Larry Clark
[Photographer and filmmaker, b. 1943, Tulsa, Oklahoma, lives in New York.]

 ... I wanted to be a storyteller, tell a story. Which I hate to even admit to now, because I hate photojournalism so badly. 

Jeff Wall
[Photographer, b. 1946, Vancouver, Canada, lives in Vancouver.]

 Reportage, or the spontaneous, fleeting aspect of the photographic image, appear simultaneously with the pictorial, tableau-like aspect at the origins of photography; its traces can be seen in the blurred elements of Daguerre’s first scenes. Reportage evolves in the pursuit of the blurred parts of the pictures. 

Nan Goldin
[Photographer, b. 1953, Washington, D.C., lives in New York and Paris.]

 Where is the line between life and photographing life? 

Allan Sekula
[Photographer, writer, and theorist, b. 1951, Erie, Pennsylvania, d. 2013, Los Angeles.]

 A truly critical social documentary will frame the crime, the trial, and the system of justice and its official myths. Artists working toward this end may or may not produce images that are theatrical and overtly contrived, they may or may not present texts like fiction. Social truth is something other than a manner of convincing style. 

Jeff Wall
[Photographer, b. 1946, Vancouver, Canada, lives in Vancouver.]

 [Near documentary] means that they are pictures whose subjects were suggested by my direct experience, and ones in which I tried to recollect that experience as precisely as I could, and to reconstruct and represent it precisely and accurately. 

Robert Frank
[Photographer and filmmaker, b. 1924, Zürich, Switzerland, lives in Mabou, Cape Breton, Nova Scotia, Canada, and New York.]

 The truth is somewhere between the documentary and the fictional, and that is what I try to show. What is real one moment has become imaginary the next. You believe what you see now, and the next second you don’t anymore. 

Susan Meiselas
[Photographer, b. 1948, Baltimore, Maryland, lives in New York.]

 If Instagram had been available when I was working in Nicaragua in 1978, I’m sure I would have wanted to use it as a way of reporting directly from the streets during the insurrection. 

John Berger
[Writer and critic, b. 1926, London, d. 2017, Paris.]

 If everything that existed were continually being photographed, every photograph would become meaningless. 
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