Brian Duffy
[Photographer, b. 1933, London, d. 2010, London.]

 One of the great problems with photography is that any twat you give a camera to can take a photograph. What that does to the photographer is immediately create an inferiority complex within him because anyone can do it, which of course they can. 

Harry Callahan
[Photographer, b. 1912, Detroit, Michigan, d. 1999, Atlanta, Georgia.]

 To be a photographer, one must photograph. No amount of book learning, no checklist of seminars attended, can substitute for the simple act of making pictures. Experience is the best teacher of all. And for that, there is no guarantee that one will become an artist. Only the journey matters. 

Berenice Abbott
[Photographer, writer, teacher, b. 1898, Springfield, Ohio, d. 1991, Monson, Maine.]

 There are many teachers who could ruin you. Before you know it you could be a pale copy of this teacher or that teacher. You have to evolve on your own. 

Harry Callahan
[Photographer, b. 1912, Detroit, Michigan, d. 1999, Atlanta, Georgia.]

 I really didn’t have much to teach. I didn’t even believe in it. I felt so strongly that everybody had to find their own way... In terms of art, the only real answer that I know of is to do it. If you don’t do it, you don’t know what might happen. 

Lord Snowdon (Antony Charles Robert Armstrong-Jones)
[Earl and photographer, b. 1930, London, England, d. 2017, London.]

 I think it’s all absolute nonsense how people talk about photography as being an art. It’s a very menial career that you do if you draw badly. Now they teach it at the Royal College of Art and get grand about it. It’s the only course there that I don’t understand. 

Alfred Stieglitz
[Photographer and curator, b. 1864, Hoboken, New Jersey, d. 1946, New York.]

 I hate to look at the future and see myself as a dried up teacher of photography. (On being forced to earn money teaching at Columbia and the Brooklyn Museum, 1908) 

Victor Burgin
[Artist and writer, b. 1941, Sheffield, England, lives in London.]

 At the end of the second year I’d have students come into my office and they’d say, “Don’t get me wrong, it’s not like I don’t like the theory classes. I find them really interesting, but I can’t take a picture any more. Every time I raise the camera to my eye I think, is this politically OK? Is this... etc., etc.” The advice I always gave them was: Shoot first, ask questions later. 

Thomas Ruff
[Photographer, b. 1958, Zell, Germany, lives in Dusseldorf, Germany.]

 I received my training at an art academy, so what I produce is art. That’s what is artistic about my photographs. 
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