Diane Arbus
[Photographer, b. 1923, New York, d. 1971, New York.]

 I’ve got incredible power in my closet. Not power to do harm—just the feeling that I’ve captured people who have since died and people who will never look that way again. The camera is cruel, so I try to be as good as I can to make things even. 

Jan Saudek
[Photographer, b. 1935, Prague, Czechoslovakia, lives in Prague.]

 What I really do is make portraits of the soul. 

Luigi Ghirri
[Photographer, b. 1943, Scandiano, Italy, d. 1992, Reggio Emilia, Italy.]

 …a man photographed is always no more than a photograph. 

Mark Twain (Samuel Langhorne Clemens)
[Writer, b. 1835, Hannibal, Missouri, d. 1910, Redding, Connecticut.]

 The sun never looks through a photographic instrument that does not print a lie. The piece of glass it prints is well named a “negative”—a contradiction—a misrepresentation—a falsehood. I speak feelingly of this matter, because by turns the instrument has represented me to be a lunatic, A Solomon, a missionary, a burglar and an abject idiot. (1866) 

Joyce Tenneson
[Photographer, b. 1945, Weston, Massachusetts, lives in New York.]

 A true portrait can never hide the inner life of its subject. It is interesting that in our culture we hide and cover the body, yet our faces are naked. Through a person’s face we can potentially see everything—the history and depth of that person’s life as well as their connection to an even deeper universal presence. 

Man Ray (Emanuel Radnitsky)
[Artist, b. 1890, Philadelphia, Pennsylvania, d. 1976, Paris.]

 Look at this Avedon, he photographs famous people. I photograph people who were unknown and become famous later. (Quoted by photographer William Klein) 

Charis Wilson
[Model, b. 1914, San Francisco, d. 2009, Santa Cruz, California.]

 I knew I really didn’t look that good, and that Edward [Weston] had glorified me, but it was a very pleasant thing to be glorified and I couldn’t wait to go back for more. 

Siegfried Kracauer
[Media critic and sociologist, b. 1889, Frankfurt, Germany, d. 1966, New York.]

 The photograph annihilates the person. 
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