Italo Calvino
[Writer, b. 1923, Santiago de la Vegas, Cuba, d. 1985, Siena, Italy.]

 Whatever person you decide to photograph, or whatever thing, you must go on photographing it always, exclusively, at every hour of the day and night. 

Steve Edwards
[Writer and photohistorian, lives in London.]

 There is nothing any more but surface. Representation is all there is and can ever be. There, simply, can be no outside to this endless round of meaningless meaning. What we experience as reality is, in reality, the reality effect. The age of a life beyond the image has gone forever. Now, all we can know are media projections, the beams of flickering images, and the whirr of tape heads. 

David Maisel
[Photographer, b. 1961, New York, lives in San Francisco.]

 I seek to reveal the landscape in something other than purely visual terms, the photograph transcribing it as an archetypal space of destruction and ruin that mirrors the darker corners of our consciousness. 

Stephen Shore
[Photographer, b. 1947, New York, lives in New York.]

 Although we know that the buildings, sidewalks, and sky continue beyond the edges of this urban landscape, the world of the photograph is contained within the frame. It’s not a fragment of a larger world. 

Martin Parr
[Photographer, b. 1952, Epson, Surrey, England, lives in Bristol and London, England.]

 Photography is the simplest thing in the world, but it is incredibly complicated to make it really work. 

Donald McCullin
[Photographer, b. 1935, Finsbury Park, London, lives in Somerset, England.]

 You cannot walk on the water of hunger, misery, and death. You have to wade through to record them. 

Robert Doisneau
[Photographer, b. 1912, Gentilly, Val-de-Marne, France, d. 1994, Montrouge, France.]

 It’s superficial, easy to sell, une image pute, a prostituted picture. (On his image Le Baiser de le Hotel de Ville—“The Kiss in Front of City Hall.”) 

Robert Mapplethorpe
[Photographer, b. 1946, Floral Park, Long Island, d. 1989, Boston, Massachusetts.]

 When I’ve exhibited pictures... I’ve tried to juxtapose a flower, then a picture of a cock, then a portrait, so you could see they were the same.