Annie Leibovitz
[Photographer, b. 1949, Westbury, Connecticut, lives in New York.]

 In this day and age of things moving so, so fast, we still long for things to stop, and we as a society love the still image. (2013) 

Lord Snowdon (Antony Charles Robert Armstrong-Jones)
[Earl and photographer, b. 1930, London, England, d. 2017, London.]

 It’s no good saying “hold it” to a moment in real life. 

Gjon Mili
[Photographer, b. 1904, Korçë, Albania, d. 1984, Stamford, Connecticut.]

 Time could truly be made to stand still. Texture could be retained despite violent movement. (On the development of high-speed strobes) 

Robert Rauschenberg
[Artist, b. 1925, Port Arthur, Texas, d. 2008, Captiva Island, Florida.]

 One gets as much information as a witness of activity from a fleeting glance, like a quick look, sometimes in motion, as one does staring at the subject. Because even if you remain stationary, your mind wanders, and it’s that kind of activity that I would like to get into the photograph. 

Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 Inside movement there is one moment in which the elements are in balance. Photography must seize the importance of this moment and hold immobile the equilibrium of it. 

Paul Virilio
[Writer and theorist, b. 1932, Paris, lives in La Rochelle, France.]

 To regain our liberty (and our distance), we must slow the images down. 

Lisette Model
[Photographer, b. 1906, Vienna, Austria, d. 1983, New York.]

 Speed, the fundamental condition of the activities of our day is the power of photography, indeed the modern art of today, the art of the split second. 

Annette Messager
[Artist, b. 1943, Berck-sur-Mer, France, lives in Paris.]

 I can see today that the same sort of issues lie behind taxidermy and photography. Taxidermy consists in preserving a bird in full flight... In the same way, photography halts and freezes motion and life. 
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