Salvador Dali (Salvador Felipe Jacinto Dalí Domènech, Marquis of Pubol)
[Artist, b. 1904, Figueres, Catalonia, Spain, d. 1989, Figueres, Spain.]

 Photographic data... is still and ESSENTIALLY THE SAFEST POETIC MEDIUM and the most agile process for catching the most delicate osmoses which exist between reality and surreality. The mere fact of photographic transposition means a total invention: the capture of a secret reality. 

Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 Capa said to me: “Don’t keep the label of a surrealist photographer. Be a photojournalist. If not you will fall into mannerism. Keep surrealism in your little heart, my dear. Don’t fidget. Get moving!” This advice enlarged my field of vision. 

Kansuke Yamagata
[Photographer and poet, b. 1914, Nagoya, Japan, d. 1987, Nagoya.]

 The surreal exists within the real. Tireless experimentation with new photography leads to the creation of a new beauty. 

Rosalind Krauss
[Writer, critic, and historian, b. 1941, Washington, D.C., lives in New York.]

 Contrivance is what ensures that a photograph will seem surrealist. 

André Breton
[Artist, writer, editor, and critic, b. 1896, Tinchebray, France, d. 1966, Paris, France.]

 Radios? Fine. Syphilis? If you like. Photography? I don’t see any reason why not. (Manifesto of Surrealism, 1924) 

John Tagg
[Writer, theorist, and photohistorian, b. 1949, North Shields, England, lives in Ithica, New York.]

 I look at an image and it is flooded with a half-forgotten dream, bulking out its figures with the forms of desire, opening up its vistas to a physically sensed space and presence. 

Salvador Dali (Salvador Felipe Jacinto Dalí Domènech, Marquis of Pubol)
[Artist, b. 1904, Figueres, Catalonia, Spain, d. 1989, Figueres, Spain.]

 Nothing proves the truth of surrealism so much as photography. The Zeiss lens has unexpected faculties of surprise! 

W.G Sebald
[Writer, b. 1944, Bavaria, Germany, d. 2001, East Anglia, England.]

 In my photographic work I was always especially entranced... by the moment when the shadows of reality, so to speak, emerge out of nothing on the exposed paper, as memories do in the middle of the night, darkening again if you try to cling to them. 
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