W. Eugene Smith
[Photographer, b. 1918, Wichita, Kansas, d. 1978, Tucson, Arizona.]

 The journalistic photographer can have no other than a personal approach; and it is impossible for him to be completely objective. Honest—yes. Objective—no. 

Weegee (Usher Fellig)
[Photographer, b. 1899, Zlothew near Lemberg, Austrian Galicia (now Zolochiv, Ukraine), d. 1968, New York.]

 I had so many unsold murder pictures lying around my room... I felt as if I were renting out a wing of the City Morgue. 

Susan Sontag
[Writer, theorist, and critic, b. 1933, New York, d. 2004, New York.]

 A photograph is supposed not to evoke but to show. That is why photographs, unlike handmade images, can count as evidence. But evidence of what? 

Donald McCullin
[Photographer, b. 1935, Finsbury Park, London, lives in Somerset, England.]

 You cannot walk on the water of hunger, misery, and death. You have to wade through to record them. 

Andy Grundberg
[Critic, curator, and educator, lives in Washington, D.C.]

 Facts cling to photographs like dust. 

Annie Leibovitz
[Photographer, b. 1949, Westbury, Connecticut, lives in New York.]

 ...I gave up on being a journalist—I thought having a point of view was more important than being objective. 

Richard Misrach
[Photographer, b. 1949, Los Angeles, lives in San Francisco.]

 The very act of representation has been so thoroughly challenged in recent years by postmodern theories that it is impossible not to see the flaws everywhere, in any practice of photography. Traditional genres in particular—journalism, documentary studies, and fine-art photography—have become shells, or forms emptied of meaning. 

Aleksander Rodchenko
[Artist, designer, architect, b. 1891, St. Petersburg, d. 1956, Moscow.]

 Landscapes, heads and naked women are called artistic photography, while photographs of current events are called press photography. 
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