Joan Fontcuberta
[Photographer, b. 1955, Barcelona, lives in Barcelona.]

 There are religions in which the representation of the world is banned as an usurpation of the power of a God, creator of all things. It is very possible that photography is a trick of the devil and each shot is a sin. 

Bert Hardy
[Photographer, b. 1913, London, d. 1995, Oxted, England.]

 Although I do not usually like taking pictures of corpses, I controlled my feelings of rage for long enough to take some; without such evidence, no one would believe that anything like this had ever happened. (On photographing the liberation of the Bergen-Belsen Concentration Camp, April 19, 1945) 

Ansel Adams
[Photographer, b. 1902, San Francisco, d. 1984, Carmel, California.]

 I expect to retire to a fine-grained heaven where the temperatures are always consistent, where the images slide before ones eyes in a continual cascade of form and meaning. 

Anne Frank
[Writer, b. 1929, Frankfurt, Germany, d. 1945, Bergen-Belsen concentration camp, Germany.]

 This is a photo as I would wish myself to look all the time. Then I would maybe have a chance to come to Hollywood. (10, October, 1942; Handwritten inscription on a photograph) 

Lee Miller
[Photographer and model, b. 1907, Poughkeepsie, New York, d. 1976, Sussex, England.]

 No question that German civilians knew what went on. Railway into Dachau camp runs past villa, with trains of dead or semi-dead deportees. I usually don’t take pictures of horrors. But don’t think that every town and every area isn’t rich with them. I hope Vogue will feel it can publish these pictures. (Cable from German front, May, 1945) 

Susan Sontag
[Writer, theorist, and critic, b. 1933, New York, d. 2004, New York.]

 The appetite for showing pictures of bodies in pain is as keen, almost, as the desire for ones that show bodies naked. 

John Glenn
[Astronaut and politician, b. 1921, Cambridge, Ohio, lives in Washington D.C.]

 To hell with this. I’m going to go down to Cocoa Beach. (On being told by NASA that he couldn’t take a camera on his historic first space flight, forcing him to make a trip to a Florida drugstore where he bought the Ansco Autoset snapshot camera and two rolls of Kodak film he used on the flight.) 

George Rodger
[Photojournalist, b. 1908, Hale, Cheshire, England, d. 1995, Smarden, Kent, England.]

 When I discovered that I could look at the horror of Belsen—4,000 dead and starving lying around—and think only of a nice photographic composition, I knew something had happened to me and it had to stop. 
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