Walker Evans
[Photographer, b. 1903, St. Louis, Missouri, d. 1975, New Haven, Connecticut.]

 When you say “documentary,” you have to have a sophisticated ear to receive that word. It should be documentary style, because documentary is police photography of a scene and a murder ... that’s a real document. You see, art is really useless, and a document has use. And therefore, art is never a document, but it can adopt that style. I do it. I’m called a documentary photographer. But that presupposes a quite subtle knowledge of this distinction. 

Mona Kuhn
[Photographer, b. 1969, São Paulo, Brazil, lives in Los Angeles.]

 The body is a place where our mind resides, and that’s what I’m photographing. 

Graciela Iturbide
[Photographer, b. 1942, Mexico City, lives in Coyoacán, Mexico.]

 I never use a telephoto lens. I need to be close to people. I need their complicity; I need them to be aware that I am there taking their picture. I hate paparazzi. 

Robbert Flick
[Photographer, b. 1939, Amersfoort, Holland, lives in Los Angeles, California.]

 Once you take a picture, you frame something; the moment you frame it, you exclude things. 

Boris Mikhailov
[Photographer, b. 1938, Kharkov, Ukraine, lives in Kharkov and Berlin.]

 Photographic accident may be more interesting than a consciously constructed collage. 

William Klein
[Photographer, b. 1928, New York, lives in Paris.]

 I have always loved the amateur side of photography, automatic photographs, accidental photographs with uncentered compositions, heads cut off, whatever. I incite people to make their self-portraits. I see myself as their walking photo booth. 

John Updike
[Writer, b. 1932, Shillington, Pennsylvania, d. 2009, Boston, Massachusetts.]

 A photograph offers us a glimpse into the abyss of time. 

Louis-Jacques-Mandé Daguerre
[Artist and one of the originators of photography, b. 1787, Cormeilles-en-Parisis, Val-d'Oise, France, d. 1851, Bry-sur-Marne, France.]

 I have seized the light. I have arrested its flight.