Aleksander Rodchenko
[Artist, designer, architect, b. 1891, St. Petersburg, d. 1956, Moscow.]

 Don’t try to capture a man in one synthetic portrait, but rather in lots of snapshots taken at different times and in different circumstances! 

Janet Malcolm
[Writer, b. 1934, Prague, Czechoslovakia, lives in New York.]

 [In embracing snapshots,] the attributes previously sought by photographers—strong design, orderly composition, control over tonal values, lucidity of content, good print quality—have been stood on their heads, and the qualities now courted are formlessness, rawness, clutter, accident, and other manifestations of the camera’s formidable capacity for imposing disorder on reality... (1976) 

George Bernard Shaw
[Writer, critic, and dramatist, b. 1856, Dublin, d. 1950, Ayot St. Lawrence, Hertfordshire, England.]

 I would willingly exchange every single painting of Christ for one snapshot. 

Lisette Model
[Photographer, b. 1906, Vienna, Austria, d. 1983, New York.]

 The snapshot has no pretense or ambition. Innocence is the quintessence of the snapshot. I wish to distinguish between innocence and ignorance. Innocence is one of the highest forms of being and ignorance is one of the lowest. 

R. Crumb
[Cartoonist, b. 1943, Philadelphia, Pennsylvania, lives in Sauve, France.]

 They were just snapshots, nothing special, nothing particularly artistic. They were used for utility purposes.
(On photographs of mundane streetscapes he had “Stanley Something-or-other” take in Sacramento in 1988 to serve as backgrounds to his cartoons. “People don’t draw it, all this crap, people don’t focus attention on it because it’s ugly, it’s bleak, it’s depressing... But, this is the world we live in; I wanted my work to reflect that, the background reality of urban life.”) 

Lisette Model
[Photographer, b. 1906, Vienna, Austria, d. 1983, New York.]

 I am a passionate lover of the snapshot, because of all photographic images it comes closest to truth. 

Nikki S. Lee
[Photographer, b. 1970, Kye-Chang, Korea, lives in New York.]

 I don’t want to carry big things around with me. I’m lazy. The snapshot camera, you just carry it around and take the picture. You don’t need to think about anything. People in the street are not going to wait for you with a big camera. They would freak out. With a snapshot camera, they are comfortable. 

Janet Malcolm
[Writer, b. 1934, Prague, Czechoslovakia, lives in New York.]

 I was always trying to take art photographs, but the most interesting pictures were the snapshots. The artsy pictures were boring, always. 
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