Simon Norfolk
[Photographer, b. 1963, Lagos, Nigeria, lives in Brighton, England.]

 A picture that is ghostly and silent can be more eloquent and less clichéd than a “noisier” photo-journalistic approach and I have attempted to make pictures that whilst they are not “documentary” in the traditional sense, they are still documents, like forensic traces. 

Annie Leibovitz
[Photographer, b. 1949, Westbury, Connecticut, lives in New York.]

 ...I gave up on being a journalist—I thought having a point of view was more important than being objective. 

Philip Jones Griffiths
[Photojournalist, b. 1936, Rhuddian, Wales, d. 2008, London.]

 [Photojournalism] really is the only branch of photography that’s a credit to our profession. We see, we understand; we see more, we understand more. 

Aleksander Rodchenko
[Artist, designer, architect, b. 1891, St. Petersburg, d. 1956, Moscow.]

 Landscapes, heads and naked women are called artistic photography, while photographs of current events are called press photography. 

Lee Miller
[Photographer and model, b. 1907, Poughkeepsie, New York, d. 1976, Sussex, England.]

 [Being a great photojournalist is] a matter of getting out on a damn limb and sawing it off behind you. 

Alex Webb
[Photographer, b. 1952, San Francisco, lives in Brooklyn, New York.]

 Running through a lot of traditional photojournalism there is an overwhelming sense of... pictures that say something, that define something. I’m not trying to define things. I’m trying to explore things. I’m trying to ask questions. 

W. Eugene Smith
[Photographer, b. 1918, Wichita, Kansas, d. 1978, Tucson, Arizona.]

 [I am] always torn between the attitude of the journalist, who is a recorder of facts, and the artist, who is often necessarily at odds with the facts. 

Alfredo Jarr
[Artist, b. 1956, Santiago, Chile, lives in New York.]

 As we all know, the objective and mission of the photojournalist is to show us the reality of the world. And in order to capture that reality, they go to dangerous and tragic places at the expense of their lives. I see them as the conscience of our humanity; they represent for me what is left of our humanity. 
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