Stephen Shore
[Photographer, b. 1947, New York, lives in New York.]

 It’s the bane of my existence that I see photography not as a way of recording personal experience particularly, but as this process of exploring the world and the medium. I have to be reminded, “It’s your son’s birthday party. Bring a camera.” And then, when I’m there, “Take a picture,” because it doesn’t occur to me to use it as this memorializing thing. 

Stephen Spender
[Writer, poet, and critic, b. 1909, London, England, d. 1995, London.]

 Dead friend, this picture proves there was an instant
When—mirror of midday—you sent
Shadow and light from living flesh into
The sensitive dark instrument. 

Malick Sidibé
[Photographer, b. 1935, Soloba, Mali, d. 2016, Bamako, Mali.]

 It’s a world, someone’s face. When I capture it, I see the future of the world. 

Rosalind Fox Solomon
[Photographer, b. 1930, Highland Park, Illinois, lives in New York.]

 When I photograph an individual, I want to connect with her or his interior. I’m not looking for the outer coating. 

Andrew Savulich
[Photographer, b. 1949, Wilkes Barre, Pennsylvania, lives in New York.]

 The best way to make money with a camera is to sell it. 

Michael Snow
[Filmmaker, photographer, and artist, b. 1929, Toronto, Canada, lives in Toronto.]

 To extend the depth of what has been called ‘art’ into photography requires... making available to the spectator the amazing transformations the subject undergoes to become the photograph. 

Andres Serrano
[Artist, b. 1950, New York, lives in New York.]

 I would not have a problem being called a voyeur. We all vacillate between being spectators and participants in the arena of life. It’s natural to want to see, and to be curious. We are not bad people because of that. 

Edward Steichen
[Photographer and curator, b. 1879, Luxembourg, Germany, d. 1973, West Redding, Connecticut.]

 Once you really commence to see things, then you really commence to feel things.