Edmund Hillary
[Mountaineer, b. 1919, Tuakau, New Zealand, d. 2008, Auckland, New Zealand.]

 As far as I knew, he [Tenzing Norgay] had never taken a photograph before—and the summit of Everest was hardly the place to show him how. (On why there is a photo of Tenzing Norgay on the summit of Mount Everest during the first successful climb, but not one of Hillary.) 

Paul Strand
[Photographer, b. 1890, New York, d. 1976, Oregeval, France.]

 I read the other day that Minor White said it takes twenty years to become a photographer. I think that is a bit of an exaggeration. I would say, judging from myself, that it takes at least eight or nine years. But it does not take any longer than it takes to learn to play the piano or the violin. If it takes twenty years, you might as well forget about it! 

Douglas McCulloh
[Photographer, b. 1959, Los Angeles, lives in Los Angeles.]

 To teach consequential photography, don’t bother with Photoshop or f-stops. Create a craving for images. 

Samuel Butler
[Writer, b. 1835, Langar Rectory, Nottinghamshire, England, d. 1902, London.]

 All our education is very much a case of retouching negatives till all the character and individuality is gone. 

Sophie Calle
[Artist, b. 1953, Paris, lives in Paris and New York.]

 I met a photographer who agreed to give me a few lessons; in exchange, I had to pose naked for him. 

Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 What do you think I’m a professor of? The little finger? (On offers of honorary doctorates.) 

Harry Callahan
[Photographer, b. 1912, Detroit, Michigan, d. 1999, Atlanta, Georgia.]

 I really didn’t have much to teach. I didn’t even believe in it. I felt so strongly that everybody had to find their own way... In terms of art, the only real answer that I know of is to do it. If you don’t do it, you don’t know what might happen. 

Ben Shahn
[Photographer and artist, b. 1898, Kovno, Russia (now Kaunas, Lithuania), d. 1969, New York.]

 I said, “Walker [Evans], remember your promise to show me how to photograph?” He says, “Well, it’s very easy, Ben. F9 on the sunny side of the street, F4.5 on the shady side of the street. For a twentieth of a second hold your camera steady,” and that was all. This was the only lesson I ever had. 
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