Susie Linfield
[Writer and critic, New York, lives in New York.]

 On the Internet all photographs are equal: including doctored, manipulated, or constructed photographs, and those without any meaningful—or with entirely false—contexts. 

Jean Baudrillard
[Writer and theorist, b. 1929, Reims, France, d. 2007, Paris.]

 …the photograph that has become digital [is] liberated at a single stroke from both the negative and the real world. 

René Burri
[Photographer, b. 1933, Zurich, Switzerland, d. 2014, Zurich.]

 A digital camera has to be kept in check like a racehorse. 

Jean Baudrillard
[Writer and theorist, b. 1929, Reims, France, d. 2007, Paris.]

 When calculation and digital win out over form, when software wins out over the eye, can we still speak of photography? 

Tacita Dean
[Artist, b. 1960, Canterbury, England, lives in Berlin.]

 I don’t know if we will have the same level of longing for a digital iPhone picture as we will for a gelatin-silver print. 

Bill Viola
[Artist, b. 1951, New York City, lives in Los Angeles.]

 The electronic image is not fixed to any material base and, like our DNA, it has become a code that can circulate to any container that will hold it, defying death as it travels at the speed of light. 

Jonathan Green
[Writer, photographer, and curator, b. 1939, lives in Riverside, California.]

 Henri Cartier-Bresson’s “decisive moment” has been reinvented as the digital moment, a seamless presentation of constellations of separate, singular occurrences brought together into a coherent, seemingly “photographic” whole. 

Andy Grundberg
[Critic, curator, and educator, lives in Washington, D.C.]

 Computer images, like camera images today, will be seen as representations of a simulated, second-degree reality with little or no connection to the unmediated world. This is one lesson we can learn from photographs, and especially from those of the last 25 years: images exist not to be believed, but to be interrogated. 
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