Andrew Savulich
[Photographer, b. 1949, Wilkes Barre, Pennsylvania, lives in New York.]

 The best way to make money with a camera is to sell it. 

Platon (Platon Rivellis)
[Photographer, b. 1968, London, lives in New York.]

 When I was shooting Karl Rove, I said to him, “Mr. Rove, I’m just a guy from England trying to make it in America. Can you give me any advice?” and he said to me, “Sonny, if you’re shooting me, you’ve already made it.” 

Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 [Photography as] a career?! It’s for a prime minister or an entrepreneur or a funeral director. That’s a career. 

Robert Adams
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]

 Part of the difficulty in trying to be both an artist and a businessperson is this: You make a picture because you have seen something beyond price; then you are to turn and assign to your record of it a cash value. If the selling is not necessarily a contradiction of the truth in the picture, it is so close to being a contradiction—and the truth is always in shades of gray—that you are worn down by the threat. 

Albert Sands Southworth
[Photographer, b. 1811, West Fairlee, Vermont, d. 1894, Charlestown, Massachusetts.]

 Into the practice of no other business or art was there ever such an absurd, blind, and pell-mell rush. From the accustomed labours of agriculture and machine shop, from the factory and counter, from the restaurant, coachbox, and forecastle, representatives have appeared to perform the work for which a life apprenticeship could hardly be sufficient for preparation... 

John Berger
[Writer and critic, b. 1926, London, d. 2017, Paris.]

 Walk down a street of private galleries—but it is unnecessary to describe the dealers with their faces like silk purses. Everything they say is said to disguise their proper purpose. If you could fuck works of art as well as buy them, they would be pimps. 

Paul Strand
[Photographer, b. 1890, New York, d. 1976, Oregeval, France.]

 If Ansel Adams gets a thousand dollars a print, I want ten thousand. 

W. Eugene Smith
[Photographer, b. 1918, Wichita, Kansas, d. 1978, Tucson, Arizona.]

 I will do no photography... that compromises my intelligence, my taste, my integrity. (On his dissatisfaction with working for LIFE Magazine, in a letter to Walker Evans, 1954) 
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