Beaumont Newhall
[Photographer, writer, and historian, b. 1908, Lynn, Massachusetts, d. 1993, Santa Fe, New Mexico.]

 It is peculiar to photography that, by the extreme ease of its production, many accidentally interesting photographs are produced. 

Pedro Meyer
[Photographer, b. 1935, Madrid, Spain, lives in Mexico City.]

 I always found it rather pathetic that as a photographer I would be dependent to such a large extent on sheer luck... So the moment I was offered [digital] tools to bend the shape of the image into my choices, and not those of lady luck, I was hooked. 

Brassaï (Gyula Halász)
[Photographer, b. 1889, Brassó, Transylvania, Hungary (now Romania), d. 1984, Eze, Alpes-Maritimes, France.]

 Chance is always there. We all use it. The difference is a poor photographer meets chance one out of a hundred times and a good photographer meets chance all the time. 

Frederick Sommer
[Photographer, b. 1905, Angri, Italy, d. 1999, Prescott, Arizona.]

 Poetic and speculative photographs can result if one works carefully and accurately, yet letting chance relationships have full play. 
 Art and accident are one. Art accepts what it finds. 

Nan Goldin
[Photographer, b. 1953, Washington, D.C., lives in New York and Paris.]

 When you set up pictures you’re not at any risk. Reality involves chance and risk and diving for pearls. 

Edward Curtis
[Photographer and ethnographer, b. 1868, Whitewater, Wisconsin, d. 1952, Los Angeles.]

 For every negative that is a disappointment, there is one that is a joy. 

Chuck Close
[Artist, b. 1940, Monroe, Washington, lives in New York.]

 The thing that interests me about photography, and why it’s different from all other media, is that it’s the only medium in which there is even the possibility of an accidental masterpiece. 
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