Edvard Munch
[Artist, b. 1863, Loten, Hedmark, Norway, d. 1944, Oslo, Norway.]

 The camera cannot compete with painting so long as it cannot be used in heaven and in hell. 

Errol Morris
[Documentary filmmaker, b. 1948, Hewlett, New York, lives in Cambridge, Massachusetts.]

 If you want to trick someone with a photograph, there are lots of easy ways to do it. You don’t need Photoshop. You don’t need sophisticated digital photo-manipulation. You don’t need a computer. All you need to do is change the caption. 

Robert Mapplethorpe
[Photographer, b. 1946, Floral Park, Long Island, d. 1989, Boston, Massachusetts.]

 I am obsessed with beauty. I want everything to be perfect, and of course it isn’t. And that’s a tough place to be because you’re never satisfied. 

Andrea Modica
[Photographer, b. 1960, Oneonta, New York, lives in Manitou Springs, Colorado.]

 When you start photographing somebody, it’s like a lustful relationship and there’s all the excitement of new flesh. 

Robert Morris
[Artist and theorist, b. 1931, Kansas City, Missouri, lives in New York.]

 There is probably no defense against the malevolent powers of the photograph to convert every visible aspect of the world into a static, consumable image. 

Norman Mailer
[Writer, b. 1923, Long Branch, New Jersey, d. 2007, New York.]

 Giving a camera to Diane Arbus is like putting a live grenade in the hands of a child. 

Joel Meyerowitz
[Photographer, b. 1938, New York, lives in New York.]

 I think about photographs as being full, or empty. You picture something in a frame and it’s got lots of accounting going on in it—stones and buildings and trees and air—but that’s not what fills up a frame. You fill up the frame with feelings, energy, discovery, and risk, and leave room enough for someone else to get in there. 

Malcolm Muggeridge
[Writer and media personality, b. 1903, Sanderstead, England, d. 1990, Robertsbridge, England.]

 The three most disastrous inventions of our time have been the birth control pill, the camera and nuclear weaponry. The first offers sex in terms of sterility, the second reality in terms of fantasy, and the third security in terms of destruction.