Margaret Mead
[Anthropologist, b. 1901, Philadelphia, Pennsylvania, d. 1978, New York.]

 Photographs [are] of course heavily dependent upon the culture, the disciplinary point of view and the idiosyncratic vision of the particular photographer-analyst. 

John Berger
[Writer and critic, b. 1926, London, d. 2017, Paris.]

 A photograph is a meeting place where the interests of the photographer, the photographed, the viewer and those who are using the photograph are often contradictory. These contradictions both hide and increase the natural ambiguity of the photographic image. 

Terence Donovan
[Photographer, b. 1936, Stepney, England, d. 1996, London.]

 The magic of photography is metaphysical. What you see in the photograph isn’t what you saw at the time. The real skill of photography is organised visual lying. 

Daido Moriyama
[Photographer, b. 1938, Ikeda-cho, Osaka, Japan, lives in Tokyo.]

 If you were to ask me to define a photograph in a few words, I would say it is “a fossil of light and time.” 

Robert Morris
[Artist and theorist, b. 1931, Kansas City, Missouri, lives in New York.]

 There is probably no defense against the malevolent powers of the photograph to convert every visible aspect of the world into a static, consumable image. 

Joel-Peter Witkin
[Photographer, b. 1939, Brooklyn, New York, lives in Albuquerque, New Mexico.]

 I wanted my photographs to be as powerful as the last thing a person sees or remembers before death. 

Martine Franck
[Photographer, b. 1938, Antwerp, Belgium, d. 2012, Paris.]

 A photograph is not necessarily a lie, but it isn’t the truth either. It’s more like a fleeting, subjective impression. 

Michael Spano
[Photographer, b. 1949, Bronx, New York, lives in Brooklyn, New York.]

 All photographs are manipulated—reality doesn’t look like a photograph anyway. 
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