Yve Lomax
[Artist and theorist, b. 1952, Dorset, lives in London.]

 I pick up a photographic image. I hold it with one hand, with the other hand I run my fingers around the edge. The border, the frame, appears complete. A perfect rectangle. I ask myself: if I tear this image or cut into and remove part of it, will its seeming completeness be broken, and broken, will this draw attention towards the way in which images and representations frame the world, frame us? 
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