Susan Sontag
[Writer, theorist, and critic, b. 1933, New York, d. 2004, New York.]

 Photography is the only major art in which professional training and years of experience do not confer an insuperable advantage over the untrained and inexperienced—this for many reasons, among them the large role that chance (or luck) plays in the taking of pictures, and the bias toward the spontaneous, the rough, the imperfect. 

Brian Duffy
[Photographer, b. 1933, London, d. 2010, London.]

 One of the great problems with photography is that any twat you give a camera to can take a photograph. What that does to the photographer is immediately create an inferiority complex within him because anyone can do it, which of course they can. 

Harry Callahan
[Photographer, b. 1912, Detroit, Michigan, d. 1999, Atlanta, Georgia.]

 To be a photographer, one must photograph. No amount of book learning, no checklist of seminars attended, can substitute for the simple act of making pictures. Experience is the best teacher of all. And for that, there is no guarantee that one will become an artist. Only the journey matters. 

Samuel Butler
[Writer, b. 1835, Langar Rectory, Nottinghamshire, England, d. 1902, London.]

 All our education is very much a case of retouching negatives till all the character and individuality is gone. 

Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 What do you think I’m a professor of? The little finger? (On offers of honorary doctorates.) 

Bill Jay
[Photographer, writer, and curator, b. 1940, Maidenhead, England, d. 2009, Samara, Costa Rica.]

 Formal education [in photography] has a lot to answer for. We have legitimized, sanitized, academized the medium until we are left with issues not substance, critical stances not action. We have encouraged the mimicking of already dead images, like 19th century painters who spent years copying Greek statuary. 

Robert Heinecken
[Photographer, b. 1931, Denver, d. 2006, Albuquerque, New Mexico.]

 I was never in a school situation where someone said, “This is the way a photograph is supposed to look.” I was completely open to cut them up, or do anything like that. I think if I had been in touch with people earlier, then I wouldn’t have felt comfortable doing that. It would have been too bizarre. 

Lord Snowdon (Antony Charles Robert Armstrong-Jones)
[Earl and photographer, b. 1930, London, England, d. 2017, London.]

 I think it’s all absolute nonsense how people talk about photography as being an art. It’s a very menial career that you do if you draw badly. Now they teach it at the Royal College of Art and get grand about it. It’s the only course there that I don’t understand. 
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