Annie Leibovitz
[Photographer, b. 1949, Westbury, Connecticut, lives in New York.]

 I no longer believe that there is such a thing as objectivity. Everyone has a point of view. Some people call it style, but what we’re really talking about here is the guts of a photograph. When you trust your point of view, that’s when you start taking pictures. 

Brassaï (Gyula Halász)
[Photographer, b. 1889, Brassó, Transylvania, Hungary (now Romania), d. 1984, Eze, Alpes-Maritimes, France.]

 I had myself echoed [Peter Henry] Emerson’s view that photography was not an art form, but I had done so without the slightest regret… It is something better than art! It rules out subjectivity, the artist’s arbitrariness; through photography it is at last possible to attain divine, total objectivity. 

Abelardo Morell
[b. 1948, Havana, Cuba, lives in Brookline, Massachusetts.]

 It’s important to me to have what I photograph undergo a certain transformation—to become a thing different from what we are used to, to be another version of itself. 

W. Eugene Smith
[Photographer, b. 1918, Wichita, Kansas, d. 1978, Tucson, Arizona.]

 The journalistic photographer can have no other than a personal approach; and it is impossible for him to be completely objective. Honest—yes. Objective—no. 

Aaron Siskind
[Photographer, b. 1903, New York, d. 1991, Providence, Rhode Island.]

 I want to bring my pictures to the ideal of music. Like music, it means everything, it says everything, but it is objective. 

Sherrie Levine
[Artist, b. 1947, Hazleton, Pennsylvania, lives in New York.]

 Maybe I should see things as they really are and not as I want them to be. 

Martine Franck
[Photographer, b. 1938, Antwerp, Belgium, d. 2012, Paris.]

 A photograph is not necessarily a lie, but it isn’t the truth either. It’s more like a fleeting, subjective impression. 

Robert Frank
[Photographer and filmmaker, b. 1924, Zürich, Switzerland, lives in Mabou, Cape Breton, Nova Scotia, Canada, and New York.]

 The truth is somewhere between the documentary and the fictional, and that is what I try to show. What is real one moment has become imaginary the next. You believe what you see now, and the next second you don’t anymore. 
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