Auguste Rodin
[Artist, b. 1840, Paris, France, d. 1917, Paris.]

 It is the artist who is truthful and photography which lies, for in reality time does not stop, and if the artist succeeds in producing the impression of a movement which takes several moments for accomplishment, his work is certainly much less conventional than the scientific image, where time is abruptly suspended. 

Sylvia Plachy
[Photographer, b. 1943, Budapest, Hungary, lives in New York.]

 Stop and go: always on some journey. My bounty is a photograph or two. 

Luigi Ghirri
[Photographer, b. 1943, Scandiano, Italy, d. 1992, Reggio Emilia, Italy.]

 The ultimate role of photography as a contemporary language of visual communication consists of its capacity to slow down our fast and chaotic way of reading images. 

Annie Leibovitz
[Photographer, b. 1949, Westbury, Connecticut, lives in New York.]

 In this day and age of things moving so, so fast, we still long for things to stop, and we as a society love the still image. (2013) 

Wim Wenders
[Artist and filmmaker, b. 1945, Düsseldorf, lives in Berlin.]

 Every photo, every “once” in time is also the beginning of a story “once upon a time.” Every photo is the first frame of a movie. 

Lord Snowdon (Antony Charles Robert Armstrong-Jones)
[Earl and photographer, b. 1930, London, England, d. 2017, London.]

 It’s no good saying “hold it” to a moment in real life. 

Barbara Morgan
[Photographer, b. 1900, Buffalo, Kansas, d. 1992, North Tarrytown, New York.]

 Movement of contemporary life cannot be thought of without the machine. Our viewpoint is through a windshield, through reflected images on plate glass, blurred snatches through an elevator door. We watch quilted land patterns slowly shift far below our propeller blur, and the vibrating wing tip. Time is cogged, margins tightened, spirit is pressured. Pavement is a child's backyard and the moon is less familiar than a street lamp. If it takes a thief to catch a thief, the camera is the machine to catch the machine age. 

Roland Barthes
[Writer, critic, and theorist, b. 1915, Cherbourg, d. 1980, Paris.]

 When we define the Photograph as a motionless image, this does not mean only that the figures it represents do not move; it means that they do not emerge, do not leave: they are anesthetized and fastened down, like butterflies. 
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