Anne Frank
[Writer, b. 1929, Frankfurt, Germany, d. 1945, Bergen-Belsen concentration camp, Germany.]

 This is a photo as I would wish myself to look all the time. Then I would maybe have a chance to come to Hollywood. (10, October, 1942; Handwritten inscription on a photograph) 

Charis Wilson
[Model, b. 1914, San Francisco, d. 2009, Santa Cruz, California.]

 I knew I really didn’t look that good, and that Edward [Weston] had glorified me, but it was a very pleasant thing to be glorified and I couldn’t wait to go back for more. 

Martin Parr
[Photographer, b. 1952, Epson, Surrey, England, lives in Bristol and London, England.]

 When a mother takes pictures of her children on the beach, she doesn’t take herself for an artist; she does it for love, which is an excellent reason, from my point of view. 

George Bernard Shaw
[Writer, critic, and dramatist, b. 1856, Dublin, d. 1950, Ayot St. Lawrence, Hertfordshire, England.]

 It is monstrous that custom should force us to display our faces ostentatiously, however worn and wrinkled and mean they may be, whilst carefully concealing all our other parts, however shapely and well preserved. 

Susan Sontag
[Writer, theorist, and critic, b. 1933, New York, d. 2004, New York.]

 When one has a picture taken, the photographer says “Perfect!” Just as you are! That is death. 

Søren Kierkegaard
[Philosopher, b. 1813, Copenhagen, Denmark, d. 1855, Copenhagen.]

 With the daguerreotype everyone will be able to have their portrait taken—formerly it was only the prominent; and at the same time everything is being done to make us all look exactly the same—so that we shall only need one portrait. 

Sally Mann
[Photographer, b. 1951, Lexington, Virginia, lives in Lexington.]

 Exploitation lies at the root of every great portrait, and all of us know it. Even the simplest picture of another person is ethically complex. 

Joyce Tenneson
[Photographer, b. 1945, Weston, Massachusetts, lives in New York.]

 A true portrait can never hide the inner life of its subject. It is interesting that in our culture we hide and cover the body, yet our faces are naked. Through a person’s face we can potentially see everything—the history and depth of that person’s life as well as their connection to an even deeper universal presence. 
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