Robert Morris
[Artist and theorist, b. 1931, Kansas City, Missouri, lives in New York.]

 There is probably no defense against the malevolent powers of the photograph to convert every visible aspect of the world into a static, consumable image. 

Dieter Appelt
[Photographer and artist, b. 1935, Niemegk, Germany, lives in Berlin.]

 A snapshot steals life that it cannot return. A long exposure gives a form that never existed. 

Robert Doisneau
[Photographer, b. 1912, Gentilly, Val-de-Marne, France, d. 1994, Montrouge, France.]

 A hundredth of a second here, a hundredth of a second there—even if you put them end to end, they still only add up to one, two, perhaps three seconds, snatched from eternity. 

Diane Arbus
[Photographer, b. 1923, New York, d. 1971, New York.]

 Taking pictures is like tiptoeing into the kitchen late at night and stealing Oreo cookies.
 

Subcommander Marcos (Rafael Sebastian Guillén Vicente)
[Professor and revolutionary, b. 1957, Tampico, Mexico, lives in Chiapas, Mexico.]

 ... the photographer is a thief who chooses what he steals (which, at this stage of the crisis, is a luxury) and does not “democratize” the image, that is to say, the photographer selects the pictures, a privilege which ought to be granted to the person being photographed. 

Christian Boltanski
[Artist, b. 1944, Paris, lives in Paris.]

 No, I never take photographs myself. I don’t feel like a photographer, more like a recycler. 

Sally Mann
[Photographer, b. 1951, Lexington, Virginia, lives in Lexington.]

 I believe that photographs actually rob us of our memory. 

Richard Prince
[Artist, b. 1949, Panama Canal Zone, lives in New York.]

 What I find is that the taking, the stealing, the appropriation of images has to do with prior availability, and it sets up a degree where things can be shared... It’s like 50% off... You can let something of another emotion or another personality sign on your work, or co-sign it. 
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