Weegee (Usher Fellig)
[Photographer, b. 1899, Zlothew near Lemberg, Austrian Galicia (now Zolochiv, Ukraine), d. 1968, New York.]

 I had so many unsold murder pictures lying around my room... I felt as if I were renting out a wing of the City Morgue. 

Garry Winogrand
[Photographer, b. 1928, New York, d. 1984, Tijuana, Mexico.]

 You know why your pictures are no fucking good? Because they don’t describe the chaos of life. (Quoted by Philip-Lorca DiCorcia) 

Minor White
[Photographer, writer, and theorist, b. 1908, Minneapolis, Minnesota, d. 1976, Cambridge, Massachusetts.]

 Camera and eye are together a time machine with which the mind and human being can do the same kind of violence to time and space as dreams. 

David Foster Wallace
[Writer, b. 1962, Ithica, New York, d. 2008, Claremont, California.]

 You suffer with the stunted desire caused by one of its oldest lies. Do not believe the photographs. Fame is not the exit from any cage. 

Tennessee Williams
[Writer, b. 1911, Columbus, Mississippi, d. 1983, New York.]

 Everyone should know nowadays the unimportance of the photographic in art: that truth, life, or reality is an organic thing which the poetic imagination can represent or suggest, in essence, only through transformation, through changing into other forms than those which were merely present in appearance. 

Andy Warhol
[Artist, b. 1928, Pittsburgh, Pennsylvania, d. 1987, New York.]

 [My vision of America is] a good vision. Actually the best is on TV. I wanted to shoot all the pictures off the TV. No one would have known the difference. 

Charis Wilson
[Model, b. 1914, San Francisco, d. 2009, Santa Cruz, California.]

 I knew I really didn’t look that good, and that Edward [Weston] had glorified me, but it was a very pleasant thing to be glorified and I couldn’t wait to go back for more. 

Clarence H. White
[Photographer, b. 1871, West Carlisle, Ohio, d. 1925, Mexico City.]

 I think the greatest weakness of the young worker is the lack of something to express. He is too much interested in the photograph for the sake of the photograph alone—that is, in the medium or in the taking of the photograph itself. The photograph should express something.