John Baldessari
[Artist, b. 1931, National City, California, lives in Venice, California.]

 Photos should suggest a word(s) and vice versa. They should be equal and interchangeable. 

Robert Doisneau
[Photographer, b. 1912, Gentilly, Val-de-Marne, France, d. 1994, Montrouge, France.]

 If you take photos, don’t speak, don’t write, don’t analyze yourself, and don’t answer any questions. 

Gilles Peress
[Photographer, b. 1946, Neuilly, France, lives in New York.]

 I’m proposing to you that photography is a language on its own, which is that when you look at images you do derive ideas; and I’m also proposing to you that you can derive ideas without going through words. So I’m forcing you to really look. And this process of looking, it’s like a new set of ideas that are being proposed to you. 

Wright Morris
[Writer and photographer, b. 1910, Central City, Nebraska, d. 1998, Mill Valley, California.]

 The photograph, after all, is just a photograph. Words will determine its meaning and status. 

Gordon Parks
[Photographer and filmmaker, b. 1912, Fort Scott, Kansas, d. 2006, New York.]

 Think in terms of images and words. They can be mighty powerful when they are fitted together properly. 

Victor Burgin
[Artist and writer, b. 1941, Sheffield, England, lives in London.]

 Even the uncaptioned “art” photograph is invaded by language in the very moment it is looked at: in memory, in association, snatches of words and images continually intermingle and exchange one for the other. 

James Agee
[Writer, b. 1909, Knoxville, Tennessee, d. 1955, New York.]

 If I could do it, I’d do no writing at all here. It would all be photographs. (In the 1941 book with photographs by Walker Evans Let Us Now Praise Famous Men) 

Lewis Baltz
[Photographer, b. 1945, Newport Beach, California, d. 2014, Paris.]

 When you see a group of images together, they create their own context, and, in a sense, their own text. 
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