David Levi Strauss
[Writer and critic, b. 1953, Junction City, Kansas, lives in New York.]

 The attack on New York’s Twin Towers was the most photographed event in history. It was clearly planned and executed to maximize imaging. The delay between the two crashes seemed calculated to allow cameras—in what is arguably the most densely camera-rich environment in the world—to turn en masse toward the towers like a field of phototropic sunflowers. 

Hunter Thompson
[Writer, b. 1937, Louisville, Kentucky, d. 2005, Woody Creek, Colorado.]

 These horrifying digital snapshots of the American dream in action on foreign soil are worse than anything even I could have expected. I have been in this business a long time and I have seen many staggering things, but this one is over the line. Now I am really ashamed to carry an American passport. (On photographs of Abu Ghraib prison in Iraq) 

Christo (Christo Vladimirov Javacheff)
[Artist, b. 1935, Gabrova, Bulgaria, lives in New York.]

 Two Nazi commandos defended the Reichstag like mad, step by step, floor by floor, with the same lack of purpose as the Russians who lost two thousand men in attempting to take hold of it. I have the feeling that they were sacrificed for a mere photograph, the famous photograph of the Russian soldier waving the Soviet flag on the roof of the Reichstag. 

Anne Frank
[Writer, b. 1929, Frankfurt, Germany, d. 1945, Bergen-Belsen concentration camp, Germany.]

 This is a photo as I would wish myself to look all the time. Then I would maybe have a chance to come to Hollywood. (10, October, 1942; Handwritten inscription on a photograph) 

Donald McCullin
[Photographer, b. 1935, Finsbury Park, London, lives in Somerset, England.]

 Sometimes it felt like I was carrying pieces of human flesh back home with me, not negatives. It’s as if you are carrying the suffering of the people you have photographed. 

James Nachtwey
[Photographer, b. 1948, Syracuse, New York, lives in New York.]

 If I can upset people, if I can ruin their day, then I have done my job. 

Cornell Capa (Kornél Friedmann)
[Writer and photographer, b. 1918, Budapest, Hungary, d. 2008, New York.]

 With all the arguments and discussions about the Vietnam War, what did the visual image do? It ended the war. 

Fred Ritchin
[Critic and writer, b. 1952, Washington, D.C., lives in New York.]

 And the wars? Can our photographs do anything at all? (Or do we turn it all into image so that it will bother us less?) 
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