André Bazin
[Film critic and theorist, b. 1918, Angers, France, d. 1958, Nogent-sur-Marne, Île-de-France, France.]

 A very faithful drawing may actually tell us more about the model but despite the promptings of our critical intelligence it will never have the irrational power of the photograph to bear away our faith. 

Clarence John Laughlin
[Photographer, b. 1905, Lake Charles, Louisiana, d. 1985, New Orleans, Louisiana.]

 Let us see as steadily and completely as possible the realities of our age: the wasted lives, the scattered and misused resources (human and material), the steel magic of the misdirected machinery, the mad clockwork tragedy of it all. 

Geoffrey Batchen
[Photohistorian, b. 1956, Australia, lives in Wellington, New Zealand.]

 The main difference seems to be that, whereas photography still claims some sort of objectivity, digital imaging is an overtly fictional process. As a practice that is known to be capable of nothing but fabrication, digitization abandons even the rhetoric of truth that has been such an important part of photography’s cultural success. 

George Bernard Shaw
[Writer, critic, and dramatist, b. 1856, Dublin, d. 1950, Ayot St. Lawrence, Hertfordshire, England.]

 I would willingly exchange every single painting of Christ for one snapshot. 

Errol Morris
[Documentary filmmaker, b. 1948, Hewlett, New York, lives in Cambridge, Massachusetts.]

 Photographs attract false beliefs the way flypaper attracts flies. 

John Berger
[Writer and critic, b. 1926, London, d. 2017, Paris.]

 If no theoretical distinction has been made between the photograph as scientific evidence and the photograph as a means of communication, this has been not so much an oversight as a proposal. 

Martin Luther King
[Civil rights leader, religious leader, b. 1929, Atlanta, Georgia, d. 1968, Memphis, Tennessee.]

 I’m not being cold blooded about it, but it is so much more important for you to take a picture of us getting beaten up than for you to be another person joining in the fray. (To photographer Flip Schulke at a civil rights march.) 

Bert Hardy
[Photographer, b. 1913, London, d. 1995, Oxted, England.]

 Although I do not usually like taking pictures of corpses, I controlled my feelings of rage for long enough to take some; without such evidence, no one would believe that anything like this had ever happened. (On photographing the liberation of the Bergen-Belsen Concentration Camp, April 19, 1945) 
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