Harry Callahan
[Photographer, b. 1912, Detroit, Michigan, d. 1999, Atlanta, Georgia.]

 Everything was Bauhaus this and Bauhaus that. I wanted to break it... I got tired of experimentation. I got sick of the solarization and reticulation and walked-on negatives. What I was interested in was the technique of seeing... I introduced problems like “evidence of man,” and talking to people—making portraits on the street... I thought [the students] should enter into dealings with human beings and leave abstract photography. I felt that social photography would be the next concern. 

Mel Bochner
[Artist, b. 1940, Pittsburgh, Pennsylvania, lives in New York.]

 Photography Cannot Record Abstract Ideas (Title of a 16x20 inch photograph depicting an index card on which that phrase is handwritten.) 

Edward Weston
[Photographer, b. 1886, Highland Park, Illinois, d. 1958, Wildcat Hill, California.]

 I shall let no chance pass to record interesting abstractions, but I feel definite in my belief that the approach to photography is through realism—and its most difficult approach. (1924) 

Robert Irwin
[Artist, b. 1928, Long Beach, California, lives in San Diego, California.]

 No artist worth their salt has ever made their work really abstract. All wanted to make it as real as possible. So the question is what do we mean by reality? 

Paul Strand
[Photographer, b. 1890, New York, d. 1976, Oregeval, France.]

 All good art is abstract in its structure. 

Uta Barth
[Photographer, b. 1958, Berlin, lives in Los Angeles.]

 Everything is pointing to one’s own activity of looking, to an awareness and sort of hyper-consciousness of visual perception. The only way I know how to invite this experience is by removing the other things (i.e., subject matter) for you to think about. 

David Maisel
[Photographer, b. 1961, New York, lives in San Francisco.]

 …pictures aren’t facts. There’s nothing factual about them. They’re mental space. That’s what abstraction is about, making a kind of psychological space. 

William Eggleston
[Photographer, b. 1939, Memphis, Tennessee, lives in Memphis.]

 I’ve always assumed that the abstract qualities of [my] photographs are obvious. For instance, I can turn them upside down and they’re still interesting to me as pictures. If you turn a picture that’s not well organized upside down, it won’t work. 
quotes 1-8 of 45
page 1 of 6 next page last page
display quotes