Max Kozloff
[Critic, editor, and photographer, b. 1933, Chicago, Illinois, lives in New York.]

 Though infested with many bewildering anomalies, photographs are considered our best arbiters between our visual perceptions and the memory of them. It is not only their apparent ‘objectivity’ that grants photographs their high status in this regard, but our belief that in them, fugitive sensation has been laid to rest. 

Yousuf Karsh
[Photographer, b. 1908, Mardin, Armenia, d. 2002, Boston, Massachusetts.]

 I try to photograph people’s spirits and thoughts. As to the soul-taking by the photographer, I don’t feel I take away, but rather that the sitter and I give to each other. It becomes an act of mutual participation. 

Josef Koudelka
[Photographer, b. 1938, Biskovice, Moravia, Czechoslovakia, lives in Paris.]

 I never stay in one country more than three months. Why? Because I was interested in seeing, and if I stay longer I become blind. 

Pierre Klossowski
[Writer, artist, "but first, foremost, and always, a monomaniac", b. 1905, Paris, d. 2001, Paris.]

 The very idea of the nude is only a neutralization of a primitive and violent act. 

Idris Khan
[Artist, b. 1978, Birmingham, England, lives in London.]

 A lot of people in the art world hate to use the word “Photoshop” like it’s cheating or easy or something. I say bollocks to that. For me, it’s my tool, my paintbrush if you like, and lets me create my own visual language. 

Joseph Kosuth
[Artist and theorist, b. 1945, Toledo, Ohio, lives in New York and Rome.]

 That celebrated marriage of science and art, photography, seemed at the time to join together how we look at the world, art, with how we were coming to know it, science. 

Nastassja Kinski
[Model and actress, b. 1959, West Berlin, Germany, lives in Los Angeles and Europe.]

 When I cannot get that moment of truth where you feel yourself opening up like a flower, I absolutely loathe the bloody camera. I can just feel this black hole eyeing me, sucking me in, and I feel like smashing it to smithereens. 

Barbara Kasten
[Photographer, b. 1936, Chicago, Illinois, lives in Chicago.]

 The question is: Can I make a photograph that is truly abstract, or must photographs always be representational as reality is there at their core?