Andreas Gursky
[Photographer, b. 1955, Leipzig, Germany, lives in Dusseldorf.]

 Paradoxically, this view of the Rhine cannot be obtained in situ; a fictitious construction was required to provide an accurate image of a modern river. (On his photograph Rhein II) 

Douglas McCulloh
[Photographer, b. 1959, Los Angeles, lives in Los Angeles.]

 If you scratch through the deceitful artifice of contemporary photography, you’ll find the real artifice underneath. 

Richard Misrach
[Photographer, b. 1949, Los Angeles, lives in San Francisco.]

 In spite of recent trends towards fabricating photographic narratives, I find, more than ever, traditional photographic capture—the “discovery” of found narratives—deeply compelling. 

Philip Jones Griffiths
[Photojournalist, b. 1936, Rhuddian, Wales, d. 2008, London.]

 ...we are there with our cameras to record reality. Once we start modifying that which exists, we are robbing photography of its most valuable attribute. 

Glenn Ligon
[Artist, b. 1960, Bronx, New York, lives in New York.]

 The impulse to reuse, recycle, and recontextualize is nothing new. What is new is the overabundance of images we have to choose from. The task is to see whether something can be made from them. I do not wish to add any more. (2012) 

Barbara Kasten
[Photographer, b. 1936, Chicago, Illinois, lives in Chicago.]

 When I make a photograph, it’s not in the traditional style of using a camera to capture reality or to catch a fleeting moment of life. I use the camera to document a moment, but everything that it records is something that I’ve made with my hands. 

John Gossage
[Photographer, b. 1946, Staten Island, New York, lives in Washington D.C..]

 You can do anything you like, it’s all fiction. 

Walter Benn Michaels
[Writer and critic, b. 1948, lives in Chicago.]

 What a [Cindy Sherman] photograph shows is an object that has been called into the world by the existence of cameras; the pose, as pose, calls attention to this fact and criticizes the world the camera has made; the camera, then, records this critique. 
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