Mona Kuhn
[Photographer, b. 1969, São Paulo, Brazil, lives in Los Angeles.]

 The body is a place where our mind resides, and that’s what I’m photographing. 

Barbara Morgan
[Photographer, b. 1900, Buffalo, Kansas, d. 1992, North Tarrytown, New York.]

 Primarily, I am after that instant of combustion, when all the energies of the spirit are wonderfully coordinated with the action of the body. How to get that onto a negative! 

Joyce Tenneson
[Photographer, b. 1945, Weston, Massachusetts, lives in New York.]

 A true portrait can never hide the inner life of its subject. It is interesting that in our culture we hide and cover the body, yet our faces are naked. Through a person’s face we can potentially see everything—the history and depth of that person’s life as well as their connection to an even deeper universal presence. 

Barbara Ess
[Photographer, b. 1948, Brooklyn, New York, lives in New York.]

 I try to photograph what can’t be photographed—psychological or subjective reality, which seems more real than physical or consensual reality. 

Ludwig Wittgenstein
[Philosopher, b. 1889, Vienna, Austria, d. 1951, Cambridge, England.]

 The human body is the best picture of the human soul. 

Stanley Cavell
[Philosopher, b. 1926, Atlanta, Georgia, lives in Brookline, Massachusetts.]

 Under examination by the camera, a human body becomes for its inhabitant a field of betrayal more than a ground of communication, and the camera’s further power is manifested as it documents the individual’s self-conscious efforts to control the body each time it is conscious of the camera’s attention to it. 

Man Ray (Emanuel Radnitsky)
[Artist, b. 1890, Philadelphia, Pennsylvania, d. 1976, Paris.]

 Were it not for the fact that photography permits me to seize and to possess the human body and face in more than a temporary manner, I should quickly have tired of this medium. 

Duane Michals
[Photographer, b. 1932, McKeesport, Pennsylvania, lives in New York.]

 Photography books often have titles like The Photographer’s Eye or The Vision of So and So or Seeing Photographs—as if photographers didn’t have minds, only eyes. 
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