Pamela Anderson
[Actress and model, b. 1967, Ladysmith, British Columbia, Canada, lives in Los Angeles.]

 I like the experience of being in a shoot, and I’m a total exhibitionist, but I don’t like to look at them. 

Brooks Atkinson
[Writer and critic, b. 1894, Melrose, Massachusetts, d. 1984, New York.]

 The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking. 

Lynsey Addario
[Photographer, b. 1973, Norwalk, Connecticut, lives in Islington, England.]

 When I was behind a camera, it was the only place in the world I wanted to be. 

William Albert Allard
[Photojournalist, b. 1937, Minneapolis, Minnesota, lives in Charlottesville, Virginia.]

 I think the best pictures are often on the edges of any situation, I don’t find photographing the situation nearly as interesting as photographing the edges. 

Theodor Adorno
[Writer, b. 1903, Frankfurt, Germany, d. 1969, Visp, Switzerland.]

 The objective tendency of the Enlightenment, to wipe out the power of images over man, is not matched by any subjective progress on the part of enlightened thinking towards freedom from images. 

W.H. Auden
[Poet and writer, b. 1907, York, North Yorkshire, England, d. 1973, Vienna, Austria.]

 The steady eyes of the crow and the camera’s candid eye
See as honestly as they know how, but they lie.  

Anna Atkins
[Photographer, b. 1799, Tunbridge, Kent, England, d. 1871, Halstead, Essex, England.]

 The difficulty of making accurate drawings of objects so minute as many of the Algae and Confervae has induced me to avail myself of Sir John Herschel’s beautiful process of Cyanotype, to obtain impressions of the plants themselves, which I have much pleasure in offering to my botanical friends. (1843, text accompanying the first photographically illustrated book, British Algae: Cyanotype Impressions, authored by the Atkins, recognized as the first female photographer.) 

Robert Adams
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]

 The job of the photographer, in my view, is not to catalogue indisputable fact but to try to be coherent about intuition and hope.