Jeff Wall
[Photographer, b. 1946, Vancouver, Canada, lives in Vancouver.]

 Reportage, or the spontaneous, fleeting aspect of the photographic image, appear simultaneously with the pictorial, tableau-like aspect at the origins of photography; its traces can be seen in the blurred elements of Daguerre’s first scenes. Reportage evolves in the pursuit of the blurred parts of the pictures. 

Robert Rauschenberg
[Artist, b. 1925, Port Arthur, Texas, d. 2008, Captiva Island, Florida.]

 One gets as much information as a witness of activity from a fleeting glance, like a quick look, sometimes in motion, as one does staring at the subject. Because even if you remain stationary, your mind wanders, and it’s that kind of activity that I would like to get into the photograph. 

Lord Snowdon (Antony Charles Robert Armstrong-Jones)
[Earl and photographer, b. 1930, London, England, d. 2017, London.]

 It’s no good saying “hold it” to a moment in real life. 

Garry Winogrand
[Photographer, b. 1928, New York, d. 1984, Tijuana, Mexico.]

 What photograph isn’t a still life? 

Auguste Rodin
[Artist, b. 1840, Paris, France, d. 1917, Paris.]

 It is the artist who is truthful and photography which lies, for in reality time does not stop, and if the artist succeeds in producing the impression of a movement which takes several moments for accomplishment, his work is certainly much less conventional than the scientific image, where time is abruptly suspended. 

Barbara Morgan
[Photographer, b. 1900, Buffalo, Kansas, d. 1992, North Tarrytown, New York.]

 Movement of contemporary life cannot be thought of without the machine. Our viewpoint is through a windshield, through reflected images on plate glass, blurred snatches through an elevator door. We watch quilted land patterns slowly shift far below our propeller blur, and the vibrating wing tip. Time is cogged, margins tightened, spirit is pressured. Pavement is a child's backyard and the moon is less familiar than a street lamp. If it takes a thief to catch a thief, the camera is the machine to catch the machine age. 

Louis-Jacques-Mandé Daguerre
[Artist and one of the originators of photography, b. 1787, Cormeilles-en-Parisis, Val-d'Oise, France, d. 1851, Bry-sur-Marne, France.]

 I have seized the light. I have arrested its flight. 

Annette Messager
[Artist, b. 1943, Berck-sur-Mer, France, lives in Paris.]

 I can see today that the same sort of issues lie behind taxidermy and photography. Taxidermy consists in preserving a bird in full flight... In the same way, photography halts and freezes motion and life. 
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