William Klein
[Photographer, b. 1928, New York, lives in Paris.]

 So who can pin down photography? We’re drunk with images. [Sontag’s] sick of it. I’m sick of it. But we’re moved by old amateur photographs because they aren’t concerned about theories of photography or what a picture must be. They’re just photographs without rules or dogma. 

Donald McCullin
[Photographer, b. 1935, Finsbury Park, London, lives in Somerset, England.]

 Photography’s a case of keeping all the pores of the skin open, as well as the eyes. A lot of photographers today think that by putting on the uniform, the fishing vest, and all the Nikons, that that makes them a photographer. But it doesn’t. It’s not just seeing. It’s feeling. 

Elliott Erwitt
[Photographer, b. 1928, Paris, France, lives in New York.]

 It’s about time we started to take photography seriously and treat it as a hobby. 

William Klein
[Photographer, b. 1928, New York, lives in Paris.]

 I have always loved the amateur side of photography, automatic photographs, accidental photographs with uncentered compositions, heads cut off, whatever. I incite people to make their self-portraits. I see myself as their walking photo booth. 

Brian Duffy
[Photographer, b. 1933, London, d. 2010, London.]

 One of the great problems with photography is that any twat you give a camera to can take a photograph. What that does to the photographer is immediately create an inferiority complex within him because anyone can do it, which of course they can. 

John Szarkowski
[Curator, critic, historian, and photographer, b. 1925, Ashland, Wisconsin, d. 2007, Pittsfield, Massachusetts.]

 ...an enormously larger number of photographs have been made by dumb amateurs, commercial drudges, half-sober news photographers, celebrity merchants, real-estate salesmen, etc., than by photographers with clear and clean artistic intentions—which suggests that the former groups have likely made a great many pictures that might appeal to those of us interested in what photographs can look like, and in how they may contain and convey meaning. 

Cornelius Jabez Hughes
[Photographer, b. 1819, London, d. 1894, London.]

 ... it is not to be wondered that the impulses forward should emanate rather from the amateur than the professional. The former pursues the art for pleasure, the latter for profit. The one can try all manner of experiments, and whether he succeed or fail he secures his object—agreeable occupation. (1863) 

George Bataille
[Philosopher and writer, b. 1897, Billon, Puy-de-Dôme, France, d. 1962, Paris.]

 ...specialist art photographers can produce nothing more than rather tedious technical acrobatics. Press photographs or film stills are much more pleasurable to look at and much livelier than the majority of masterpieces that are presented for the public’s admiration. 
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