James Nachtwey
[Photographer, b. 1948, Syracuse, New York, lives in New York.]

 The flow of reality has contours and dimensions much like the flow of a river. The characteristics of the current depend on the channel, whether it is a product of history or geology. Documentary photography has similar properties. The images I create are a confluence of what is in front of me and what is inside of me. They are objective and subjective at the same time, and they must be seen that way by the viewer in order to be convincing. 

Abbas (Abbas Attar)
[Photographer, b. 1944, Iran, lives in Paris.]

 The choice was to think of oneself either as a photojournalist or an artist. It wasn’t out of humility that I called myself a photojournalist, but arrogance. I thought photojournalism was superior. 

Douglas McCulloh
[Photographer, b. 1959, Los Angeles, lives in Los Angeles.]

 To teach consequential photography, don’t bother with Photoshop or f-stops. Create a craving for images. 

Abbas (Abbas Attar)
[Photographer, b. 1944, Iran, lives in Paris.]

 The choice was to think of oneself either as a photojournalist or an artist. It wasn’t out of humility that I called myself a photojournalist, but arrogance. I thought photojournalism was superior. 

Larry Clark
[Photographer and filmmaker, b. 1943, Tulsa, Oklahoma, lives in New York.]

 The work all comes from a psychological need. See the images that I make… It’s really a psychological need. I’m just jerked around by it. I’m pulled by it. 

Alexey Brodovitch
[Graphic designer and art director, b. 1898, Ogolitchi, Russia, d. 1971, Le Thor, France.]

 When you look into your camera, if you see an image you have ever seen before, don’t click the shutter. 

André Breton
[Artist, writer, editor, and critic, b. 1896, Tinchebray, France, d. 1966, Paris, France.]

 Radios? Fine. Syphilis? If you like. Photography? I don’t see any reason why not. (Manifesto of Surrealism, 1924) 

William J. T. Mitchell
[Writer, theorist, and architect, b. 1944, Melbourne, Australia, lives in Cambridge, Massachusetts.]

 ...people have always known, at least since Moses denounced the Golden Calf, that images were dangerous, that they can captivate the onlooker and steal the soul.