[Photographer, b. 1949, Bronx, New York, lives in Brooklyn, New York.]
All photographs are manipulated—reality doesn’t look like a photograph anyway.
[Artist, b. 1964, Lagos, Nigeria, lives in New York.]
Mass media is anything but superficial. Mass media is real: it’s too omnipotent to be trivial. The film and fashion industries hold enormous sway over people’s psyches, far more than the arts. I think that using mass media forms shows that anyone can make a magazine cover or a film poster, that these images weren’t etched in stone, that it was people who made them. So the main point is to denaturalize these images that serve as a source of anxiety.
[Writer and critic, b. 1956, Philadelphia, lives in New York.]
... a fact about photography: we can look at people’s faces in photographs with an intensity and intimacy that in life we normally only reserve for extreme emotional states—for a first look at someone we may sleep with, or a last look at someone we love.
Alvin Langdon Coburn
[Photographer, b. 1882, Boston, Massachusetts, d. 1966, Wales.]
Why should not the camera throw off the shackles of conventional representation? (1916)
[Writer and editor, b. 1928, Manchester, England, lives in New York.]
People were murdered for the camera; and some photographers and a television camera crew departed without taking a picture in the hope that in the absence of cameramen acts might not be committed. Others felt that the mob was beyond appeal to mercy. They stayed and won Pulitzer Prizes. Were they right?
[Writer and critic, b. b. 1932, Philadelphia, Pennsylvania, lives in Hamden, Connecticut.]
Somewhere between what the lens depicts and what the caption interprets, a mental picture intervenes, a cultural ideology defining what and how to see, what to recognize as significant.
[Photographer, b. 1886, Highland Park, Illinois, d. 1958, Wildcat Hill, California.]
My work is never intellectual. I never make a negative unless emotionally moved by my subject.
[Writer, b. 1828, Skien, Norway, d. 1906, Christiania, Norway.]
Tokay grapes are like photographs, Mr Ekdal, they need sunshine. Isn’t that so? (From The Wild Duck)