Jeff Koons
[Artist, b. 1955, York, Pennsylvania, lives in New York.]

 Sex with love is a higher state. It’s an objective state, in which one lives and enters the eternal, and I believe that’s what I showed people. That’s why it wasn’t pornographic. (On the hard-core self-portraits he made having sex with his wife Ilona “Cicciolina” Staller and exhibited under the title “Made in Heaven.”) 

Lee Miller
[Photographer and model, b. 1907, Poughkeepsie, New York, d. 1976, Sussex, England.]

 No question that German civilians knew what went on. Railway into Dachau camp runs past villa, with trains of dead or semi-dead deportees. I usually don’t take pictures of horrors. But don’t think that every town and every area isn’t rich with them. I hope Vogue will feel it can publish these pictures. (Cable from German front, May, 1945) 
 I took some pictures of the place [Hitler’s residence] and I also got a good night’s sleep in Hitler’s bed. I even washed the dirt of Dachau in his tub. 

Edvard Munch
[Artist, b. 1863, Loten, Hedmark, Norway, d. 1944, Oslo, Norway.]

 The camera cannot compete with painting so long as it cannot be used in heaven and in hell. 

William Burroughs
[Writer, b. 1914, St. Louis, Missouri, d. 1997, Lawrence, Kansas.]

 There is in fact something obscene and sinister about photography, a desire to imprison, to incorporate, a sexual intensity of pursuit. 

Paul Virilio
[Writer and theorist, b. 1932, Paris, lives in La Rochelle, France.]

 ... the blinding Hiroshima flash... literally photographed the shadow cast by beings and things, so that every surface immediately became war’s recording surface, its film. 

Anne Frank
[Writer, b. 1929, Frankfurt, Germany, d. 1945, Bergen-Belsen concentration camp, Germany.]

 This is a photo as I would wish myself to look all the time. Then I would maybe have a chance to come to Hollywood. (10, October, 1942; Handwritten inscription on a photograph) 

Susan Sontag
[Writer, theorist, and critic, b. 1933, New York, d. 2004, New York.]

 Newer technology provides a nonstop feed: as many images of disaster and atrocity as we can make time to look at. 
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