Joe Julius Heydecker
[Writer and photographer, b. 1916, Nürnberg, Germany, d. 1997, Vienna.]

 I am guilty: I stood there and took photographs instead of doing something. Even then I was aware of this terrible dilemma. To ask what I could have done than is a coward’s question. Something. Kill one of the guards with my bayonet. Raise my rifle against an officer. Desert and go over to the other side. Refuse service. Sabotage. Refuse to obey orders. Give my life. Today I feel there is no excuse. (On his trips as a Nazi soldier photographing Jews in the Warsaw ghetto. He began in 1941 and ended in 1944 when there was no ghetto and there were no Jews.) 

Richard Misrach
[Photographer, b. 1949, Los Angeles, lives in San Francisco.]

 I’m not interested in victim photography. Photographing people suffering and putting it on a museum wall is too weird. 

Simon Norfolk
[Photographer, b. 1963, Lagos, Nigeria, lives in Brighton, England.]

 [My] pictures are about memory and forgetfulness. The evidence is dissolving. Bones crumble; human ash returns to soil; teeth, sandals, hair, bullets, axes disperse into atoms and molecules. Footprints in the snow will be erased by the next storm. The evidence of evil, like the evidence of good, obeys the universal laws of entropy. Heat cools, matter disintegrates, memories fade. If we let them. 

Martha Rosler
[Artist, b. 1943, Brooklyn, New York, lives in New York.]

 Women war photographers had to fight on two fronts: the bombs, and the men. 

Robert Capa (Endre Ernő Friedmann)
[Photographer, b. 1913, Budapest, Hungary, d. 1954, Thai Binh, Vietnam.]

 For a war correspondent to miss an invasion is like refusing a date with Lana Turner. 

Sabrina Harman
[U.S. military guard at Abu Ghraib Prison, Iraq, b. 1978, Lorton, Virginia, lives in Virginia.]

 On June 23 I saw my first dead body I took pictures! The other day I heard my first grenade go off. Fun! (To her father, June 23, 2003, written from Abu Ghraib Prison, Iraq) 

Donald McCullin
[Photographer, b. 1935, Finsbury Park, London, lives in Somerset, England.]

 I don’t want to die for a few pictures. I want to live for every sunrise I can clap my eyes on; I want to see my family get older; I want to see the world try and get a bit more peaceful and understanding, which unfortunately I don’t think I’ll ever see. 

John Berger
[Writer and critic, b. 1926, London, d. 2017, Paris.]

 We hate to look at his [Donald McCullin’s] pictures, but we have to. McCullin is the eye we cannot shut. 
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