William Klein
[Photographer, b. 1928, New York, lives in Paris.]

 Quite deliberately, I did the opposite to what was usually done. I thought that an absence of framing, chance, use of the accidental and a different relationship with the camera would make it possible to liberate the photographic image. There are some things that only a camera can do. The camera is full of possibilities as yet unexploited. But that is what photography is all about. The camera can surprise us. We must help it do so. 

John Baldessari
[Artist, b. 1931, National City, California, lives in Venice, California.]

 Probably one of the worst things to happen to photography is that cameras have viewfinders. 

Lisette Model
[Photographer, b. 1906, Vienna, Austria, d. 1983, New York.]

 [The snapshooter’s] pictures have an apparent disorder and imperfection, which is exactly their appeal and their style. The picture isn’t straight. It isn’t done well. It isn’t composed. It isn’t thought out. And out of this imbalance, and out of this not knowing, and out of this real innocence toward the medium comes an enormous vitality and expression of life. 

Joel-Peter Witkin
[Photographer, b. 1939, Brooklyn, New York, lives in Albuquerque, New Mexico.]

 I believe in building photographs. I don’t like the unpredictable—I have a clear idea of what I want long before I click the shutter. 

Garry Winogrand
[Photographer, b. 1928, New York, d. 1984, Tijuana, Mexico.]

 You see something happening and you bang away at it. Either you get what you saw or you get something else—and whichever is better you print. 

Arno Rafael Minkkinen
[Photographer, b. 1945, Helsinki, Finland, lives in Andover, Massachusetts.]

 Artists who believe they control everything control what they know. Artists who allow outside forces to intervene are like canoes going down rapids. 

Susan Sontag
[Writer, theorist, and critic, b. 1933, New York, d. 2004, New York.]

 Photography is the only major art in which professional training and years of experience do not confer an insuperable advantage over the untrained and inexperienced—this for many reasons, among them the large role that chance (or luck) plays in the taking of pictures, and the bias toward the spontaneous, the rough, the imperfect. 

Larry Sultan
[Photographer, b. 1946, Brooklyn, New York, d. 2009, Greenbrae, California.]

 I always thought of a great photograph as if some creature walked into my room; it’s like, how did you get here? What are you made of? And no matter how many pictures I make, I have never depleted that quality of mystery. 
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