Cindy Sherman
[Artist, b. 1954, Glen Ridge, New Jersey, lives in New York.]

 One reason I was interested in photography was to get away from the preciousness of the art object. 

Philippe Halsman
[Photographer, b. 1906, Riga, Latvia, d. 1979, New York.]

 I drifted into photography like one drifts into prostitution. First I did it to please myself, then I did it to please my friends, and eventually I did it for money. 

Stephen Shore
[Photographer, b. 1947, New York, lives in New York.]

 I meet young artists and it becomes clear that with some the main motivation is getting a show in Chelsea. It strikes me that this is very different to the way it was for me, which was that I wanted to understand photography and the world and myself. 

Danny Lyon
[Photographer, b. 1942, New York, lives in Ulster County, New York.]

 My thirteen-year-old has a sign on his wall that reads “Corporate Rock Sucks.” Well now there's something called “Corporate Photography.” It’s corporations calling the shots in the world of photography. If Kodak is behind you they’ll make six copies of your exhibit, with prints big enough to sleep on and put full-page ads in the New York Times. So the corporations, who already own the media, have now bought up photography. 

Andrew Savulich
[Photographer, b. 1949, Wilkes Barre, Pennsylvania, lives in New York.]

 The best way to make money with a camera is to sell it. 

Jack Welpott
[Photographer, b. 1923, Kansas City, Missouri, d. 2007, Greenbrae, California.]

 I went through a long period when I thought my photographs were not visible—on the wall, but not visible. 

Wim Wenders
[Artist and filmmaker, b. 1945, Düsseldorf, lives in Berlin.]

 An image that is unseen can’t sell anything. It is pure, therefore true, beautiful, in one word: innocent. As long as no eye contaminates it, it is in perfect unison with the world. If it is not seen, the image and the object it represents belong together. 

Marshall McLuhan
[Writer and theorist, b. 1911, Edmonton, Alberta, Canada, d. 1980, Toronto, Canada.]

 Photography turns people into things and their image into a mass consumer product. 
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