless I had something to show you. So if I say “Hey this is going on. Look, I have proof,” you can’t deny it, I guess. (On why she took the infamous photos of abused prisoners at Abu Ghraib Prison, Iraq) 

Robert Frank
[Photographer and filmmaker, b. 1924, Zürich, Switzerland, lives in Mabou, Cape Breton, Nova Scotia, Canada, and New York.]

 The truth is somewhere between the documentary and the fictional, and that is what I try to show. What is real one moment has become imaginary the next. You believe what you see now, and the next second you don’t anymore. 
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