R. Crumb
[Cartoonist, b. 1943, Philadelphia, Pennsylvania, lives in Sauve, France.]

 They were just snapshots, nothing special, nothing particularly artistic. They were used for utility purposes.
(On photographs of mundane streetscapes he had “Stanley Something-or-other” take in Sacramento in 1988 to serve as backgrounds to his cartoons. “People don’t draw it, all this crap, people don’t focus attention on it because it’s ugly, it’s bleak, it’s depressing... But, this is the world we live in; I wanted my work to reflect that, the background reality of urban life.”) 

Eudora Welty
[Writer, b. 1909, Jackson, Mississippi, d. 2001, Jackson.]

 A good snapshot stops a moment from running away. 

Claude Lévi-Strauss
[Anthropologist, b. 1908, Brussels, Belgium, d. 2009, Paris.]

 [Photography] remains servile to a “thoughtless” vision of the world… As the term snapshot suggests, photography seizes the moment and exhibits it. 

Nikki S. Lee
[Photographer, b. 1970, Kye-Chang, Korea, lives in New York.]

 I don’t want to carry big things around with me. I’m lazy. The snapshot camera, you just carry it around and take the picture. You don’t need to think about anything. People in the street are not going to wait for you with a big camera. They would freak out. With a snapshot camera, they are comfortable. 

Martin Munkacsi
[Photographer, b. 1898, Kolozsvár, Hungary, (now Cluj-Napoca, Romania), d. 1963, New York.]

 Never pose your subjects. Let them move about naturally... All great photographs today are snapshots. (1935) 

Tod Papageorge
[Photographer, b. 1940, Portsmouth, New Hampshire, lives in New Haven, Connecticut.]

 It’s unarguable to say that every one of us has been moved by the beauty of what I have called snapshots, but for photographers they are charms and proverbs, and like lightening or wild strawberries... 

Janet Malcolm
[Writer, b. 1934, Prague, Czechoslovakia, lives in New York.]

 [In embracing snapshots,] the attributes previously sought by photographers—strong design, orderly composition, control over tonal values, lucidity of content, good print quality—have been stood on their heads, and the qualities now courted are formlessness, rawness, clutter, accident, and other manifestations of the camera’s formidable capacity for imposing disorder on reality... (1976) 

Lisette Model
[Photographer, b. 1906, Vienna, Austria, d. 1983, New York.]

 I am a passionate lover of the snapshot, because of all photographic images it comes closest to truth. 
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