Dziga Vertov
[Artist and filmmaker, b. 1896, Bialystok, d. 1954, Moscow.]

 I’m an eye. A mechanical eye. I, the machine, show you a world the way only I can see it. I free myself for today and forever from human immobility... My way leads towards the creation of a fresh perception of the world. Thus I explain in a new way the world unknown to you. (1923) 

Gore Vidal
[Writer, b. 1925, West Point, New York, lives in Ravello, Italy and Los Angeles.]

 For half a century photography has been the “art form” of the untalented. Obviously some pictures are more satisfactory than others, but where is credit due? To the designer of the camera? To the finger on the button? To the law of averages? 

Massimo Vitali
[Photographer, b. 1944, Como, Italy, lives in Lucca, Italy.]

 As a photographer you have to do things you don’t want to. 

Paul Virilio
[Writer and theorist, b. 1932, Paris, lives in La Rochelle, France.]

 ... the blinding Hiroshima flash... literally photographed the shadow cast by beings and things, so that every surface immediately became war’s recording surface, its film. 

Paul Valéry
[Writer and poet, b. 1871, Sète, France, d. 1945, Paris.]

 Thanks to photography, the eye grew accustomed to anticipate what it should see and to see it; and it learned not to see nonexistent things which, hitherto, it had seen so clearly. 

Roman Vishniac
[Photographer, b. 1897, Pavlovsk, Russia, d. 1990, New York.]

 I was living in Germany in the thirties, and I knew that Hitler had made it his mission to exterminate all Jews, especially the children and the women who could bear children in the future. I was unable to save my people, only their memory. 

Bill Viola
[Artist, b. 1951, New York City, lives in Los Angeles.]

 The electronic image is not fixed to any material base and, like our DNA, it has become a code that can circulate to any container that will hold it, defying death as it travels at the speed of light. 

James Van Der Zee
[Photographer, b. 1886, Lenox, Massachusetts, d. 1983, Washington, D.C.]

 Being an artist, I had an artist’s instinct. Why, you have an advantage over the average photographer. You can see the picture before its taken; then it’s up to you to get the camera to see it.