Shimon Attie
[Photographer, b. 1957, Los Angeles, lives in New York.]

 I use contemporary media to reanimate sites and places with images of their own lost histories. 

Lynsey Addario
[Photographer, b. 1973, Norwalk, Connecticut, lives in Islington, England.]

 When I was behind a camera, it was the only place in the world I wanted to be. 

Carl Andre
[Sculptor and writer, b. 1935, Quincy, Massachusetts, lives in New York.]

 I’m afraid we get a great deal of our exposure to art through magazines and through slides and I think this is dreadful, this is anti-art because art is direct experience with something in the world and photography is just a rumor, a kind of pornography of art. 

Henry Adams
[Writer and historian, b. 1838, Boston, Massachusetts, d. 1918, Washington, D.C..]

 I hate photographs abstractly, because they have given me more ideas perversely and immovably wrong, than I ever should get by imagination. 

Diane Arbus
[Photographer, b. 1923, New York, d. 1971, New York.]

 I think it does, a little, hurt to be photographed. 

Paul Almasy
[Photojournalist, b. 1906, Budapest, Hungary, d. 2003, Paris, France.]

 When I took photographs I never crouched down like a cat about to pounce on its prey. I never attacked with my camera. 

Berenice Abbott
[Photographer, writer, teacher, b. 1898, Springfield, Ohio, d. 1991, Monson, Maine.]

 What we need of equipment is this: let it possess as good a structure as the real-life content that surrounds us. We need more simplifications to free us for seeing. 

Dieter Appelt
[Photographer and artist, b. 1935, Niemegk, Germany, lives in Berlin.]

 A snapshot steals life that it cannot return. A long exposure gives a form that never existed.