Nan Goldin
[Photographer, b. 1953, Washington, D.C., lives in New York and Paris.]

 When you set up pictures you’re not at any risk. Reality involves chance and risk and diving for pearls. 

Pedro Meyer
[Photographer, b. 1935, Madrid, Spain, lives in Mexico City.]

 The notion of the real and the fake has come full circle. We now tend to dismiss the real because it looks like a fake. The “truth” is that in their own way, when all is said and done, all fakes and surrogates also become their own sort of original. 

Douglas Crimp
[Writer, theorist and critic, b. 1944, Coeur d'Alene, Idaho, lives in Rochester, New York.]

 The strategy of the [directorial] mode is to use the apparent veracity of photography against itself, creating one’s fictions through the appearance of a seamless reality into which has been woven a narrative dimension. (1980) 

Jeff Wall
[Photographer, b. 1946, Vancouver, Canada, lives in Vancouver.]

 I’m struck by things I’ve seen, but I don’t photograph them. If they persist in my mind, I try to recreate them. 

Roni Horn
[Artist, b. 1955, New York, lives in New York and Iceland.]

 A non-analogue image has an extremely compressed life. It starts as this and, in increasingly short time spans, becomes that. 

Richard Misrach
[Photographer, b. 1949, Los Angeles, lives in San Francisco.]

 In spite of recent trends towards fabricating photographic narratives, I find, more than ever, traditional photographic capture—the “discovery” of found narratives—deeply compelling. 

John Gossage
[Photographer, b. 1946, Staten Island, New York, lives in Washington D.C..]

 You can do anything you like, it’s all fiction. 

Roger Ballen
[Photographer, b. 1950, New York, lives in Johannesburg, South Africa.]

 Nothing is staged. And nothing is already there. Everything is transformed through the camera. 
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