Luigi Ghirri
[Photographer, b. 1943, Scandiano, Italy, d. 1992, Reggio Emilia, Italy.]

 The ultimate role of photography as a contemporary language of visual communication consists of its capacity to slow down our fast and chaotic way of reading images. 

Auguste Rodin
[Artist, b. 1840, Paris, France, d. 1917, Paris.]

 It is the artist who is truthful and photography which lies, for in reality time does not stop, and if the artist succeeds in producing the impression of a movement which takes several moments for accomplishment, his work is certainly much less conventional than the scientific image, where time is abruptly suspended. 

Roland Barthes
[Writer, critic, and theorist, b. 1915, Cherbourg, d. 1980, Paris.]

 When we define the Photograph as a motionless image, this does not mean only that the figures it represents do not move; it means that they do not emerge, do not leave: they are anesthetized and fastened down, like butterflies. 

Louis-Jacques-Mandé Daguerre
[Artist and one of the originators of photography, b. 1787, Cormeilles-en-Parisis, Val-d'Oise, France, d. 1851, Bry-sur-Marne, France.]

 I have seized the light. I have arrested its flight. 

Robert Rauschenberg
[Artist, b. 1925, Port Arthur, Texas, d. 2008, Captiva Island, Florida.]

 One gets as much information as a witness of activity from a fleeting glance, like a quick look, sometimes in motion, as one does staring at the subject. Because even if you remain stationary, your mind wanders, and it’s that kind of activity that I would like to get into the photograph. 

Lisette Model
[Photographer, b. 1906, Vienna, Austria, d. 1983, New York.]

 Speed, the fundamental condition of the activities of our day is the power of photography, indeed the modern art of today, the art of the split second. 

Sylvia Plachy
[Photographer, b. 1943, Budapest, Hungary, lives in New York.]

 Stop and go: always on some journey. My bounty is a photograph or two. 

Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 Inside movement there is one moment in which the elements are in balance. Photography must seize the importance of this moment and hold immobile the equilibrium of it. 
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