Robert Adams
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]

 Many photographers in fact remind me in temperament of Thomas Hart Benton; in addition to painting, he said, what he liked was to “drink whiskey and talk big.” 

Andreas Feininger
[Photographer, b. 1906, Paris, France, d. 1999, New York.]

 Photographers — idiots, of which there are so many — say, “Oh, if only I had a Nikon or a Leica, I could make great photographs.” That’s the dumbest thing I ever heard in my life. It’s nothing but a matter of seeing, and thinking, and interest. 

Joan Fontcuberta
[Photographer, b. 1955, Barcelona, lives in Barcelona.]

 I need there to be documentary photographers, because my work is meta-documentary; it is a commentary about the documentary use of photography. 

Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 The world is going to pieces and people like Adams and Weston are photographing rocks! (1930s) 

John Waters
[Filmmaker and photographer, b. 1946, Baltimore, Maryland, lives in Baltimore.]

 For most people, the word voyeur is a bad word; to me, it’s a realistic one. Whatever your secret obsession is, that’s what you need to look at again and again and again. It doesn’t matter what it is. Was Ansel Adams—who spent a lifetime looking at mountains, making pictures, and getting off on them—a voyeur? 

Jeff Wall
[Photographer, b. 1946, Vancouver, Canada, lives in Vancouver.]

 Only an idiot would take pictures of nothing but filling stations. (Referring to Ed Ruscha’s seminal 1963 book “Twentysix Gasoline Stations.”) 

Brassaï (Gyula Halász)
[Photographer, b. 1889, Brassó, Transylvania, Hungary (now Romania), d. 1984, Eze, Alpes-Maritimes, France.]

 ... we photographers are nothing but a pack of crooks, thieves and voyeurs. We are to be found everywhere we are not wanted; we betray secrets that were never entrusted to us; we spy shamelessly on things that are not our business; And end up the hoarders of a vast quantity of stolen goods. 

Paul Graham
[Photographer, b. 1956, Stafford, England, lives in New York.]

 The “decisive moment” is bullshit. There are ten pictures before and ten pictures after every one of them: [Henri Cartier-Bresson] actually took thirty pictures of people leaping over that puddle. 
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