Joe Rosenthal
[Photographer, b. 1911, Washington, D.C., d. 2006, Novato, California.]

 Had I posed that shot, I would, of course, have ruined it. I’d have picked fewer men... I would also have made them turn their heads so that they could be identified for AP members throughout the country and nothing like the existing picture would have resulted. (On his photograph of U.S. Marines raising the American flag on Mt. Suribachi, Iwo Jima.) 

Christo (Christo Vladimirov Javacheff)
[Artist, b. 1935, Gabrova, Bulgaria, lives in New York.]

 Two Nazi commandos defended the Reichstag like mad, step by step, floor by floor, with the same lack of purpose as the Russians who lost two thousand men in attempting to take hold of it. I have the feeling that they were sacrificed for a mere photograph, the famous photograph of the Russian soldier waving the Soviet flag on the roof of the Reichstag. 

Robert Capa (Endre Ernő Friedmann)
[Photographer, b. 1913, Budapest, Hungary, d. 1954, Thai Binh, Vietnam.]

 If your pictures aren’t good enough, you’re not close enough. 

James Nachtwey
[Photographer, b. 1948, Syracuse, New York, lives in New York.]

 I used to call myself a war photographer. Now I consider myself as an antiwar photographer. 
 Is it possible to put an end to a form of human behavior which has existed throughout history by means of photography? The proportions of that notion seem ridiculously out of balance. Yet, that very idea has motivated me. 

Joe Julius Heydecker
[Writer and photographer, b. 1916, Nürnberg, Germany, d. 1997, Vienna.]

 I am guilty: I stood there and took photographs instead of doing something. Even then I was aware of this terrible dilemma. To ask what I could have done than is a coward’s question. Something. Kill one of the guards with my bayonet. Raise my rifle against an officer. Desert and go over to the other side. Refuse service. Sabotage. Refuse to obey orders. Give my life. Today I feel there is no excuse. (On his trips as a Nazi soldier photographing Jews in the Warsaw ghetto. He began in 1941 and ended in 1944 when there was no ghetto and there were no Jews.) 

Richard Misrach
[Photographer, b. 1949, Los Angeles, lives in San Francisco.]

 I’m not interested in victim photography. Photographing people suffering and putting it on a museum wall is too weird. 

Hunter Thompson
[Writer, b. 1937, Louisville, Kentucky, d. 2005, Woody Creek, Colorado.]

 These horrifying digital snapshots of the American dream in action on foreign soil are worse than anything even I could have expected. I have been in this business a long time and I have seen many staggering things, but this one is over the line. Now I am really ashamed to carry an American passport. (On photographs of Abu Ghraib prison in Iraq) 
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