Fred Ritchin
[Critic and writer, b. 1952, Washington, D.C., lives in New York.]

 And the wars? Can our photographs do anything at all? (Or do we turn it all into image so that it will bother us less?) 

Sabrina Harman
[U.S. military guard at Abu Ghraib Prison, Iraq, b. 1978, Lorton, Virginia, lives in Virginia.]

 On June 23 I saw my first dead body I took pictures! The other day I heard my first grenade go off. Fun! (To her father, June 23, 2003, written from Abu Ghraib Prison, Iraq) 

Christo (Christo Vladimirov Javacheff)
[Artist, b. 1935, Gabrova, Bulgaria, lives in New York.]

 Two Nazi commandos defended the Reichstag like mad, step by step, floor by floor, with the same lack of purpose as the Russians who lost two thousand men in attempting to take hold of it. I have the feeling that they were sacrificed for a mere photograph, the famous photograph of the Russian soldier waving the Soviet flag on the roof of the Reichstag. 

Richard Misrach
[Photographer, b. 1949, Los Angeles, lives in San Francisco.]

 I’m not interested in victim photography. Photographing people suffering and putting it on a museum wall is too weird. 

Kim Phúc
[Human being, subject of iconic photograph, b. 1963, Trang Bang, South Vietnam, lives in Ajax, Canada.]

 That photograph is more powerful than bombs. (On the photograph of her as a nine-year-old fleeing the village of Trang Bang, Vietnam after it was napalm bombed by the United States in 1972.) 

Robert Capa (Endre Ernő Friedmann)
[Photographer, b. 1913, Budapest, Hungary, d. 1954, Thai Binh, Vietnam.]

 If your pictures aren’t good enough, you’re not close enough. 

Susie Linfield
[Writer and critic, New York, lives in New York.]

 Every image of barbarism—of immiseration, humiliation, terror, extermination—embraces its opposite, though sometimes unknowingly. Every image of suffering says not only, “This is so,” but also, by implication: “This must stop.” 

Martha Rosler
[Artist, b. 1943, Brooklyn, New York, lives in New York.]

 Women war photographers had to fight on two fronts: the bombs, and the men. 
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