R. Crumb
[Cartoonist, b. 1943, Philadelphia, Pennsylvania, lives in Sauve, France.]

 I couldn’t find any good pictures in magazines of ordinary modern street corners in America, so I persuaded this guy I knew in Sacramento — Stanley Something-or-other — to spend a day with me driving around just to take snapshots. 

Bill Cunningham
[Fashion photographer, b. 1929, Boston, Massachusetts, d. 2016, New York.]

 You see, if you don’t take money, they can’t tell you what to do, kid. That’s the key to the whole thing. Don’t touch money. 

Eileen Cowin
[Photographer, b. 1947, Brooklyn, New York, lives in Santa Monica, California.]

 The photograph as metaphor suggests many possible readings, blending memory, fantasy, and desire. As in film, the lines between fantasy and reality are blurred. 

John Currin
[Artist, b. 1962, Boulder, Colorado, lives in New York.]

 I’ve always found paintings of nudes depressing because they can’t compete with photographs. The grainiest photograph of some girl, a blurry Polaroid—you’d rather look at that than the Venus de Milo, because you think, “Wow, that’s really somebody... This camera really was in front of this real naked lady.” 

Robert Capa (Endre Ernő Friedmann)
[Photographer, b. 1913, Budapest, Hungary, d. 1954, Thai Binh, Vietnam.]

 I hope to stay unemployed as a war photographer till the end of my life. (At the end of World War II.) 

Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 Thinking should be done beforehand and afterwards—never while actually taking a photograph. 

Tee Corinne
[Photographer and artist, b. 1943, St. Petersburg, Florida, d. 2006, Sunny Valley, Oregon.]

 I’m interested in loving, beautiful, sexy images... I also want the images to be a turn on, create an adrenaline high, a rush of desire so intense that the act of looking is sexual. 

Ernest Cole (Ernest Levi Tsoloane Kole)
[Photographer, chronicler of Apartheid, b. 1940, Eersterust, South Africa, d. 1990, New York.]

 Cole
Photographer
(Total inscription on the stone slab covering Cole’s grave at Mamelodi cemetery, Tshwane, South Africa.)