Barbara Ess
[Photographer, b. 1948, Brooklyn, New York, lives in New York.]

 I try to photograph what can’t be photographed—psychological or subjective reality, which seems more real than physical or consensual reality. 

Mary Beth Edelson
[Artist and feminist activist, b. 1935, East Chicago, Indiana, lives in New York.]

 What I am most concerned with is spirituality as it manifests itself in our bodies/minds and how this affects how we see/feel about our being, and as a feminist awakening to the greater self as female, as well as making a political statement for women that says I am, and I am large, and I am my body, and I am not going away. 

Albert Einstein
[Scientist, b. 1879, Ulm, Württemberg, Germany, d. 1955, Princeton, New Jersey.]

 I dislike every photograph taken of me. However, this one I dislike a little bit less. (On the portrait by Philippe Halsman, who he excluded from his normal characterization of photographers as Lichtaffen—“Light monkeys.”) 

Paul Éluard
[Writer, b. 1895, Sant-Denis, France, d. 1952, Charenton-le-Pont, France.]

 Seeing is understanding, judging, transforming, imagining, forgetting and being forgotten, being or disappearing. 

William Eggleston
[Photographer, b. 1939, Memphis, Tennessee, lives in Memphis.]

 I am at war with the obvious. 

Walker Evans
[Photographer, b. 1903, St. Louis, Missouri, d. 1975, New Haven, Connecticut.]

 With the camera, it’s all or nothing. You either get what you’re after at once, or what you do has to be worthless. 

Hans Magnus Enzensberger
[Writer and poet, b. 1929, Kaufbeuren, Germany, lives in Munich.]

 The reality in which a camera turns up is always “posed,” e.g., the moon landing. 

Steve Edwards
[Writer and photohistorian, lives in London.]

 There is nothing any more but surface. Representation is all there is and can ever be. There, simply, can be no outside to this endless round of meaningless meaning. What we experience as reality is, in reality, the reality effect. The age of a life beyond the image has gone forever. Now, all we can know are media projections, the beams of flickering images, and the whirr of tape heads.