Douglas Crimp
[Writer, theorist and critic, b. 1944, Coeur d'Alene, Idaho, lives in Rochester, New York.]

 Through reproductive technology, postmodernist art dispenses with the aura. The fiction of the creating subject gives way to a frank confiscation, quotation, excerptation, accumulation, and repetition of already existing images. Notions of originality, authenticity, and presence... are undermined. 

Christian Boltanski
[Artist, b. 1944, Paris, lives in Paris.]

 No, I never take photographs myself. I don’t feel like a photographer, more like a recycler. 

Dieter Appelt
[Photographer and artist, b. 1935, Niemegk, Germany, lives in Berlin.]

 A snapshot steals life that it cannot return. A long exposure gives a form that never existed. 

Ernst Haas
[Photographer, b. 1921, Vienna, Austria, d. 1986, New York City.]

 Don’t take pictures. Be taken by your pictures. 

Robert Smithson
[Artist, b. 1938, Rutherford, New Jersey, d. 1973, Amarillo, Texas.]

 A camera is wild in just about anybody’s hands, therefore one must set limits. But cameras have a life of their own. Cameras care nothing about cults or isms. They are indifferent mechanical eyes, ready to devour anything in sight. They are lenses of the unlimited reproduction. 

Edouard Boubat
[Photographer, b. 1923, Paris, France, d. 1999, Paris.]

 In some way, a photo is like a stolen kiss. In fact a kiss is always stolen, even if the woman is consenting. With a photograph it’s the same: always stolen, and still slightly consenting. 

Diane Arbus
[Photographer, b. 1923, New York, d. 1971, New York.]

 Taking pictures is like tiptoeing into the kitchen late at night and stealing Oreo cookies.
 

Subcommander Marcos (Rafael Sebastian Guillén Vicente)
[Professor and revolutionary, b. 1957, Tampico, Mexico, lives in Chiapas, Mexico.]

 ... the photographer is a thief who chooses what he steals (which, at this stage of the crisis, is a luxury) and does not “democratize” the image, that is to say, the photographer selects the pictures, a privilege which ought to be granted to the person being photographed. 
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