Geoffrey Batchen
[Photohistorian, b. 1956, Australia, lives in Wellington, New Zealand.]

 Most importantly, postmodernism comes down on the side of photography and power, not photography as power. As a consequence, photography continues to be conceived as an inconsequential vehicle or passage for “real” powers that always originate elsewhere. 

Don DeLillo
[Writer, b. 1936, New York, lives in New York.]

 All the impulses of the media were fed into the circuitry of my dreams. One thinks of echoes. One thinks of an image made in the image and likeness of images. It was that complex. 

Christian Boltanski
[Artist, b. 1944, Paris, lives in Paris.]

 ... in the eyes of its visitors, Venice has no reality of its own. Anyone visiting the place has already seen so many pictures of it that they can only attempt to view it via these clichés, and they take home photographs of Venice that are similar to the ones they already knew. Venice [is] becoming like one of those painted backdrops that photographers use in their studio. 

Lucy Lippard
[Critic and writer, b. 1936, New York, lives in Galisteo, New Mexico.]

 There is indeed something omnivorous about the act of photography. It offers a way of responding to everything about everything. 

Wright Morris
[Writer and photographer, b. 1910, Central City, Nebraska, d. 1998, Mill Valley, California.]

 Images proliferate. Am I wrong in being reminded of printing money in a period of wild inflation? Do we know what we are doing? Are we able to evaluate what we have done? 

Anthony Aziz

 ... with the end of truth in photography has come a corresponding loss of trust; every image, every representation, is now a potential fraud. And as the eternal debate rages on about the appearance of truth and truth itself, simulation is the only truth we can trust. 

Douglas Crimp
[Writer, theorist and critic, b. 1944, Coeur d'Alene, Idaho, lives in Rochester, New York.]

 The desire of representation exists only insofar as the original is always deferred. It is only in the absence of the original that representation can take place. 

Roland Barthes
[Writer, critic, and theorist, b. 1915, Cherbourg, d. 1980, Paris.]

 In an initial period, photography, in order to surprise, photographs the notable; but soon, by a familiar reversal, it decrees notable whatever it photographs. 
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