Duane Michals
[Photographer, b. 1932, McKeesport, Pennsylvania, lives in New York.]

 Photography deals exquisitely with appearances, but nothing is what it appears to be. 

Glenn Ligon
[Artist, b. 1960, Bronx, New York, lives in New York.]

 Even with a million cameras, there’s no such thing—for certain groups of citizens—as evidence. 

Sabrina Harman
[U.S. military guard at Abu Ghraib Prison, Iraq, b. 1978, Lorton, Virginia, lives in Virginia.]

 If I come up to you and I’m like, “Hey this is going on,” you probably wouldn’t believe me unless I had something to show you. So if I say “Hey this is going on. Look, I have proof,” you can’t deny it, I guess. (On why she took the infamous photos of abused prisoners at Abu Ghraib Prison, Iraq) 

Nick Knight
[Photographer, b. 1958, London, England, lives in London.]

 I think photography has been wrestling with a burden of telling the truth, which I don’t think it was ever particularly good at. 

Errol Morris
[Documentary filmmaker, b. 1948, Hewlett, New York, lives in Cambridge, Massachusetts.]

 Photographs may be taken—but we are also taken in by them. 

Gerhard Richter
[Artist, b. 1932, Dresden, lives in Düsseldorf.]

 The photograph is the only picture that can truly convey information, even if it is technically faulty and the object can barely be identified. A painting of a murder is of no interest whatever; but a photograph of a murder fascinates everyone. 

Marc Riboud
[Photographer, b. 1923, St.-Genis-Laval, France, d. 2016, Paris.]

 The idea of photography as evidence is pure bullshit. A photo is no more proof of any reality than what you may hear being said by someone in a bus. We only record details, small fragments of the world. 

Errol Morris
[Documentary filmmaker, b. 1948, Hewlett, New York, lives in Cambridge, Massachusetts.]

 Photography can lead us astray, we can be tricked by ocular proof. And photography—and I believe this is the right verb—can entice us into error. 
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