Brassaï (Gyula Halász)
[Photographer, b. 1889, Brassó, Transylvania, Hungary (now Romania), d. 1984, Eze, Alpes-Maritimes, France.]

 Surreality lies within ourselves, in objects that have become banal because we no longer see them, in the normality of the normal. 

Salvador Dali (Salvador Felipe Jacinto Dalí Domènech, Marquis of Pubol)
[Artist, b. 1904, Figueres, Catalonia, Spain, d. 1989, Figueres, Spain.]

 Nothing proves the truth of surrealism so much as photography. The Zeiss lens has unexpected faculties of surprise! 

Man Ray (Emanuel Radnitsky)
[Artist, b. 1890, Philadelphia, Pennsylvania, d. 1976, Paris.]

 I would photograph an idea rather than an object, a dream rather than an idea. 

Brassaï (Gyula Halász)
[Photographer, b. 1889, Brassó, Transylvania, Hungary (now Romania), d. 1984, Eze, Alpes-Maritimes, France.]

 The surrealism of my pictures was nothing but the real made eerie by vision. I was trying to express reality, for there is nothing more surrealist. 

Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 Capa said to me: “Don’t keep the label of a surrealist photographer. Be a photojournalist. If not you will fall into mannerism. Keep surrealism in your little heart, my dear. Don’t fidget. Get moving!” This advice enlarged my field of vision. 

W.G Sebald
[Writer, b. 1944, Bavaria, Germany, d. 2001, East Anglia, England.]

 In my photographic work I was always especially entranced... by the moment when the shadows of reality, so to speak, emerge out of nothing on the exposed paper, as memories do in the middle of the night, darkening again if you try to cling to them. 

Brassaï (Gyula Halász)
[Photographer, b. 1889, Brassó, Transylvania, Hungary (now Romania), d. 1984, Eze, Alpes-Maritimes, France.]

 The ‘Surrealism’ of my images was just reality itself, but made Fantastic through vision. 

Salvador Dali (Salvador Felipe Jacinto Dalí Domènech, Marquis of Pubol)
[Artist, b. 1904, Figueres, Catalonia, Spain, d. 1989, Figueres, Spain.]

 Photographic data... is still and ESSENTIALLY THE SAFEST POETIC MEDIUM and the most agile process for catching the most delicate osmoses which exist between reality and surreality. The mere fact of photographic transposition means a total invention: the capture of a secret reality. 
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