Bill Cunningham
[Fashion photographer, b. 1929, Boston, Massachusetts, d. 2016, New York.]

 You see, if you don’t take money, they can’t tell you what to do, kid. That’s the key to the whole thing. Don’t touch money. 

Elliott Erwitt
[Photographer, b. 1928, Paris, France, lives in New York.]

 If you’ve got no responsibility and don’t have to generate a certain amount of cash each month, and can live on a shoestring, and are ambitious enough, then you might have a chance. You can be dedicated but that is no guarantee that you’ll make it. I rely on a hunch, a little luck, and some cunning. 

Philip Jones Griffiths
[Photojournalist, b. 1936, Rhuddian, Wales, d. 2008, London.]

 When Bill Gates started Corbis we were told that he needed images to fill those “digital picture frames” in his home, and many found this plausible. But now it’s pretty clear that he’s set out to control the visual history of the twentieth century. 

Marshall McLuhan
[Writer and theorist, b. 1911, Edmonton, Alberta, Canada, d. 1980, Toronto, Canada.]

 Photography turns people into things and their image into a mass consumer product. 

Jack Welpott
[Photographer, b. 1923, Kansas City, Missouri, d. 2007, Greenbrae, California.]

 I went through a long period when I thought my photographs were not visible—on the wall, but not visible. 

Terence Donovan
[Photographer, b. 1936, Stepney, England, d. 1996, London.]

 You don’t do something like this for money. I’ve never met anyone who’s succeeded in life purely because they wanted the cash. 

John Szarkowski
[Curator, critic, historian, and photographer, b. 1925, Ashland, Wisconsin, d. 2007, Pittsfield, Massachusetts.]

 The basic effect of modern mass media on photography has been to erode the creative independence and the accountability of the photographer who has worked for them. (1967) 

Wim Wenders
[Artist and filmmaker, b. 1945, Düsseldorf, lives in Berlin.]

 An image that is unseen can’t sell anything. It is pure, therefore true, beautiful, in one word: innocent. As long as no eye contaminates it, it is in perfect unison with the world. If it is not seen, the image and the object it represents belong together. 
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