Gregory Crewdson
[Photographer, b. 1962, Brooklyn, New York, lives in New Haven Connecticut.]

 ... I’m interested in using the iconography of nature and the American landscape as surrogates or metaphors for psychological anxiety, fear or desire. 

Lucy Lippard
[Critic and writer, b. 1936, New York, lives in Galisteo, New Mexico.]

 Men have dominated the field of landscape photography just as they have dominated the land itself. Thus “shooting” a “virgin” landscape has been man’s work—hunting, not gardening. 

Lewis Baltz
[Photographer, b. 1945, Newport Beach, California, d. 2014, Paris.]

 In my research, my interest has always been with the phenomenal margin, those areas that are not quite landscape, not quite visible, the marginally taboo, the nearly obscene. 

Vik Muniz
[Artist, b. 1961, Sao Paulo, Brazil, lives in New York.]

 My first reaction to finding Robert Smithson’s Spiral Jetty in a book was, “Wow, what a great photograph!” I could not believe that someone had gone to so much trouble just to end up with a picture. 

Robert Adams
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]

 Landscape photography can offer us, I think, three verities—geography, autobiography, and metaphor. 
 The operating principle that seems to work best is to go to the landscape that frightens you the most and take pictures until you’re not scared anymore. (1982) 

David Maisel
[Photographer, b. 1961, New York, lives in San Francisco.]

 I seek to reveal the landscape in something other than purely visual terms, the photograph transcribing it as an archetypal space of destruction and ruin that mirrors the darker corners of our consciousness. 

Walker Evans
[Photographer, b. 1903, St. Louis, Missouri, d. 1975, New Haven, Connecticut.]

 ...nature photographs downright bore me for some reason or other. I think: “Oh, yes. Look at that sand dune. What of it?” 
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