Samuel Butler
[Writer, b. 1835, Langar Rectory, Nottinghamshire, England, d. 1902, London.]

 All our education is very much a case of retouching negatives till all the character and individuality is gone. 

Paul Strand
[Photographer, b. 1890, New York, d. 1976, Oregeval, France.]

 I read the other day that Minor White said it takes twenty years to become a photographer. I think that is a bit of an exaggeration. I would say, judging from myself, that it takes at least eight or nine years. But it does not take any longer than it takes to learn to play the piano or the violin. If it takes twenty years, you might as well forget about it! 

Douglas McCulloh
[Photographer, b. 1959, Los Angeles, lives in Los Angeles.]

 To teach consequential photography, don’t bother with Photoshop or f-stops. Create a craving for images. 

Brian Duffy
[Photographer, b. 1933, London, d. 2010, London.]

 One of the great problems with photography is that any twat you give a camera to can take a photograph. What that does to the photographer is immediately create an inferiority complex within him because anyone can do it, which of course they can. 

Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 What do you think I’m a professor of? The little finger? (On offers of honorary doctorates.) 

Duane Michals
[Photographer, b. 1932, McKeesport, Pennsylvania, lives in New York.]

 Not having gone to photography school, I never learned the rules. 

Max Pam
[Photographer, b. 1949, Melbourne, Australia, lives in Perth, Australia.]

 [My photography teacher] gave me the Mexican Day Books of Edward Weston and just blew me away with this work. The fact that you could be this fabulous visual artist, with all this milieu of people like Diego Rivera and you could sleep with these gorgeous, amazing women, that you could live that life—that photography could deliver you that life. 

Larry Sultan
[Photographer, b. 1946, Brooklyn, New York, d. 2009, Greenbrae, California.]

 ...when it comes down to making work that really sings, I don’t know if I can teach any of it. I don’t even know if I can do any of it half the time. It’s so much about failure, it’s so much about making pictures that are so utterly boring and overstated, you’re endlessly disappointed. And in that process you hopefully find something that draws you back and calls to you. 
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