Robert Frank
[Photographer and filmmaker, b. 1924, Zürich, Switzerland, lives in Mabou, Cape Breton, Nova Scotia, Canada, and New York.]

 The truth is somewhere between the documentary and the fictional, and that is what I try to show. What is real one moment has become imaginary the next. You believe what you see now, and the next second you don’t anymore. 

Susan Meiselas
[Photographer, b. 1948, Baltimore, Maryland, lives in New York.]

 If Instagram had been available when I was working in Nicaragua in 1978, I’m sure I would have wanted to use it as a way of reporting directly from the streets during the insurrection. 

Donna Ferrato
[Photographer, b. 1949, Waltham, Massachusetts, lives in New York.]

 What makes me really happy is to get deep into the muck and juicy good stuff of people’s lives. 

Clarence John Laughlin
[Photographer, b. 1905, Lake Charles, Louisiana, d. 1985, New Orleans, Louisiana.]

 Let us see as steadily and completely as possible the realities of our age: the wasted lives, the scattered and misused resources (human and material), the steel magic of the misdirected machinery, the mad clockwork tragedy of it all. 

Ken Domon
[Photographer, b. 1909, Sakata, Japan, d. 1990, Tokyo.]

 If it is not realistic, it is not photography. 

Garry Winogrand
[Photographer, b. 1928, New York, d. 1984, Tijuana, Mexico.]

 You know, you’ve heard photographers talk about how they want to know the place better and so on—they’re really talking about their own comfort. Let me put it this way—I have never seen a photograph from which I could tell how long the photographer was there, how well he knew it. 

Susie Linfield
[Writer and critic, New York, lives in New York.]

 …images have become more extreme as political clarity has dissipated; this is, I think, no coincidence…. What happens to documentary photography—to the photography of witness—when it no longer has a politics it can support? 

Jeff Wall
[Photographer, b. 1946, Vancouver, Canada, lives in Vancouver.]

 [Near documentary] means that they are pictures whose subjects were suggested by my direct experience, and ones in which I tried to recollect that experience as precisely as I could, and to reconstruct and represent it precisely and accurately. 
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