Donald McCullin
[Photographer, b. 1935, Finsbury Park, London, lives in Somerset, England.]
Photography’s a case of keeping all the pores of the skin open, as well as the eyes. A lot of photographers today think that by putting on the uniform, the fishing vest, and all the Nikons, that that makes them a photographer. But it doesn’t. It’s not just seeing. It’s feeling.
John Szarkowski
[Curator, critic, historian, and photographer, b. 1925, Ashland, Wisconsin, d. 2007, Pittsfield, Massachusetts.]
...an enormously larger number of photographs have been made by dumb amateurs, commercial drudges, half-sober news photographers, celebrity merchants, real-estate salesmen, etc., than by photographers with clear and clean artistic intentions—which suggests that the former groups have likely made a great many pictures that might appeal to those of us interested in what photographs can look like, and in how they may contain and convey meaning.
Brian Duffy
[Photographer, b. 1933, London, d. 2010, London.]
One of the great problems with photography is that any twat you give a camera to can take a photograph. What that does to the photographer is immediately create an inferiority complex within him because anyone can do it, which of course they can.
Hiroshi Sugimoto
[Photographer, b. 1948, Tokyo, lives in New York.]
I didn’t want to be criticized for taking low-quality photographs, so I tried to reach the best, highest quality of photography and then to combine this with a conceptual art practice. But thinking back, that was the wrong decision [laughs]. Developing a low-quality aesthetic is a sign of serious fine art—I still see this.
André Kertész
[Photographer, b. 1894, Budapest, Hungary, d. 1985, New York.]
I am an amateur and I intend to stay that way for the rest of my life.
(1930)
Susan Sontag
[Writer, theorist, and critic, b. 1933, New York, d. 2004, New York.]
An unassuming functional snapshot may be as visually interesting, as eloquent, as beautiful as the most acclaimed fine-art photographs.
Elliott Erwitt
[Photographer, b. 1928, Paris, France, lives in New York.]
It’s about time we started to take photography seriously and treat it as a hobby.
Terence Donovan
[Photographer, b. 1936, Stepney, England, d. 1996, London.]
Don’t buy a Hasselblad unless you have a tripod and an assistant. If you drop the magazine, it tends to be embarrassing, like trying to spoon up your guacamole in Acapulco. When I see a Hampstead gynaecologist on holiday festooned with a Hasselblad and lenses and no tripod, I know he is a photographer wanker.
