Margaret Bourke-White
[Photographer, b. 1904, New York, d. 1971, Darien, Connecticut.]

 It seems to me that while it is very important to get a striking picture of a line of smoke stacks or a row of dynamos, it is becoming more and more important to reflect that life that goes on behind these photographs. (1935) 

Neil Postman
[Writer and media critic, b. 1931, New York, d. 2003, Queens, New York.]

 By itself photography cannot deal with the unseen, the remote, the internal, the abstract, it does not speak of “Man,” only of “a man”; not of “Tree,” only “a tree.” 

Jo Ann Callis
[Photographer, b. 1940, Cincinnati, Ohio, lives in Los Angeles.]

 I photographed models, but all of them, female or male, are me. It’s coming from me. My insecurities, my revenge, my disappointment. 

Samuel Butler
[Writer, b. 1835, Langar Rectory, Nottinghamshire, England, d. 1902, London.]

 There is a photographer in every bush, going about like a roaring lion seeking whom he may devour. 

Sherrie Levine
[Artist, b. 1947, Hazleton, Pennsylvania, lives in New York.]

 The world is filled to suffocating. Man has placed his token on every stone. Every word, every image, is leased and mortgaged. We know that a picture is but a space in which a variety of images, none of them original, blend and clash. 

Walker Evans
[Photographer, b. 1903, St. Louis, Missouri, d. 1975, New Haven, Connecticut.]

 ...nature photographs downright bore me for some reason or other. I think: “Oh, yes. Look at that sand dune. What of it?” 

Gerhard Richter
[Artist, b. 1932, Dresden, lives in Düsseldorf.]

 The photograph is the only picture that can truly convey information, even if it is technically faulty and the object can barely be identified. A painting of a murder is of no interest whatever; but a photograph of a murder fascinates everyone. 

Abigail Solomon-Godeau
[Writer and theorist, b. 1947, New York, lives in Santa Barbara, California.]

 That erotic and pornographic photographs were produced almost from the medium’s inception should come as no surprise. That it does so is a testimonial only to the near-total elision of this fact from the standard histories in the field... Indeed, it seems reasonable to assume that almost as soon as there were viable daguerreotypes, there were pornographic ones.