Larry Clark
[Photographer and filmmaker, b. 1943, Tulsa, Oklahoma, lives in New York.]

 ... I wanted to be a storyteller, tell a story. Which I hate to even admit to now, because I hate photojournalism so badly. 

Larry Towell
[Photographer, b. 1953, Chatham-Kent, Ontario, Canada, lives in Lambton County, Ontario, Canada.]

 … photojournalism has its tremendous rewards and it’s wonderful work. In what other work can you wander aimlessly with a camera around your neck, armed only with your personal interest and your eyes? 

Susan Sontag
[Writer, theorist, and critic, b. 1933, New York, d. 2004, New York.]

 A photograph is supposed not to evoke but to show. That is why photographs, unlike handmade images, can count as evidence. But evidence of what? 

Eugene Richards
[Photographer, b. 1944, Dorchester, Massachusetts, lives in New York.]

 Photojournalist? With a few exceptions, those of us working as photojournalists might now more appropriately call ourselves illustrators. For, unlike real reporters, whose job it is to document what’s going down, most of us go out in the world expecting to give form to the magazine, or to newspaper editor’s ideas, using what’s become over the years a pretty standardized visual language. So we search for what is instantly recognizable, supportive of the text, easiest to digest, or most marketable—more mundane realities be damned. 

Simon Norfolk
[Photographer, b. 1963, Lagos, Nigeria, lives in Brighton, England.]

 A picture that is ghostly and silent can be more eloquent and less clichéd than a “noisier” photo-journalistic approach and I have attempted to make pictures that whilst they are not “documentary” in the traditional sense, they are still documents, like forensic traces. 

W. Eugene Smith
[Photographer, b. 1918, Wichita, Kansas, d. 1978, Tucson, Arizona.]

 The journalistic photographer can have no other than a personal approach; and it is impossible for him to be completely objective. Honest—yes. Objective—no. 

Lee Miller
[Photographer and model, b. 1907, Poughkeepsie, New York, d. 1976, Sussex, England.]

 [Being a great photojournalist is] a matter of getting out on a damn limb and sawing it off behind you. 

Robert Polidori
[Photographer, b. 1951, Montréal, Canada, lives in New York.]

 Doing editorial work is like being on the road with a band. You don’t do your best shit, but you raise the level of your mediocrity and it makes you ready to do your best work when the opportunity comes along. (Quoted by Alec Soth) 
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