Man Ray (Emanuel Radnitsky)
[Artist, b. 1890, Philadelphia, Pennsylvania, d. 1976, Paris.]

 I photograph what I do not wish to paint and I paint what I cannot photograph. 

W. Eugene Smith
[Photographer, b. 1918, Wichita, Kansas, d. 1978, Tucson, Arizona.]

 [I am] always torn between the attitude of the journalist, who is a recorder of facts, and the artist, who is often necessarily at odds with the facts. 

James Joyce
[Writer, b. 1882, Rathgar, Ireland, d. 1941, Zurich, Switzerland.]

 He dwelt, being a bit of an artist in his spare time, on the female form in general developmentally because, as it so happened, no later than that afternoon he had seen those Grecian statues, 1450 perfectly developed as works of art, in the National Museum. Marble could give the original, shoulders, back, all the symmetry, all the rest... Whereas no photo could because it simply wasn’t art in a word. 

Peter Henry Emerson
[Writer and photographer, b. 1856, LaPalma, Cuba, d. 1936, Falmouth, Cornwall, England.]

 I have, I regret it deeply, compared photographs to great works of art and photographers to great artists. I was rash and thoughtless and my punishment is having to acknowledge it now… (1891, in a recantation of his earlier advocacy of photography.) 

Elizabeth McCausland
[Writer and critic, b. 1899, Wichita, Kansas, d. 1965, New York.]

 Today progressive photographers are not especially interested in the point [Is photography Art?]; it seems an empty issue. There is the whole wide world before the lens, and reality waiting to be set down imperishably. (1939) 

Pierre Bourdieu
[Sociologist, b. 1930, Denguin, France, d. 2002, Paris.]

 The photographic act in every way contradicts the popular representation of artistic creation as effort and toil. 

John Divola
[Photographer, b. 1949, Los Angeles, lives in Los Angeles.]

 Why differentiate between sculpture, painting, and performance when it’s all going to end up as a photograph anyway? 

Auguste Rodin
[Artist, b. 1840, Paris, France, d. 1917, Paris.]

 Mere exactitude, of which photography and moulage [life casting] are the lowest forms, does not inspire feelings. 
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