Sebastião Salgado
[Photographer, b. 1944, Aimores, Minas Gerias, Brazil, lives in Paris and Brazil.]

 I’m not an artist. An artist makes an object. Me, it’s not an object, I work in history, I’m a storyteller. 

Weegee (Usher Fellig)
[Photographer, b. 1899, Zlothew near Lemberg, Austrian Galicia (now Zolochiv, Ukraine), d. 1968, New York.]

 I had so many unsold murder pictures lying around my room... I felt as if I were renting out a wing of the City Morgue. 

John Szarkowski
[Curator, critic, historian, and photographer, b. 1925, Ashland, Wisconsin, d. 2007, Pittsfield, Massachusetts.]

 The basic effect of modern mass media on photography has been to erode the creative independence and the accountability of the photographer who has worked for them. (1967) 

Lee Miller
[Photographer and model, b. 1907, Poughkeepsie, New York, d. 1976, Sussex, England.]

 [Being a great photojournalist is] a matter of getting out on a damn limb and sawing it off behind you. 

Robert Polidori
[Photographer, b. 1951, Montréal, Canada, lives in New York.]

 Doing editorial work is like being on the road with a band. You don’t do your best shit, but you raise the level of your mediocrity and it makes you ready to do your best work when the opportunity comes along. (Quoted by Alec Soth) 

Larry Towell
[Photographer, b. 1953, Chatham-Kent, Ontario, Canada, lives in Lambton County, Ontario, Canada.]

 … photojournalism has its tremendous rewards and it’s wonderful work. In what other work can you wander aimlessly with a camera around your neck, armed only with your personal interest and your eyes? 

Alfredo Jarr
[Artist, b. 1956, Santiago, Chile, lives in New York.]

 As we all know, the objective and mission of the photojournalist is to show us the reality of the world. And in order to capture that reality, they go to dangerous and tragic places at the expense of their lives. I see them as the conscience of our humanity; they represent for me what is left of our humanity. 

W. Eugene Smith
[Photographer, b. 1918, Wichita, Kansas, d. 1978, Tucson, Arizona.]

 [I am] always torn between the attitude of the journalist, who is a recorder of facts, and the artist, who is often necessarily at odds with the facts. 
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