Paul Graham
[Photographer, b. 1956, Stafford, England, lives in New York.]

 The “decisive moment” is bullshit. There are ten pictures before and ten pictures after every one of them: [Henri Cartier-Bresson] actually took thirty pictures of people leaping over that puddle. 

Robert Adams
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]

 Your own photography is never enough. Every photographer who has lasted has depended on other people’s pictures too—photographs that may be public or private, serious or funny, but that carry with them a reminder of community. 

Minor White
[Photographer, writer, and theorist, b. 1908, Minneapolis, Minnesota, d. 1976, Cambridge, Massachusetts.]

 Animal living is photographed full tide with barely a moment of lyricism, none of beauty, and tragedy only a match struck on the seat of the pants…. Actually Klein did not photograph a city; he matched with cheap sensational photography the vulgarity of life in all its ugliness. (1957, On William Klein’s book New York.) 

Walker Evans
[Photographer, b. 1903, St. Louis, Missouri, d. 1975, New Haven, Connecticut.]

 Deft, witty, spanking little poems of hate. (Describing photographs by Lee Friedlander) 

William Klein
[Photographer, b. 1928, New York, lives in Paris.]

 I think there are two kinds of photography—Jewish photography and goyish photography. If you look at modern photography, you will find, on the one hand the Weegees, the Diane Arbuses, the Robert Franks—funky photographs. And then you have the people who go out in the woods. Ansel Adams, Weston. It’s like black and white jazz. 

Lewis Baltz
[Photographer, b. 1945, Newport Beach, California, d. 2014, Paris.]

 If you read what, say, Weston was writing in the 1920s he talked about an industrial medium, reflective surfaces, contemporary subject matter—it’s a straighter line to [Ed] Ruscha’s 26 Gas Stations than it would ever be to Ansel Adam’s pictures of Yosemite and their kitschy calendar sensibility. 

Richard Prince
[Artist, b. 1949, Panama Canal Zone, lives in New York.]

 I wish I had met [Francesca] Woodman forty years ago. It would have been great to live with her for a year. She didn’t save anything. She played the camera like a new guitar. She murdered herself out taking pictures... 

Lewis Baltz
[Photographer, b. 1945, Newport Beach, California, d. 2014, Paris.]

 I didn’t like the world of photography. I didn’t like the culture of photography. I feel the same way today. (2011) 
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