David Maisel
[Photographer, b. 1961, New York, lives in San Francisco.]

 I seek to reveal the landscape in something other than purely visual terms, the photograph transcribing it as an archetypal space of destruction and ruin that mirrors the darker corners of our consciousness. 

Robert Adams
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]

 Landscape photography can offer us, I think, three verities—geography, autobiography, and metaphor. 

Emmet Gowin
[Photographer, b. 1941, Danville, Virginia, lives in Princeton, New Jersey.]

 This is the gift of the landscape photograph, that the heart finds a place to stand. 

Jeff Wall
[Photographer, b. 1946, Vancouver, Canada, lives in Vancouver.]

 In making a landscape we must withdraw a certain distance—far enough to detach ourselves from the immediate presence of other people (figures), but not so far as to lose the ability to distinguish them as agents in a social space. Or, more accurately, it is just at the point where we begin to lose sight of the figures as agents, that the landscape crystallizes as a genre. 

Vik Muniz
[Artist, b. 1961, Sao Paulo, Brazil, lives in New York.]

 My first reaction to finding Robert Smithson’s Spiral Jetty in a book was, “Wow, what a great photograph!” I could not believe that someone had gone to so much trouble just to end up with a picture. 

Lucy Lippard
[Critic and writer, b. 1936, New York, lives in Galisteo, New Mexico.]

 Men have dominated the field of landscape photography just as they have dominated the land itself. Thus “shooting” a “virgin” landscape has been man’s work—hunting, not gardening. 

Robert Adams
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]

 Many have asked, pointing incredulously toward a sweep of tract homes and billboards, why picture that? The question sounds simple, but it implies a difficult issue—why open our eyes anywhere but in undamaged places like national parks? 

Walker Evans
[Photographer, b. 1903, St. Louis, Missouri, d. 1975, New Haven, Connecticut.]

 ...nature photographs downright bore me for some reason or other. I think: “Oh, yes. Look at that sand dune. What of it?” 
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