Ron Galella
[Photographer, b. 1931, Bronx, New York, lives in New York.]

 My job is thick with risks, threats, occasional violence and sometimes the necessary folly that sometimes courts humiliation and ridicule. But I don’t care. I see myself as the dean of American paparazzi. 

Samuel Butler
[Writer, b. 1835, Langar Rectory, Nottinghamshire, England, d. 1902, London.]

 There is a photographer in every bush, going about like a roaring lion seeking whom he may devour. 

Kate Moss
[Model, b. 1974, Croydon, England, lives in St Johns Wood, England.]

 Once I was walking from The Mercer Hotel in New York down the street, and this woman paparazzo who was following me fell over a fire hydrant and her whole tooth went through her lip. I leant over her, saying, “Are you all right?” and she was still taking pictures. I was, “You know what? You are sick in the head.” 

Federico Fellini
[Filmmaker, b. 1920, Rimini, Italy, d. 1993, Rome.]

 There is no such thing as a good paparazzo. A good paparazzo, that’s a paparazzo who has had his camera broken. In fact, they are bandits, thieves of photography. (Statement after photographs were published showing Jackie Onassis sunbathing nude.) 

Nobuyoshi Araki
[Photographer, b. 1940, Tokyo, lives in Tokyo.]

 I’ve been taking photographs since I came into this world. I was no sooner out of my mother’s womb, than I turned around and photographed her sex. 

Graciela Iturbide
[Photographer, b. 1942, Mexico City, lives in Coyoacán, Mexico.]

 I never use a telephoto lens. I need to be close to people. I need their complicity; I need them to be aware that I am there taking their picture. I hate paparazzi. 

Ron Galella
[Photographer, b. 1931, Bronx, New York, lives in New York.]

 My style is the paparazzi approach which is spontaneous, unrehearsed, off-guard. The beauty I’m after is inherent, more natural. Genuine emotions, real emotions, that’s what I look for. 

Jean Baudrillard
[Writer and theorist, b. 1929, Reims, France, d. 2007, Paris.]

 The image is not a medium for which we have to find the proper use. It is what it is and it is beyond all our moral considerations. It is by its essence immoral, and the world’s becoming-image is an immoral process. 
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