Jean Baudrillard
[Writer and theorist, b. 1929, Reims, France, d. 2007, Paris.]

 Digital production erases the image as analogon; it erases the real as something capable of being ‘imagined’. 

David Levi Strauss
[Writer and critic, b. 1953, Junction City, Kansas, lives in New York.]

 Photographic images used to be about the trace. Digital images are about the flow. 

Errol Morris
[Documentary filmmaker, b. 1948, Hewlett, New York, lives in Cambridge, Massachusetts.]

 People often trust low-res images because they look more real. But of course they are not more real, just easier to fake… You never see a 10-megapixel photograph of Big Foot or the Abominable Snowman or the Loch Ness Monster. 

Jeff Wall
[Photographer, b. 1946, Vancouver, Canada, lives in Vancouver.]

 One paradox I have found is that, the more you use computers in picture-making, the more “hand-made” the picture becomes. Oddly, then, digital technology is leading, in my work at least, toward a greater reliance on handmaking because the assembly and montage of the various parts of the picture is done very carefully by hand. 

Joan Fontcuberta
[Photographer, b. 1955, Barcelona, lives in Barcelona.]

 The dramatic metamorphosis from the grain of silver to the pixel represents nothing more than a screen that conceals the evolution taking place in the whole framework that provided photography with a cultural, instrumental, and historical context. 

William J. T. Mitchell
[Writer, theorist, and architect, b. 1944, Melbourne, Australia, lives in Cambridge, Massachusetts.]

 The myth of digital photography has things exactly upside down. Instead of making photography less credible, less legitimate, digitization has produced a general “optimization” of photographic culture, one in which better and better simulations of the best effects of realism and informational richness in traditional photography have become possible. 

Philip Jones Griffiths
[Photojournalist, b. 1936, Rhuddian, Wales, d. 2008, London.]

 The twentieth century was the time of photography, when almost everything of importance was recorded and considered true because it was photographed. Nowadays nearly anyone can produce a photograph of Ladybird Johnson standing on the grassy knoll with a smoking gun in her hand and no one can prove it’s a fake. 

René Burri
[Photographer, b. 1933, Zurich, Switzerland, d. 2014, Zurich.]

 A digital camera has to be kept in check like a racehorse. 
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