[Artist, b. 1943, Brooklyn, New York, lives in New York.]
Documentary is a little like horror movies, putting a face on fear and transforming threat into fantasy, into imagery. One can handle imagery by leaving it behind. (It is them, not us.)
[Photographer, b. 1946, Vancouver, Canada, lives in Vancouver.]
[Near documentary] means that they are pictures whose subjects were suggested by my direct experience, and ones in which I tried to recollect that experience as precisely as I could, and to reconstruct and represent it precisely and accurately.
[Photographer and filmmaker, b. 1943, Tulsa, Oklahoma, lives in New York.]
... I wanted to be a storyteller, tell a story. Which I hate to even admit to now, because I hate photojournalism so badly.
[Writer, critic, and theorist, b. 1915, Cherbourg, d. 1980, Paris.]
The image freezes an endless number of possibilities; words determine a single certainty... this is why all news photographs are captioned.
[Photographer, b. 1903, New York, d. 1991, Providence, Rhode Island.]
For some reason or other there was in me the desire to see the world clean and fresh and alive, as primitive things are clean and fresh and alive. The so-called documentary picture left me wanting something.
[Photographer, b. 1895, Hoboken, New Jersey, d. 1965, San Francisco.]
For me documentary photography is less a matter of subject and more a matter of approach. The important thing is not what’s photographed but how... My own approach is based on three considerations. First—hands off! Whatever I photograph, I do not molest or tamper with or arrange. Second—a sense of place. Whatever I photograph, I try to picture as part of its surroundings, as having roots. Third—a sense of time. Whatever I photograph, I try to show as having its position in the past or in the present.
[Photographer, b. 1949, Waltham, Massachusetts, lives in New York.]
What makes me really happy is to get deep into the muck and juicy good stuff of people’s lives.
[Photographer, b. 1932, McKeesport, Pennsylvania, lives in New York.]
[Photography] deals with religious hypocrisy, and abortion, and homosexuality, all the buzzwords in American culture. Everything should be subject to photography, not just the polite things like moonrise and sunsets and tits and ass. I mean everything, your dreams and your nightmares and Margaret Thatcher.