Arno Rafael Minkkinen
[Photographer, b. 1945, Helsinki, Finland, lives in Andover, Massachusetts.]

 Artists who believe they control everything control what they know. Artists who allow outside forces to intervene are like canoes going down rapids. 

Garry Winogrand
[Photographer, b. 1928, New York, d. 1984, Tijuana, Mexico.]

 You know why your pictures are no fucking good? Because they don’t describe the chaos of life. (Quoted by Philip-Lorca DiCorcia) 

Thomas Demand
[Photographer, b. 1964, Munich, Germany, lives in Los Angeles.]

 [With my photographs] you have a [single, forever fixed] moment and my particular angle of vision. My tyrannical condition, as it were, is that I prescribe your vision. 

Helmut Newton
[Photographer, b. 1920, Berlin, d. 2004, Los Angeles.]

 ...what I try to do is a good bad picture. I work it out very carefully, and then I do something that looks as if it went wrong. 

Susan Sontag
[Writer, theorist, and critic, b. 1933, New York, d. 2004, New York.]

 What could be more surreal than an object... whose beauty, fantastic disclosures, emotional weight are likely to be further enhanced by any accidents that might befall it? It is photography that has best shown how to juxtapose the sewing machine and the umbrella, whose fortuitous encounter was hailed by a great Surrealist poet as an epitome of the beautiful. 

Daido Moriyama
[Photographer, b. 1938, Ikeda-cho, Osaka, Japan, lives in Tokyo.]

 Most of what I want simply slips away like water flowing through a net, and always what remains are only vague, elusive fragments of images… that sink into countless strata in my mind. 

Harold Edgerton
[Scientist, inventor, and photographer, b. 1903, Fremont, Nebraska, d. 1990, Cambridge, Massachusetts.]

 In many ways, unexpected results are what have most inspired my photography. 

William Klein
[Photographer, b. 1928, New York, lives in Paris.]

 Quite deliberately, I did the opposite to what was usually done. I thought that an absence of framing, chance, use of the accidental and a different relationship with the camera would make it possible to liberate the photographic image. There are some things that only a camera can do. The camera is full of possibilities as yet unexploited. But that is what photography is all about. The camera can surprise us. We must help it do so. 
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