Lord Snowdon (Antony Charles Robert Armstrong-Jones)
[Earl and photographer, b. 1930, London, England, d. 2017, London.]

 I’m very much against photographs being framed and treated with reverence and signed and sold as works of art. They aren’t. They should be seen in a magazine or a book and then be used to wrap up the fish and chucked away. 

Cindy Sherman
[Artist, b. 1954, Glen Ridge, New Jersey, lives in New York.]

 One reason I was interested in photography was to get away from the preciousness of the art object. 

Brian Duffy
[Photographer, b. 1933, London, d. 2010, London.]

 Ninety-nine per cent of my work was advertising and crap. The people who were hiring me I didn’t like. Keeping a civil tongue up the rectum of a society that keeps you paid is an art which I was devoid of. I had nothing more to say in photographs. (1979, on why he quit photography) 

Richard Prince
[Artist, b. 1949, Panama Canal Zone, lives in New York.]

 Advertising images aren’t associated with an author. It’s as if their presence were complete—classical in fact. They are too good to be true. They look like they have no history to them—like they showed up all at once. They look like what art always wants to look like. 

Susan Sontag
[Writer, theorist, and critic, b. 1933, New York, d. 2004, New York.]

 Needing to have reality confirmed and experience enhanced by photographs is an aesthetic consumerism to which everyone is now addicted. Industrial societies turn their citizens into image-junkies; it is the most irresistible form of mental pollution. 

Bill Cunningham
[Fashion photographer, b. 1929, Boston, Massachusetts, d. 2016, New York.]

 You see, if you don’t take money, they can’t tell you what to do, kid. That’s the key to the whole thing. Don’t touch money. 

Elliott Erwitt
[Photographer, b. 1928, Paris, France, lives in New York.]

 If you’ve got no responsibility and don’t have to generate a certain amount of cash each month, and can live on a shoestring, and are ambitious enough, then you might have a chance. You can be dedicated but that is no guarantee that you’ll make it. I rely on a hunch, a little luck, and some cunning. 

Athol Fugard
[Playright, b. 1932, Middelburg, South Africa, lives in San Diego, California and South Africa.]

 You call that work? Click-click with a camera. Are you mad? 
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