David Maisel
[Photographer, b. 1961, New York, lives in San Francisco.]

 The limits of photography have always existed in a changing, fluid dynamic form. Cameras, lenses, papers, films, and, yes, digital technologies come and go. They are the current on which photography rides, but not the substance of what makes a photograph a worthy work of art. 

Charles Traub
[Photographer, writer, and critic, b. 1945, Louisville, Kentucky, lives in New York.]

 If it can be done digitally, do it. 

Bill Owens
[Photographer, b. 1938, San Jose, California, lives in Hayward, California.]

 Photoshop is not in my vocabulary. I don’t need it because I have content. 

Pedro Meyer
[Photographer, b. 1935, Madrid, Spain, lives in Mexico City.]

 I had no intention of waiting a week, ten days or the time necessary so that something would happen, so that I could get the “decisive moment” looked for so often by photographers... The specific “decisive moment” wasn’t to be found, it had to be created. 

Jean Baudrillard
[Writer and theorist, b. 1929, Reims, France, d. 2007, Paris.]

 Digital production erases the image as analogon; it erases the real as something capable of being ‘imagined’. 

Idris Khan
[Artist, b. 1978, Birmingham, England, lives in London.]

 A lot of people in the art world hate to use the word “Photoshop” like it’s cheating or easy or something. I say bollocks to that. For me, it’s my tool, my paintbrush if you like, and lets me create my own visual language. 

Susie Linfield
[Writer and critic, New York, lives in New York.]

 The Abu Ghraib images—digital images, taken by amateurs—have strengthened, not undermined, the status of photographs as documents of the real. No written account of the tortures could have made such an impact. 

Lewis Baltz
[Photographer, b. 1945, Newport Beach, California, d. 2014, Paris.]

 …the questioning of the photograph in its relation to the reality, the interrogation of representation, the famous crisis of representation, really all took place before digital technology. Digital technology, you see, is not the villain here. (1998) 
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