God (Judeo-Christian Version)
[Omnipotent artist, critic, creator and destroyer, before time, lives everywhere and nowhere.]

 Thou shalt not make unto thee any graven image, or likeness of any thing that is in the earth beneath, or that is in the water under the earth: thou shalt not bow down thyself to them; nor serve them... (Judeo-Christian version of God; Exodus 20:4) 

Bert Hardy
[Photographer, b. 1913, London, d. 1995, Oxted, England.]

 Although I do not usually like taking pictures of corpses, I controlled my feelings of rage for long enough to take some; without such evidence, no one would believe that anything like this had ever happened. (On photographing the liberation of the Bergen-Belsen Concentration Camp, April 19, 1945) 

John Glenn
[Astronaut and politician, b. 1921, Cambridge, Ohio, lives in Washington D.C.]

 To hell with this. I’m going to go down to Cocoa Beach. (On being told by NASA that he couldn’t take a camera on his historic first space flight, forcing him to make a trip to a Florida drugstore where he bought the Ansco Autoset snapshot camera and two rolls of Kodak film he used on the flight.) 

Joan Fontcuberta
[Photographer, b. 1955, Barcelona, lives in Barcelona.]

 There are religions in which the representation of the world is banned as an usurpation of the power of a God, creator of all things. It is very possible that photography is a trick of the devil and each shot is a sin. 

Susan Sontag
[Writer, theorist, and critic, b. 1933, New York, d. 2004, New York.]

 Newer technology provides a nonstop feed: as many images of disaster and atrocity as we can make time to look at. 

Hugo Ball
[Author, artist, and poet, b. 1886, Pirmasens, Germany, d. 1927, Sant'Abbondio, Switzerland.]

 The symbolic view of things is a consequence of long absorption in images. Is sign language the real language of Paradise? 

George Rodger
[Photojournalist, b. 1908, Hale, Cheshire, England, d. 1995, Smarden, Kent, England.]

 When I discovered that I could look at the horror of Belsen—4,000 dead and starving lying around—and think only of a nice photographic composition, I knew something had happened to me and it had to stop. 

Susan Sontag
[Writer, theorist, and critic, b. 1933, New York, d. 2004, New York.]

 The appetite for showing pictures of bodies in pain is as keen, almost, as the desire for ones that show bodies naked. 
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