Stephen Shore
[Photographer, b. 1947, New York, lives in New York.]

 A photograph has edges, the world does not. 

Jacques-Henri Lartigue
[Photographer, b. 1894, Courbevoie, France, d. 1986, Nice, France.]

 The golden rule is “work fast.” As for framing, composition, focus—this is no time to start asking yourself questions: you just have to trust your intuition and the sharpness of your reflexes. 

Susan Meiselas
[Photographer, b. 1948, Baltimore, Maryland, lives in New York.]

 We know photographers make frames, but we deeply believe they can also create frameworks. 

Diane Arbus
[Photographer, b. 1923, New York, d. 1971, New York.]

 I don’t know what good composition is... Sometimes for me composition has to do with a certain brightness or a certain coming to restness and other times it has to do with funny mistakes. There’s a kind of rightness and wrongness and sometimes I like rightness and sometimes I like wrongness. 

Ernst Haas
[Photographer, b. 1921, Vienna, Austria, d. 1986, New York City.]

 My theory of composition? Simple: do not release the shutter until everything in the viewfinder feels just right. 

John Baldessari
[Artist, b. 1931, National City, California, lives in Venice, California.]

 Probably one of the worst things to happen to photography is that cameras have viewfinders. 

Ellsworth Kelly
[Artist, b. 1923, Newburgh, New York, d. 2015, Spencertown, New York.]

 I realized I didn’t want to compose pictures, I wanted to find them. 

Pedro Meyer
[Photographer, b. 1935, Madrid, Spain, lives in Mexico City.]

 The photograph as an objective representation of reality simply does not exist. The photograph does not explain to you what is going on to the left or to the right or above or below the frame. Oftentimes, it doesn’t even explain to you what is going on inside the frame. 
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