David Maisel
[Photographer, b. 1961, New York, lives in San Francisco.]

 I seek to reveal the landscape in something other than purely visual terms, the photograph transcribing it as an archetypal space of destruction and ruin that mirrors the darker corners of our consciousness. 

Robert Adams
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]

 The operating principle that seems to work best is to go to the landscape that frightens you the most and take pictures until you’re not scared anymore. (1982) 
 Scenic grandeur is today sometimes painful. The beautiful places to which we journey for inspiration surprise us by the melancholy they can induce... Unspoiled places sadden us because they are, in an important sense, no longer true. 
 What a landscape photographer traditionally tries to do is show what is past, present, and future at once. You want ghosts and the daily news and prophecy... It’s presumptuous and ridiculous. You fail all the time. 

Franz Kafka
[Writer, b. 1883, Prague, d. 1924, Prague.]

 A picture of my existence... would show a useless wooden stake covered in snow... stuck loosely at a slant in the ground in a ploughed field on the edge of a vast open plain on a dark winter night. 

Lucy Lippard
[Critic and writer, b. 1936, New York, lives in Galisteo, New Mexico.]

 Men have dominated the field of landscape photography just as they have dominated the land itself. Thus “shooting” a “virgin” landscape has been man’s work—hunting, not gardening. 

Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 The world is going to pieces and people like Adams and Weston are photographing rocks! (1930s) 

Lewis Baltz
[Photographer, b. 1945, Newport Beach, California, d. 2014, Paris.]

 I was living in Monterey, a place where the classic photographers—the Westons, Wynn Bullock and Ansel Adams—came for a privileged view of nature. But my daily life very rarely took me to Point Lobos or Yosemite; it took me to shopping centers, and gas stations and all the other unhealthy growth that flourished beside the highway. It was a landscape that no one else had much interest in looking at. Other than me. 
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