Christo (Christo Vladimirov Javacheff)
[Artist, b. 1935, Gabrova, Bulgaria, lives in New York.]

 Two Nazi commandos defended the Reichstag like mad, step by step, floor by floor, with the same lack of purpose as the Russians who lost two thousand men in attempting to take hold of it. I have the feeling that they were sacrificed for a mere photograph, the famous photograph of the Russian soldier waving the Soviet flag on the roof of the Reichstag. 

Robert Capa (Endre Ernő Friedmann)
[Photographer, b. 1913, Budapest, Hungary, d. 1954, Thai Binh, Vietnam.]

 If your pictures aren’t good enough, you’re not close enough. 

Dmitri Baltermants
[Photographer, b. 1912, Warsaw, Poland, d. 1990, Moscow.]

 We photographers make magnificent shots of wars, fires, earthquakes, and murder: the grief of humanity. We would like to see photographs about joy, happiness and love, but on the same level of quality. I realize, though, that this is difficult. 

W. Eugene Smith
[Photographer, b. 1918, Wichita, Kansas, d. 1978, Tucson, Arizona.]

 ... and each time I pressed the shutter release it was a shouted condemnation hurled with the hope that the picture might survive through the years, with the hope that they might echo through the minds of men in the future—causing them caution and remembrance and realization. 

Bert Hardy
[Photographer, b. 1913, London, d. 1995, Oxted, England.]

 Although I do not usually like taking pictures of corpses, I controlled my feelings of rage for long enough to take some; without such evidence, no one would believe that anything like this had ever happened. (On photographing the liberation of the Bergen-Belsen Concentration Camp, April 19, 1945) 

Phil Stern
[Photographer, b. 1919, Philadelphia, Pennsylvania, d. 2014, Los Angeles.]

 You point a camera, and you push the button. The only trouble is that your life is at stake, and I came close to being killed quite a few times. But it turns out that everything seems to work in my favor. God apparently is very generous to atheists. He fucks the believers. That’s my observation. (On his time as a WWII army photographer.) 

Kim Phúc
[Human being, subject of iconic photograph, b. 1963, Trang Bang, South Vietnam, lives in Ajax, Canada.]

 That photograph is more powerful than bombs. (On the photograph of her as a nine-year-old fleeing the village of Trang Bang, Vietnam after it was napalm bombed by the United States in 1972.) 

Simon Norfolk
[Photographer, b. 1963, Lagos, Nigeria, lives in Brighton, England.]

 [My] pictures are about memory and forgetfulness. The evidence is dissolving. Bones crumble; human ash returns to soil; teeth, sandals, hair, bullets, axes disperse into atoms and molecules. Footprints in the snow will be erased by the next storm. The evidence of evil, like the evidence of good, obeys the universal laws of entropy. Heat cools, matter disintegrates, memories fade. If we let them. 
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