[Filmmaker and photographer, b. 1946, Baltimore, Maryland, lives in Baltimore.]
The way I photograph... in many ways it’s directed by chance and all my mistakes, which are often the best stuff. I found that no matter if it’s the same tape, the same TV, and the same camera, I can never duplicate an image... your arm jiggles, there’s just too much chance. And I never put it on pause, or use any of that fancy equipment.
[Scientist, inventor, and photographer, b. 1903, Fremont, Nebraska, d. 1990, Cambridge, Massachusetts.]
In many ways, unexpected results are what have most inspired my photography.
[Photographer, b. 1923, New York, d. 2004, San Antonio, Texas.]
I think all art is about control—the encounter between control and the uncontrollable.
[Photographer, b. 1946, Brooklyn, New York, d. 2009, Greenbrae, California.]
I always thought of a great photograph as if some creature walked into my room; it’s like, how did you get here? What are you made of? And no matter how many pictures I make, I have never depleted that quality of mystery.
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]
When photographers get beyond copying the achievements of others, or just repeating their own accidental first successes, they learn that they do not know where in the world they will find pictures. Nobody does.
[Photographer, b. 1894, Budapest, Hungary, d. 1985, New York.]
Have confidence in the inventions and transformations of chance.
[Photographer, b. 1911, Washington, D.C., d. 2006, Novato, California.]
I swung my camera around and held it until I could guess that this was the peak of the action, and shot. I couldn’t positively say I had the picture. It’s something like shooting a football play; you don’t brag until it’s developed. (On his photograph of U.S. Marines raising the American flag on Mt. Suribachi, Iwo Jima.)
[Photographer, b. 1905, Angri, Italy, d. 1999, Prescott, Arizona.]
Art and accident are one. Art accepts what it finds.