James Casebere
[Photographer, b. 1953, Lansing, Michigan, lives in New York.]

 The novels by Latin American magical realists showed how history is rewritten by each successive military dictatorship. I look at photography the same way: as a fiction, as representative of a particular point of view. 

George Carlin
[Comedian and social critic, b. 1937, New York, d. 2008, Santa Monica, California.]

 I don’t own a camera, so I travel with a police sketch artist. 

Walter Chappell
[Photographer, b. 1925, Portland, Oregon, d. 2000, El Rito, New Mexico.]

 To me, the great expedient is camera vision: the sensitive use of my own eyes under the higher vision of an understanding and intuition based on my own knowledge of a relationship to reality. 

Bill Cunningham
[Fashion photographer, b. 1929, Boston, Massachusetts, d. 2016, New York.]

 You’ve got to stay on the street and let the street tell you what is. There are no shortcuts, believe me. 

Ernest Cole (Ernest Levi Tsoloane Kole)
[Photographer, chronicler of Apartheid, b. 1940, Eersterust, South Africa, d. 1990, New York.]

 In my observation of the Black man’s life in South Africa as presented in House of Bondage, my personal attitude was committed to exposing the evils of South Africa. 

E.E. Cummings
[Poet and author, b. 1894, Cambridge, Massachusetts, d. 1962, North Conway, New Hampshire.]

 …i kept
remembering how your mind looked when it slept
for several years, to wake up asking why.
So then you turned into a photograph
of somebody who’s trying not to laugh
at somebody who’s trying not to cry  

Larry Clark
[Photographer and filmmaker, b. 1943, Tulsa, Oklahoma, lives in New York.]

 I always wished I could be a painter or a filmmaker, anything but a fucking photographer. I certainly didn’t want to be in a photography gallery. 

Jo Ann Callis
[Photographer, b. 1940, Cincinnati, Ohio, lives in Los Angeles.]

 I photographed models, but all of them, female or male, are me. It’s coming from me. My insecurities, my revenge, my disappointment.