Dieter Appelt
[Photographer and artist, b. 1935, Niemegk, Germany, lives in Berlin.]

 A snapshot steals life that it cannot return. A long exposure gives a form that never existed. 

William Albert Allard
[Photojournalist, b. 1937, Minneapolis, Minnesota, lives in Charlottesville, Virginia.]

 I think the best pictures are often on the edges of any situation, I don’t find photographing the situation nearly as interesting as photographing the edges. 

Keith Arnatt
[Photographer, b. 1930, Oxford, d. 2008, Wales.]

 Making a distinction between, or opposing artists and photographers is, it strikes me, like making a distinction between, or opposing, food and sausages—surely odd. 

Vito Acconci
[Artist, b. 1940, Bronx, New York, lives in Brooklyn, New York.]

 Maybe I had to stop photographing so that I could learn to touch. 

Abbas (Abbas Attar)
[Photographer, b. 1944, Iran, d. 2018, Paris.]

 The choice was to think of oneself either as a photojournalist or an artist. It wasn’t out of humility that I called myself a photojournalist, but arrogance. I thought photojournalism was superior. 

Margaret Atwood
[Writer, b. 1939, Ottawa, Canada, lives in Toronto.]

 Old lovers go the way of old photographs, bleaching out gradually as in a slow bath of acid: first the moles and pimples, then the shadings. Then the faces themselves, until nothing remains but the general outlines. 

Paul Almasy
[Photojournalist, b. 1906, Budapest, Hungary, d. 2003, Paris, France.]

 When I took photographs I never crouched down like a cat about to pounce on its prey. I never attacked with my camera. 

Carl Andre
[Sculptor and writer, b. 1935, Quincy, Massachusetts, lives in New York.]

 I’m afraid we get a great deal of our exposure to art through magazines and through slides and I think this is dreadful, this is anti-art because art is direct experience with something in the world and photography is just a rumor, a kind of pornography of art.