Frederick Sommer
[Photographer, b. 1905, Angri, Italy, d. 1999, Prescott, Arizona.]

 The world of art and the world of science are interested in evidence and verification. 

Eddie Adams
[Photojournalist, b. 1933, New Kensington, Pennsylvania, d. 2004, New York.]

 I saw a man walk into my camera viewfinder from the left. He took a pistol out of his holster and raised it. I had no idea he would shoot. It was common to hold a pistol to the head of prisoners during questioning. So I prepared to make that picture—the threat, the interrogation. But it didn’t happen. The man just pulled a pistol out of his holster, raised it to the VC’s head and shot him in the temple. I made a picture at the same time. (On his 1968 photograph of the summary street corner execution of prisoner Nguyen Van Lem by South Vietnam's police chief, Lt. Col. Nguyen Ngoc Loan.) 

Crazy Horse (Tasunka Witko)
[Leader of the Oglala Sioux, b. 1849, Lakota lands, d. 1877, Fort Robinson, Nebraska.]

 My friend, why should you wish to shorten my life by taking from me my shadow? (To photographer Dr. Valentine T. McGillycuddy.) 

David Maisel
[Photographer, b. 1961, New York, lives in San Francisco.]

 I seek to reveal the landscape in something other than purely visual terms, the photograph transcribing it as an archetypal space of destruction and ruin that mirrors the darker corners of our consciousness. 

Ezra Pound
[Poet, b. 1885, Hailey, Idaho, d. 1972, Venice, Italy.]

 Almost any fool can paint an academy picture, and any imbecile can shoot off a Kodak. 

Raymond Depardon
[Photographer and filmmaker, b. 1942, Villefranche-sur-Saône, France, lives in Paris.]

 The photographer is filled with doubt. Nothing will soothe him. 

Douglas Huebler
[Photographer and artist, b. 1924, Ann Arbor, Michigan, d. 1997, Truro, Massachusetts.]

 I use the camera as a “dumb” copying device that only serves to document whatever phenomenon appears before it through the conditions set by a system. No “esthetic” choices are possible. Other people often make the photographs. It makes no difference. 

Dziga Vertov
[Artist and filmmaker, b. 1896, Bialystok, d. 1954, Moscow.]

 I take from one person the strongest and deftest hands, from another I take the strongest and swiftest legs, from a third the most beautiful and expressive head and I create a new, perfect man in montage.