Salvador Dali (Salvador Felipe Jacinto Dalí Domènech, Marquis of Pubol)
[Artist, b. 1904, Figueres, Catalonia, Spain, d. 1989, Figueres, Spain.]

 Photographic data... is still and ESSENTIALLY THE SAFEST POETIC MEDIUM and the most agile process for catching the most delicate osmoses which exist between reality and surreality. The mere fact of photographic transposition means a total invention: the capture of a secret reality. 

Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 Capa said to me: “Don’t keep the label of a surrealist photographer. Be a photojournalist. If not you will fall into mannerism. Keep surrealism in your little heart, my dear. Don’t fidget. Get moving!” This advice enlarged my field of vision. 

Brassaï (Gyula Halász)
[Photographer, b. 1889, Brassó, Transylvania, Hungary (now Romania), d. 1984, Eze, Alpes-Maritimes, France.]

 The surrealism of my pictures was nothing but the real made eerie by vision. I was trying to express reality, for there is nothing more surrealist. 

Rosalind Krauss
[Writer, critic, and historian, b. 1941, Washington, D.C., lives in New York.]

 Contrivance is what ensures that a photograph will seem surrealist. 

Kansuke Yamagata
[Photographer and poet, b. 1914, Nagoya, Japan, d. 1987, Nagoya.]

 The surreal exists within the real. Tireless experimentation with new photography leads to the creation of a new beauty. 

John Tagg
[Writer, theorist, and photohistorian, b. 1949, North Shields, England, lives in Ithica, New York.]

 I look at an image and it is flooded with a half-forgotten dream, bulking out its figures with the forms of desire, opening up its vistas to a physically sensed space and presence. 

Bill Brandt
[Photographer, b. 1904, Hamburg, Germany, d. 1983, London.]

 Andre Breton once said that a portrait should not only be an image but an oracle one questions, and that the photographer’s aim should be a profound likeness, which physically and morally predicts the subject’s entire future. 

André Breton
[Artist, writer, editor, and critic, b. 1896, Tinchebray, France, d. 1966, Paris, France.]

 Radios? Fine. Syphilis? If you like. Photography? I don’t see any reason why not. (Manifesto of Surrealism, 1924) 
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