Berenice Abbott
[Photographer, writer, teacher, b. 1898, Springfield, Ohio, d. 1991, Monson, Maine.]

 I have yet to see a fine photograph which is not a good document. 

John Berger
[Writer and critic, b. 1926, London, d. 2017, Paris.]

 If no theoretical distinction has been made between the photograph as scientific evidence and the photograph as a means of communication, this has been not so much an oversight as a proposal. 

Philip Jones Griffiths
[Photojournalist, b. 1936, Rhuddian, Wales, d. 2008, London.]

 The twentieth century was the time of photography, when almost everything of importance was recorded and considered true because it was photographed. Nowadays nearly anyone can produce a photograph of Ladybird Johnson standing on the grassy knoll with a smoking gun in her hand and no one can prove it’s a fake. 

Lucy Lippard
[Critic and writer, b. 1936, New York, lives in Galisteo, New Mexico.]

 Despite having been awarded the dubious honor of arthood, all photography is still perceived as having one foot in the real world, a toe in the chilly waters of verisimilitude, no matter how often it is demonstrated that photographs can and do lie. 

God (Judeo-Christian Version)
[Omnipotent artist, critic, creator and destroyer, before time, lives everywhere and nowhere.]

 Driven back and utterly shamed
Shall be those who trust in an image.
(Judeo-Christian version of God; Isaiah 42:17) 

Chris Burden
[Artist, b. 1946, Boston, Massachusetts, d. 2015, Los Angeles.]

 I will be shot with a rifle at 7:45 P.M. I hope to have some good photos. 

Frederick Sommer
[Photographer, b. 1905, Angri, Italy, d. 1999, Prescott, Arizona.]

 The world of art and the world of science are interested in evidence and verification. 

Glenn Ligon
[Artist, b. 1960, Bronx, New York, lives in New York.]

 Even with a million cameras, there’s no such thing—for certain groups of citizens—as evidence. 
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