Justine Kurland
[Photographer, b. 1969, Warsaw, New York, lives mostly on the road.]

 There’s something political about creating a world that you want to exist. 

Pedro Meyer
[Photographer, b. 1935, Madrid, Spain, lives in Mexico City.]

 The notion of the real and the fake has come full circle. We now tend to dismiss the real because it looks like a fake. The “truth” is that in their own way, when all is said and done, all fakes and surrogates also become their own sort of original. 

Roni Horn
[Artist, b. 1955, New York, lives in New York and Iceland.]

 A non-analogue image has an extremely compressed life. It starts as this and, in increasingly short time spans, becomes that. 

Andreas Gursky
[Photographer, b. 1955, Leipzig, Germany, lives in Dusseldorf.]

 Paradoxically, this view of the Rhine cannot be obtained in situ; a fictitious construction was required to provide an accurate image of a modern river. (On his photograph Rhein II) 

Jeff Wall
[Photographer, b. 1946, Vancouver, Canada, lives in Vancouver.]

 I’m struck by things I’ve seen, but I don’t photograph them. If they persist in my mind, I try to recreate them. 

Nan Goldin
[Photographer, b. 1953, Washington, D.C., lives in New York and Paris.]

 I became a photographer to make a record that no one could revise, and now anyone can revise it. 

Douglas McCulloh
[Photographer, b. 1959, Los Angeles, lives in Los Angeles.]

 If you scratch through the deceitful artifice of contemporary photography, you’ll find the real artifice underneath. 

Philip Jones Griffiths
[Photojournalist, b. 1936, Rhuddian, Wales, d. 2008, London.]

 The twentieth century was the time of photography, when almost everything of importance was recorded and considered true because it was photographed. Nowadays nearly anyone can produce a photograph of Ladybird Johnson standing on the grassy knoll with a smoking gun in her hand and no one can prove it’s a fake. 
quotes 1-8 of 197
page 1 of 25 next page last page
display quotes