Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 Let the lens rummage the gravel of chance and the unconscious. 

Walker Evans
[Photographer, b. 1903, St. Louis, Missouri, d. 1975, New Haven, Connecticut.]

 I work rather blindly. I have a theory that seems to work with me that some of the best things you ever do sort of come through you. You don’t know where you get the impetus and response to what’s before your eyes. 

Chuck Close
[Artist, b. 1940, Monroe, Washington, lives in New York.]

 The thing that interests me about photography, and why it’s different from all other media, is that it’s the only medium in which there is even the possibility of an accidental masterpiece. 

Martin Munkacsi
[Photographer, b. 1898, Kolozsvár, Hungary, (now Cluj-Napoca, Romania), d. 1963, New York.]

 Never pose your subjects. Let them move about naturally... All great photographs today are snapshots. (1935) 

Daido Moriyama
[Photographer, b. 1938, Ikeda-cho, Osaka, Japan, lives in Tokyo.]

 [My] photos are often out of focus, rough, streaky, warped, etc. But if you think about it, a normal human being will in one day perceive an infinite number of images, and some of them are focused upon, others are barely seen out of the corner of one’s eye. 

Boris Mikhailov
[Photographer, b. 1938, Kharkov, Ukraine, lives in Kharkov and Berlin.]

 Photographic accident may be more interesting than a consciously constructed collage. 

Sally Mann
[Photographer, b. 1951, Lexington, Virginia, lives in Lexington.]

 Stop trying to get it right. Just take the picture. 

Joe Rosenthal
[Photographer, b. 1911, Washington, D.C., d. 2006, Novato, California.]

 I swung my camera around and held it until I could guess that this was the peak of the action, and shot. I couldn’t positively say I had the picture. It’s something like shooting a football play; you don’t brag until it’s developed. (On his photograph of U.S. Marines raising the American flag on Mt. Suribachi, Iwo Jima.) 
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