Lev Manovich
[Artist, theorist, and critic, b. 1960, Moscow, lives in New York.]

 ... the reason we think that computer graphics technology has succeeded in faking reality is that we, over the course of the last hundred and fifty years, have come to accept the image of photography and film as reality. 

Susie Linfield
[Writer and critic, New York, lives in New York.]

 On the Internet all photographs are equal: including doctored, manipulated, or constructed photographs, and those without any meaningful—or with entirely false—contexts. 
 The Abu Ghraib images—digital images, taken by amateurs—have strengthened, not undermined, the status of photographs as documents of the real. No written account of the tortures could have made such an impact. 

Danny Lyon
[Photographer, b. 1942, New York, lives in Ulster County, New York.]

 The sign at the entrance to my gym locker room says, “no cell phones please, cell phones are cameras.” They are not. A camera is a Nikon or a Leica or Rolleiflex, and when you strike someone with one, they know they have been hit with something substantial. 

Andreas Gursky
[Photographer, b. 1955, Leipzig, Germany, lives in Dusseldorf.]

 Since the photographic medium has been digitized, a fixed definition of the term “photography” has become impossible. 

Andy Grundberg
[Critic, curator, and educator, lives in Washington, D.C.]

 Computer images, like camera images today, will be seen as representations of a simulated, second-degree reality with little or no connection to the unmediated world. This is one lesson we can learn from photographs, and especially from those of the last 25 years: images exist not to be believed, but to be interrogated. 

Tacita Dean
[Artist, b. 1960, Canterbury, England, lives in Berlin.]

 I don’t know if we will have the same level of longing for a digital iPhone picture as we will for a gelatin-silver print. 

Donald Rumsfeld
[Bureaucrat, U.S. Secretary of Defense, b. 1932, Chicago, lives in St. Michaels, Maryland.]

 ...people are running around with digital cameras and taking these unbelievable photographs and then passing them off, against the law, to the media, to our surprise, when they had not even arrived in the Pentagon. (On photographs from Abu Ghraib prison.) 
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