Stephen Shore
[Photographer, b. 1947, New York, lives in New York.]

 There’s something arbitrary about taking a picture. So I can stand at the edge of a highway and take one step forward and it can be a natural landscape untouched by man and I can take one step back and include a guardrail and change the meaning of the picture radically... I can take a picture of a person at one moment and make them look contemplative and photograph them two seconds later and make them look frivolous. 

Richard Misrach
[Photographer, b. 1949, Los Angeles, lives in San Francisco.]

 I love the fact that a photograph is always open to interpretation—there is no fixed meaning. 

Henry Holmes Smith
[Artist and teacher, b. 1909, Bloomington, Illinois, d. 1986, San Rafael, California.]

 The intensely felt subjective image is always the reason for making a first rate picture. 

Eikoh Hosoe
[Photographer, b. 1933, Yonezawa, Yamagata Prefecture, Japan, lives in Tokyo.]

 To me, a photograph is both a record and a testimony, mirror and window... in which inside and outside are as one, ever-changing... The camera is generally assumed to be unable to depict that which is not visible to the eye. And yet the photographer who wields it well can depict what lies unseen in his memory. 

James Nachtwey
[Photographer, b. 1948, Syracuse, New York, lives in New York.]

 The flow of reality has contours and dimensions much like the flow of a river. The characteristics of the current depend on the channel, whether it is a product of history or geology. Documentary photography has similar properties. The images I create are a confluence of what is in front of me and what is inside of me. They are objective and subjective at the same time, and they must be seen that way by the viewer in order to be convincing. 

Martine Franck
[Photographer, b. 1938, Antwerp, Belgium, d. 2012, Paris.]

 A photograph is not necessarily a lie, but it isn’t the truth either. It’s more like a fleeting, subjective impression. 

Robert Frank
[Photographer and filmmaker, b. 1924, Zürich, Switzerland, lives in Mabou, Cape Breton, Nova Scotia, Canada, and New York.]

 The truth is somewhere between the documentary and the fictional, and that is what I try to show. What is real one moment has become imaginary the next. You believe what you see now, and the next second you don’t anymore. 

William Klein
[Photographer, b. 1928, New York, lives in Paris.]

 Anybody who pretends to be objective isn’t realistic. 
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