Lewis Baltz
[Photographer, b. 1945, Newport Beach, California, d. 2014, Paris.]
…the questioning of the photograph in its relation to the reality, the interrogation of representation, the famous crisis of representation, really all took place before digital technology. Digital technology, you see, is not the villain here.
(1998) 
Pedro Meyer
[Photographer, b. 1935, Madrid, Spain, lives in Mexico City.]
I had no intention of waiting a week, ten days or the time necessary so that something would happen, so that I could get the “decisive moment” looked for so often by photographers... The specific “decisive moment” wasn’t to be found, it had to be created.
Jean Baudrillard
[Writer and theorist, b. 1929, Reims, France, d. 2007, Paris.]
…the photograph that has become digital [is] liberated at a single stroke from both the negative and the real world.
René Burri
[Photographer, b. 1933, Zurich, Switzerland, d. 2014, Zurich.]
A digital camera has to be kept in check like a racehorse.
Idris Khan
[Artist, b. 1978, Birmingham, England, lives in London.]
A lot of people in the art world hate to use the word “Photoshop” like it’s cheating or easy or something. I say bollocks to that. For me, it’s my tool, my paintbrush if you like, and lets me create my own visual language.
Bill Owens
[Photographer, b. 1938, San Jose, California, lives in Hayward, California.]
Photoshop is not in my vocabulary. I don’t need it because I have content.
David Levi Strauss
[Writer and critic, b. 1953, Junction City, Kansas, lives in New York.]
Photographic images used to be about the trace. Digital images are about the
flow.
Sarah Kember
[Writer and critic, lives in London.]
Digital images may be regarded as partial rather than universal forms of knowledge, and as image statements rather than truth.
